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Babbitt Milton: more books (51)

Beyond Orpheus: Studies in Musical Structure by David (foreword By Milton Babbitt) Epstein, 1987

MUSINGS: THE MUSICAL WORLDS OF GUNTHER SCHULER: A COLLECTION OF HIS WRITINGS by Gunther A. [foreword by Milton Babbitt] [Dust Wrapper design by Honi W Schuller, 1986-01-01

The Masters of Modern French Criticism. Introductionby Milton Hindus by Irving Babbitt, 1963-01-01

My Ends Are My Beginnings for Clarinet in B-flat (Bass Clarinet) Solo. (book reviews): An article from: Notes by Andrew Mead, 1995-06-01

A Life of Learning: Charles Homer Haskins Lecture, 1991. (book reviews): An article from: Notes by Richard Swift, 1994-06-01

Play It Again, Sam: Viola Solo.: An article from: Notes by David Sills, 1996-03-01

Soli e Duettini for 2 Guitars. (book reviews): An article from: Notes by Andrew Mead, 1995-06-01

Perspectives of New Music - Spring-Summer 1985

lists with details

Week 1
Week 1. milton babbitt Music as an Intellectual Field of Inquiry. Background Readings.babbitt, milton. 1972a. ON RESERVE ML197 B644. babbitt, milton. 1972b.
http://www.artsci.wustl.edu/~rsnarren/508/Week1.htm

Extractions: Milton Babbitt: Music as an Intellectual Field of Inquiry Babbitt, Milton. 1972a. ÒPast and Present Concepts of the Nature and Limits of Music.Ó In Perspectives on Contemporary Music Theory, ed. Benjamin Boretz and Edward T. Cone (New York: Norton), 3Ð9. ON RESERVE ML197 B644 Babbitt, Milton. 1972b. ÒThe Structure and Function of Musical Theory.Ó In Perspectives on Contemporary Music Theory, ed. Benjamin Boretz and Edward T. Cone (New York: Norton), 10Ð21. ON RESERVE ML197 B644 Babbitt, Milton. 1971. ÒContemporary Music Composition and Music Theory as Contemporary Intellectual History.Ó In Perspectives in Musicology, ed. Barry S. Brook, Edward O. D. Downes, and Sherman van Solkema (New York: Norton), 151-84. ON RESERVE ML55 B79 Glosses and reading guidance by Joseph Dubiel (ms. 1989). Webern Konzert, Op. 24. Schoenberg, Fourth String Quartet. Stravinsky Variations: Aldous Huxley in Memoriam. (SchoenbergÕs Funf Klavierstucke, Op. 23, no. 3.) Beginning on p. 152, Babbitt discusses several quotes (eventually termed ÒhowlersÓ). What is his point and how does he argue for it?
Iclassics.com - Classical Music And More
Newsletter SignUp Herbert von Karajan Listening To Music Beethoven.com.milton babbitt. babbitt Philomel / Post-Partitions / Reflections.
http://www.iclassics.com/iclassics/artists_result.jsp?lastName=babbitt&firstName
Milton Babbitt Sheet Music, Lyrics, Chords, Tabs, Scores, Midi, Videos, Cd's - S
Find milton babbitt Official sheet music, songbooks, lyrics, tabs, midi (if available). Stagepass milton babbitt, String Quartet No. 2
http://www.stagepass.com/groupartist/artist_items.hperl?Artist=Babbitt, Milton
An Introduction To The Music Of Milton Babbitt; Author: Mead, Andrew; Hardback;
An Introduction To The Music Of milton babbitt Author Mead, Andrew Hardback;Book, ENGLISH BOOKS DEPARTMENT, Join the NetStore Cooperative,
http://www.opengroup.com/mubooks/069/0691033145.shtml
Classical And Contemporary Composers
Compositori B (from Enciclopedia Musicale Elettronica). babbitt, milton babbitt,milton in Compositori; milton babbitt (b. 1916) by G. Schirmer Inc.
http://www.kanadas.com/music/composers/B.html

