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This volume is produced from digital images created through the University of Michigan University Library's large-scale digitization efforts. The Library seeks to preserve the intellectual content of items in a manner that facilitates and promotes a variety of uses. The digital reformatting process results in an electronic version of the original text that can be both accessed online and used to create new print copies. The Library also understands and values the usefulness of print and makes reprints available to the public whenever possible. This book and hundreds of thousands of others can be found in the HathiTrust, an archive of the digitized collections of many great research libraries. For access to the University of Michigan Library's digital collections, please see http://www.lib.umich.edu and for information about the HathiTrust, please visit http://www.hathitrust.org ... Read more

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Chapters: Takarazuka Revue, Ishinha, Tokyo Sunshine Boys, Shiki Theatre Company, Gekidan Wakakusa,. Source: Wikipedia. Pages: 37. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: The Takarazuka Revue (宝塚歌劇団 Takarazuka Kagekidan) is a Japanese all-female musical theater troupe based in Takarazuka, Hyōgo Prefecture, Japan. Women play all roles in lavish, Broadway-style productions of Western-style musicals, and sometimes stories adapted from shōjo manga and Japanese folktales. The troupe takes its name from the Hankyu Takarazuka rail line in suburban Osaka. The company is a division of the Hankyu Railway company; all members of the troupe are employed by the company. The first performance "Donburako", 1914The Takarazuka Revue was founded by Ichizo Kobayashi, an industrialist-turned-politician and president of Hankyu Railways, in Takarazuka, Japan in 1913. The city was the terminus of a Hankyu line from Osaka and already a popular tourist destination because of its hot springs. Kobayashi believed that it was the ideal spot to open an attraction of some kind that would boost train ticket sales and draw more business to Takarazuka. Since Western song and dance shows were becoming more popular and Kobayashi considered the Kabuki theater to be old and elitist,, he decided that an all-female theater group might be well received by the general public. The Revue had its first performance in 1914. Ten years later, the company had become popular enough to obtain its own theater in Takarazuka, called the Dai Gekijō meaning "Grand Theater". Today, the company owns and operates another theater, the Takarazuka Theater, in Tokyo. Currently Takarazuka performs for 2.5 million people each year and the majority of its fans are women. Part of the novelty of Takarazuka is that all the parts are played by women, based ...http://booksllc.net/?id=637346 ... Read more

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Webster's bibliographic and event-based timelines are comprehensive in scope, covering virtually all topics, geographic locations and people. They do so from a linguistic point of view, and in the case of this book, the focus is on "Shiki," including when used in literature (e.g. all authors that might have Shiki in their name). As such, this book represents the largest compilation of timeline events associated with Shiki when it is used in proper noun form. Webster's timelines cover bibliographic citations, patented inventions, as well as non-conventional and alternative meanings which capture ambiguities in usage. These furthermore cover all parts of speech (possessive, institutional usage, geographic usage) and contexts, including pop culture, the arts, social sciences (linguistics, history, geography, economics, sociology, political science), business, computer science, literature, law, medicine, psychology, mathematics, chemistry, physics, biology and other physical sciences. This "data dump" results in a comprehensive set of entries for a bibliographic and/or event-based timeline on the proper name Shiki, since editorial decisions to include or exclude events is purely a linguistic process. The resulting entries are used under license or with permission, used under "fair use" conditions, used in agreement with the original authors, or are in the public domain. ... Read more

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This volume is produced from digital images created through the University of Michigan University Library's large-scale digitization efforts. The Library seeks to preserve the intellectual content of items in a manner that facilitates and promotes a variety of uses. The digital reformatting process results in an electronic version of the original text that can be both accessed online and used to create new print copies. The Library also understands and values the usefulness of print and makes reprints available to the public whenever possible. This book and hundreds of thousands of others can be found in the HathiTrust, an archive of the digitized collections of many great research libraries. For access to the University of Michigan Library's digital collections, please see http://www.lib.umich.edu and for information about the HathiTrust, please visit http://www.hathitrust.org ... Read more

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1995 ISSUE OF RIOT #1 B Y VIZ SELECT COMICS. STORY AND ART BY SATOSHI SHIKI. ... Read more

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Fascinating book on the mindsets of different people and how they can be changed using the Ju Hatsu-Shiki Revolution. Patterns of personality are discussed as well as how they can be identified and realigned. Translated from the original Japanese. ... Read more

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Title: KAMI KAZE - Satoshi Shiki - Volume One (2006 edition)Publication date: 2006Pages: 260 ... Read more

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This volume is produced from digital images created through the University of Michigan University Library's large-scale digitization efforts. The Library seeks to preserve the intellectual content of items in a manner that facilitates and promotes a variety of uses. The digital reformatting process results in an electronic version of the original text that can be both accessed online and used to create new print copies. The Library also understands and values the usefulness of print and makes reprints available to the public whenever possible. This book and hundreds of thousands of others can be found in the HathiTrust, an archive of the digitized collections of many great research libraries. For access to the University of Michigan Library's digital collections, please see http://www.lib.umich.edu and for information about the HathiTrust, please visit http://www.hathitrust.org ... Read more

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Les achats comprennent une adhésion à l'essai gratuite au club de livres de l'éditeur, dans lequel vous pouvez choisir parmi plus d'un million d'ouvrages, sans frais. Le livre consiste d'articles Wikipedia sur : Rōmaji, Méthode Hepburn, Kunrei, Nippon-Shiki, Wāpuro Rōmaji, Japanese : the Spoken Language. Non illustré. Mises à jour gratuites en ligne. Extrait : Lectures on'yomi () et kun'yomi (). Un panneau de la station de Inarichō ) du métro de Tōkyō en kanji et en rōmaji suivant la transcription Hepburn. Un panneau de la station JR de Kyōto en kanji, en hiragana et en rōmaji suivant la transcription Hepburn.La méthode Hepburn , ) est une méthode de romanisation du japonais. Elle a été introduite par le missionnaire américain James Curtis Hepburn, en 1887. Elle repose sur une retranscription phonétique de la langue japonaise. Une version modifiée du système Hepburn est normalisée par la norme ANSI Z39.11-1972 . Elle a été rendue obsolète en 1994 au profit de la norme ISO 3602:1989 qui préconise la transcription Kunrei. Les caractères en rouge sont maintenant obsolètes. Les caractères en rouge sont maintenant obsolètes. Ces combinaisons de katakana sont principalement utilisées pour représenter des sons présents dans des mots empruntés à d'autres langues. La plupart de ces katakana étendus ne sont pas formellement normalisés, et certains ne sont utilisés que très rarement. Le tableau suivant en présente quelques-uns, mais ne prétend pas à l'exhaustivité. Quand les syllabes は (ha), へ (he) et を (wo) jouent le rôle de particules enclitiques, elles se transcrivent en Hepburn respectivement wa, e et o, conformément à leur prononciation. Les voyelles longues sont signalées par un macron ; ainsi un o long s'écrira ō. Dans les mots d'origine japonaise ou chinoise, les e et i longs s'écrivent respectivement ei (qu'on ne prononcera donc pas comme une diphtongue) et ii. Dans les autres mots empruntés, toutes les voyelles longues s'écriven...http://booksllc.net/?l=fr ... Read more