Second Page By Ola Oliynyk As an added attraction, the brilliant recently discovered Concerto in D Major byUkrainian composer Dmytro (dmitri) bortniansky (17511825) was also performed http://home.att.net/~bandura.ca/Bandura-OlaH/2Page.html
Extractions: HOME PAGE OUR CONCERTS OUR LECTURES BANDURA ... UKRAINIAN LINKS CONCERTS OF UKRAINIAN MUSIC Ola Herasymenko Oliynyk sings Ukrainian epic ballads, folk songs and art songs with an expressive, soothing mezzo soprano voice while accompanying herself on the exotic concert bandura. The songs range from dramatic and lyrical to light and humorous. Part of the program features instrumental dances and compositions for the bandura or bandura and piano. She also has Ukrainian Christmas carols in her repertoire as well as songs and instrumental pieces from international repertoire. The concert bandura featured in these performances was custom made by Vasyl Herasymenko , a professor of bandura at the Lviv Conservatory and well known instrument designer in Ukraine. Yuriy Oliynyk provides an itermittent commentary on the ballads, songs and pieces being performed with historic, anecdotal and biographical characterizations. Original music by Yuriy Oliynyk, Ola's sister Oksana Herasymenko and other Ukrainian composers is offered as well as music of Bach, Mozart, Beethoven and others. Audio cassettes CONCERTS of BANDURA with a SYMPHONY ORCHESTRAS In 1992 Ola H. Oliynyk was the first bandurist to be featured as a soloist with a symphony orchestra in the United States. Ever since that time the public and the critics have been both astounded and impressed by the beautiful, haunting sounds of the bandura in combination with a full symphony orchestra.
Face Of Russia: Bibliography 1990 Telarc CD80172. Sacred Choral Works by dmitri bortniansky. Vladislav Chernu-chenkoand the Glinka State Choir of St. Petersburg. 1994. Bell Ringing. http://www.pbs.org/weta/faceofrussia/reference/bibliography.html
Extractions: Historical and General Reading Billington, James. The Face of Russia. Harper Collins, 1998. Billington, James. The Icon and the Axe: An Interpretive History of Russian Culture. New York: Vintage Books, 1970. Cracraft, James. Peter the Great Transforms Russia. Lexington, Mass.: D.C. Heath and Company, 1991. Dmytryshyn, Basil, ed. Medieval Russia: A Source Book, 850-1700. Fort Worth: Harcourt Brace Jovanovich, 1991. Raeff, Marc. Understanding Imperial Russia. New York: Columbia University Press, 1984. Remnick, David. Resurrection: The Struggle for a New Russia. New York: Random House, 1997. Riasanovsky, Nicholas V. A History of Russia. New York: Oxford University Press, 1993. Stites, Richard. Russian Popular Culture: Entertainment and Society since 1900. Cambridge: Cambridge University Press, 1992.
Nicolas Slonimsky Collection (Library Of Congress) BOX 338, Compositions by dmitri bortniansky, Fiodor DUBIANSKY, Lev GURILEV, IvanKHANDOSHKIN, IA KOZLOVSKY (b. 1757), Vasili TRUTOVSKY, and Alexei ZHILIN. http://www.loc.gov/rr/perform/special/Slonimsky/Slonimsky-HTML-Doc14.htm
Extractions: Library of Congress, Washington DC, 2001 Introduction Scope and Content Chronology Description of Series ... Table of Contents Box Contents Multi-Composer Collections BOX 329 20 russkikh narodnykh pesen [voice(s)]. Vladimir Zakharov (transcriber). Moscow: Muzgiz, 1936. BOX 329 BOX 329 A. Pushkin v romansakh i pesniakh sovetskikh kompozitorov [voice and piano]. Moscow: Muzgiz, 1937. BOX 329 Compositions by Alexander ABRAMSKY, Anatoli ALEXANDROV, Victor BELY, Yuri BIRIUKOV, Vladimir DESHEVOV, Anatol DROZDOV, Konstantin EIGES, Samuel FEINBERG, Vladimir FRIZE, Varvara GAIGEROVA, Mikhail IORDANSKY, Yuri KOCHUROV, Alexander KREIN, Zara LEVINA, Alexander MOSOLOV, Vasily NECHAYEV, Sergei PROKOFIEV, Vasili SEDOI [SOLOVIEV-SEDOY], Yuri SHAPORIN, Vissarion SHEBALIN, Boris SHEKHTER, Ivan SHISHOV, Lev SHVARTS, Mikhail STAROKADOMSKY, and Georgi SVIRIDOV. BOX 329 American composers of today. 23 piano pieces imparting appreciation of contemporary music. New York: Marks Music Corp., 1965. BOX 329 Compositions by [?] BABBITT, Arthur BERGER, Sol BERKOWITZ, Mario CASTELNUOVO-TEDESCO, Norman CAZDEN, Henry COWELL, Norman DELLO JOIO, Vivian FINE, Miriam GIDEON, Lou HARRISON, Robert HELPS, Alan HOVHANESS, Jan MEYEROWITZ, Charles MILLS, Hall OVERTON, Joseph PROSTAKOFF, Karol RATHAUS, Roger SESSIONS, Nicolas SLONIMSKY, Robert STARER, William SYDEMAN, and Ben WEBER.