Extractions: See also [Kanada's Music Page] [Composers Page] A B C D E F ... Bach , Carl Philipp Emanuel Bach , Johann Christian Bach , Johann Sebastian Bach An Appreciation by Joseph Spencer Johann Sebastian Bach Johann Sebastian Bach (Classics World Biography) In Basic Repertoire List Alexandre H. Hohmann's Bach Page
Milton Babbitt Interview
OHM The Early Gurus of Electronic Music. milton babbitt talks about Philomel Still going strong at age 84, renouned composer milton
http://www.furious.com/perfect/ohm/babbitt.html

Extractions: Milton Babbitt talks about "Philomel" Still going strong at age 84, renouned composer Milton Babbitt was a founding member of the Columbia-Princeton Electronic Center (see related article ) where he created "Philomel," one of the first compositions of the synthesizer (available on New World Records). Q: What was the origin of "Philomel"? John Hollander, the poet at Yale, knew a great deal about music and had written a lot about it. He wrote a piece for me where I would know exactly what the conditions would be- it would be for solo soprano, there would be at least four sets of speakers around the hall and that it would be a work in which I would record her voice and fabricated and modulated through the synthesizer. It was planned as a twenty minute piece at the Metropolitan Museum of Art, funded by the Ford Foundation. At the time, there were funding four or five works a year- it's indicative of our time that they (or the Rockefeller foundation) don't go near music anymore. John wrote the libretto for me and the piece was basically commissioned for a soprano, Bethany Beardsley. He gave it to me and made some modifications. John wasn't aware of the presence of audience and he didn't realize that certain conjunctions of words might sound strange. The text is highly, sonically organized. He's highly concerned about every aspect the of the English language. It was very much concerned with sound, the sound of words and the relation of the sound to words to what he would knew the music would be, even when he knew what the electronic instrumentation would be.
Art Of The States: Milton Babbitt
close, about the composer. milton babbitt (b. 1916) is among the mostinfluential teachers and composers in the United States. His
http://www.artofthestates.org/cgi-bin/compbio.pl?compname=babbittmilton
Milton Babbitt Symposium, Washington, DC, May 1998
Department of Music Back Page milton babbitt Symposium Washington, DC, May 1998.
http://www.sun.rhbnc.ac.uk/Music/Conferences/98-5-bab.html

Extractions: Washington, DC, May 1998 ========================================================================== **** MILTON BABBITT SYMPOSIUM **** **** LIBRARY OF CONGRESS **** **** WASHINGTON, DC, 2 MAY 1998 **** ========================================================================== On Saturday, May 2, 1998 the Music Division of the Library of Congress will be sponsoring a symposium in honor of Milton Babbitt. Mr. Babbitt is donating his papers to the Library, and this symposium is being planned to celebrate that gift as well as his close association with the Music Division for the past 30 years. **** PROGRAM **** **** TRAVEL AND ACCOMMODATION **** BE SURE TO MAKE ARRANGEMENTS AS EARLY AS POSSIBLE SINCE SPRING IS THE BEGINNING OF TOURIST SEASON HERE. Travel: The Library is located one block from the Capitol South Metrorail station and six blocks from Union Station. From National Airport you may wish to take the Metrorail, about a 20 minute ride. Shuttle service is available from Dulles Airport and Baltimore-Washington Airport. Limited on-street parking is available on weekends. Accommodation: Rates and locations of some hotels are listed on the Library's website: http://lcweb.loc.gov
Mead, A.: An Introduction To The Music Of Milton Babbitt.
of the book An Introduction to the Music of MiltonBabbitt by Mead, A., published by Princeton University Press.
http://pup.princeton.edu/titles/5230.html

Extractions: Shopping Cart Reviews Table of Contents In this celebration of Milton Babbitt's art, Andrew Mead explores the development of a central figure in contemporary American music. As a teacher and writer, Babbitt has influenced two generations of students, including such notable musicians as Stephen Sondheim and Donald Martino. He has helped establish the study of music theory as a serious academic pursuit, and his articles on Schoenberg, Stravinsky, and the twelve-tone system constitute a seminal body of research. But Babbitt is first and last a composer, whose works are, in Mead's words, "truly music to be heard." With Mead as a guide, we discover the strong emotional and expressive charge of Babbitt's music that is inextricably entwined with its structure. Babbitt is a twelve-tone composer, unabashedly so, and it is precisely his profound understanding of Arnold Schoenberg's epochal insight that gives Babbitt's music its special quality. By examining the underlying principles of twelve-tone composition, Mead allows us to appreciate Babbitt's music on its own terms, as a richly varied yet unified body of work. In achieving this purpose, he provides an excellent introduction to twelve-tone music in general. Without relying on professional jargon, he lucidly and succinctly explains Babbitt's complexities. A catalog of compositions, a discography, and a bibliography complete a book that will interest performers, music theorists, and music historians, as well as other readers who are enthusiastic or curious about contemporary musical works.
Milton Babbitt: A 70th Birthday Forum, Part 1
milton babbitt A 70TH BIRTHDAY FORUM, PART 1. Criteria for Grouping inmilton babbitt's Minute Waltz by SUSAN BLAUSTEIN and MARTIN BRODY.
http://www.perspectivesofnewmusic.org/v24n2l3.htm

Extractions: "Listening to Babbitt" by JOSEPH N. STRAUS "An Appreciation of Milton's Piano Music" by ROBERT TAUB "Criteria for Grouping in Milton Babbitt's Minute Waltz " by SUSAN BLAUSTEIN and MARTIN BRODY "An Interview with Milton Babbitt" by LAURA KARPMAN "The Architecture of a Superarray Composition: Milton Babbitt's String Quartet No. 5" by WILLIAM LAKE "An Interview with Judith Bettina" by RANDALL PACKER "Notated and Heard Meter" by JOEL LESTER
Milton Babbitt: A 70th Birthday Forum, Part 2
milton babbitt A 70TH BIRTHDAY FORUM, PART 2. About About Time's TimeA Survey of milton babbitt's Recent Rhythmic Practice by ANDREW MEAD.
http://www.perspectivesofnewmusic.org/v25n12l3.htm
Stravinsky's Topology: Selected Bibliography
Selected Bibliography. babbitt, milton. babbitt, milton. Remarks on RecentStravinsky. Perspectives of New Music 22 (Spring/Summer 1964) 3555.
http://home.earthlink.net/~akuster/chor/objects/09-bibliography.htm

Extractions: Stravinsky's Topology Babbitt, Milton. "Contemporary Music Composition and Music Theory as Contemporary Intellectual History." In Perspectives in Musicology, ed. Brook, Downes, Solkema, 166-67. New York: Norton, 1972. Babbitt, Milton. "Remarks on Recent Stravinsky." Perspectives of New Music 2:2 (Spring/Summer 1964): 35-55. Babbitt, Milton. "Stravinsky's Verticals and Schoenberg's Diagonals: A Twist of Fate." In Stravinsky Retrospectives, 15-35. Lincoln and London: University of Nebraska Press, 1987. Bennighof, James. "Set-Class Aggregate Structuring, Graph Theory, and Some Compositional Strategies." Journal of Music Theory 31:1 (Spring 1987): 51-98. Berger, Arthur. "Problems of Pitch Organization in Stravinsky." Perspectives of New Music 2:1 (Fall/Winter 1963): 11-42. Brantley, John Paul. "The Serial Choral Music of Igor Stravinsky." Ph.D. diss., University of Iowa, 1978. Buell, Timothy John. "Aspects of Stravinsky's Abraham and Isaac." Ph.D. diss., University of Pittsburgh, 1986.
Skidmore's CD Collection - B
Concerto for piano and orchestra ; The head of the bed, babbitt, milton,1916, Multiple forms, M3.1.B29 C66 1987. Elizabethan sextette
http://www.skidmore.edu/library/cds/by_composer/B.htm

Extractions: Title Composer Musical Form Call Number Concerto for piano and orchestra ; The head of the bed Babbitt, Milton, 1916- Multiple forms Elizabethan sextette ; Solo piano works ; Groupwise ; Vision and prayer Babbitt, Milton, 1916- Songs Joy of more sextets Sextets / Babbitt, Milton, 1916- Other Philomel Babbitt, Milton, 1916- Songs Streichquartette Bacewicz, Graçzyna. Other Bach, Carl Philipp Emanuel, 1714-1788. Symphonies Auferstehung und Himmelfahrt Jesu Wq 240 / Bach, Carl Philipp Emanuel, 1714-1788. Oratorios Fèur Kenner und Liebhaber For connoisseurs and amateurs. Bach, Carl Philipp Emanuel, 1714-1788. Multiple forms Prussian sonatas, WQ 48 Bach, Carl Philipp Emanuel, 1714-1788. Sonatas Amadis des Gaules Bach, Johann Christian, 1735-1782. Operas Orchestral works Bach, Johann Christian, 1735-1782. Overtures Six grand overtures, op. 18 Bach, Johann Christian, 1735-1782. Overtures Six quintets op. 11 Bach, Johann Christian, 1735-1782. 3 keyboard concertos Bach, Johann Sebastian, 1685-1750.
Mississippi Counties - Information Page For Milton Babbitt
Information page for milton babbitt. Picture location. Personal Information.Name milton babbitt. Field Musician. Born in Jackson.
http://www.mscounties.com/person_detail.cfm?ID=228
COMPOSITIONAL DETERMINANTS IN MILTON BABBITT'S PHONEMENA
ASPECTS OF STRUCTURE AS COMPOSITIONAL DETERMINANTS IN milton babbitt'S PHONEMENAFOR SOPRANO AND SYNTHESIZED TAPE. Mikel Kuehn Indiana University, South Bend.
http://theory.esm.rochester.edu/smt-96.abstracts/kuehn.html

Extractions: Indiana University, South Bend This paper conducts an investigation of structure and its relationship to largescale aspects of the musical surface in Milton Babbitt's Phonemena (1969-70), for soprano and synthesized tape (or piano). By examining classic allpartition array structures of Babbitt's second period this paper explains the derivation of Phonemena's unique text and colorful world of sound, while offering insights into the relatively unexplored realm of realization of pitch, timbre, and dynamics by the RCA Mark II Synthesizer. Other issues addressed are aspects of rhythm including a detailed examination of the timepoint array's modular units and their aural function as well as a look at the plethora of contour invariances embedded in the surface of the music projected by the row and array structure. The paper also focuses on the group structure of Phonemena's array and some general implications of its design. While this study is a detailed survey of Phonemena's compositional structures and their realization, it offers a great deal of general information that is applicable to the majority of Babbitt's work.
Milton Babbitt Symposium
milton babbitt Symposium. (May 2, 1998). A symposium in honor of miltonbabbitt will be held at the Library of Congress on May 2, 1998.
http://theory.esm.rochester.edu/SMT.NL21.1/babbitt.html

Extractions: (May 2, 1998) A symposium in honor of Milton Babbitt will be held at the Library of Congress on May 2, 1998. Joseph Dubiel, Allen Forte, Marion Guck, Andrew Mead, Robert Morris, Joseph Straus, and Robert Taub will read papers on topics related to Milton Babbitt's work as a composer, theorist, and teacher. A complete program will soon be available. Over the past 30 years Mr. Babbitt has been actively involved with the Music Division of the Library of Congress, serving as a consultant on the Coolidge Foundation Committee and lending invaluable assistance regarding the commissioning of the works of other composers. Mr. Babbitt's own works commissioned by the Library of Congress include his String Quartet No. 4, The Joy of More Sextets, and his Piano Quartet. Recently Mr. Babbitt agreet to donate his papers to the Music Division. When it becomes available, the Babbitt Collection will be of special interest to those scholars who wish to study the impact of serialism on American music, the introduction of Schenkerian analysis and set theory into virtually all American university music curricula, and the history and impact of synthesized sound. ssod@loc.gov
EIU - BOOTH LIBRARY, MUSIC CDs
AZEMA, ANNE, JEU D'AMOUR, LE, M 1579.A93xJ48.CD. babbitt, milton, PHILOMEL (VOICE PIANO), M 1613.3.B14xP54B42.CD. babbitt, milton, PIANO MUSIC SINCE 1983, M25.
http://www.eiu.edu/~booth/resources/musicAB.htm

Extractions: Updated 1/24/2003 ABRAMS, M.R./EHRLICH, M. OPEN AIR MEETING, THE M 1366.A227xO63.CD ABRAMS, MUHAL RICHARD ONE LINE, TWO VIEWS M 1366.A227xO53.CD AC/DC BACK IN BLACK (missing 9/02) M 1630.18.A24xB32.CD ACE OF BASE SIGN, THE M 1630.18.A25xS53.CD ADAM, ADOLPHE GISELLE (SUITE) M 1520.T33xL42O75.CD ADAMS, JOHN AMERICAN ELEGIES M 1620. I92U67x.CD ADAMS, JOHN FEARFUL SYMMEYRIES/WOUND-DRESS M 1613. A32xW68A32.CD ADAMS, JOHN LUTHER CLOUDS OF FORGETTING, CLOUDS OF UNKNOWIN M 1045.A32xC56F34.CD ADAMS, JOHN LUTHER EARTH AND THE GREAT WEATHER M 985.A32xE277.CD ADAMS, TERRY TERRIBLE, THE M 1366.A29xT47.CD ADDERLEY, CANNONBALL M 1366.W54xN36.CD ADLER, SAMUEL, et al.. EXULTATION: BRADFORD GOWEN, PIANO M 23.A33xS6G68.CD ADOLPHE, BRUCE CHIAROSCURO FOR DOUBLE WIND QUINTET M 557. T76xM6S94.CD ADOLPHE, BRUCE STRING QUARTET NO.2 "TURNING, RETURNING" M 452.A36xno.2B74.CD AEROSMITH BIG ONES M 1630.18.A415xB53.CD AEROSMITH GREATEST HITS M 1630.18.A415xG741993.CD AEROSMITH LITTLE SOUTH OF SANITY, A M 1630.18.A415xL57.CD AEROSMITH NINE LIVES M 1630.18.A415xN56.CD AEROSMITH TOYS IN THE ATTIC M 1630.18.A415xT69.CD
Babbitt,Milton (geb.1916) Kammermusik - Jpc
Translate this page babbitt,milton (geb.1916) Kammermusik Preis- und Bestellinformation CD Koch,DDD,94-96Weitere Informationen zu diesem Titel Klangbeispiele Klangbeispiele
http://www.jpc-klassik.de/7833896.htm
Milton Byron Babbitt (1916) - Klassiekemuziekgids.net
klassiekemuziekgids.net. milton Byron babbitt Philadelphia 1916 Amerikaanscomponist. babbitt studeerde wiskunde aan de universiteit
http://www.klassiekemuziekgids.net/componisten/babbitt.htm
Altenberg Trio Wien - Archiv
Translate this page Verlag Muzgiz babbitt, milton Byron (1916-) Composition for four instrumentsflute, clarinet, violin, and cello - d.1948 babbitt
http://www.altenbergtrio.at/archiv_opus_g.php?opusfilter=b&von=0

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