Extractions: Select Search All Bartleby.com All Reference Columbia Encyclopedia World History Encyclopedia World Factbook Columbia Gazetteer American Heritage Coll. Dictionary Roget's Thesauri Roget's II: Thesaurus Roget's Int'l Thesaurus Quotations Bartlett's Quotations Columbia Quotations Simpson's Quotations English Usage Modern Usage American English Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Bulfinch's Mythology Frazer's Golden Bough All Verse Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. All Nonfiction Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals All Fiction Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Reference Columbia Encyclopedia PREVIOUS NEXT ... BIBLIOGRAPHIC RECORD The Columbia Encyclopedia, Sixth Edition. Boreas to Bourne, Randolph Silliman
Repertoire Translate this page 71, 1995, Blow, John, The glorious day is come, S. 3, 1982, bortniansky, DmitriS. Mnogaya lieta, C. 48, 1991, Britten, Benjamin, Abraham and Isaac op. 51,S. http://www.michaelchance.co.uk/Repertoire.htm
Extractions: REPERTOIRE Cd Year Author Piece Solo/ Chorus Allegri, Gregorio Miserere S Anonymous Ah, silly poor Joas S Anonymous Blagoviernomu Tsariu C Anonymous Budi imya Gospodnie C Anonymous Come, tread the paths S Anonymous In Paradise S Anonymous In Paradise S Anonymous Izbavlenie posla C Anonymous Izhe khieruvimui C Anonymous Miserere my Maker S Anonymous Ot yunosti moieya C Anonymous Svyatui Bozhe C Anonymous V Chiermniem Mori C Anonymous What meat eats the Spaniard S Anonymous Y vsyu krotost C Bach, Johann Christoph Ach, dass ich Wassers g'nug h tte S Bach, Johann Sebastian Ach Gott, vom Himmel sieh darein (BWV 2) S Bach, Johann Michael Auf, lasst uns den Herren loben S Bach, Johann Sebastian Agnus Dei (from Mass in B minor BWV 232) S Bach, Johann Sebastian Auf, schmetternde T ne (BWV 207a) S Bach, Johann Sebastian Christmas Oratorio (BWV 248) S Bach, Johann Sebastian Christmas Oratorio (BWV 248) S Bach, Johann Sebastian Die Zeit, die Tag und Jahre macht (BWV 134a) S Bach, Johann Sebastian Ein Herz, das seinen Jesum lebend weiß (BWV 134) S Bach, Johann Sebastian Erbarme dich (from St. Matthew Passion BWV 244)
Dimitrij Bortniansky Translate this page bortniansky, Dimitrij Stepanowitsch * 1751 in Gluchow (Gouvernement Tschernigow,heute Hluchiv, Ukraine) 28. Sept. (10. Okt.) 1825 St. Petersburg. http://www.operone.de/komponist/bortniansky.html
Extractions: Nach Petersburg zurückgekehrt, war er als Leiter des Hoforchesters, später auch der Hofkapelle, tätig und schrieb für die zaristischen Liebhabertheater in Pawlowsk und Gatschina die Komödie mit Ballett 'La Fette du Seigneu' sowie die beiden Komischen Opern 'Le faucon' und 'Le Fils rival ou la Moderne Stratonice'. Alle drei Opern waren für ein aristokratisches Publikum bestimmt und die Texte deshalb in französischer Sprache. Noch die beiden russischen Musikwissenschaftler Assafjew und Rabinowitsch beurteilten 1923 bzw. 1948 Bortnianskis Opern primär danach, ob in ihnen nationale stilistische Elemente Verwendung fanden. Mit Beginn der 70er Jahre änderten sich die Bewertungskriterien. Man begann Bortnianski als den Schöpfer des russischen Lyrischen Theaters zu schätzen (so bei Rosanow und Ryzarewa). Dies wurde durch den großen Erfolg der russischsprachigen Erstaufführung des 'Falken' (Le faucon' 1972 am Kammer-Musik-Theater Moskau bestätigt.
Ukraine And Ukrainian Arts And Culture At BRAMA 02 01 1998 12 11 10 09 08 07. dmitri BortnianskyFor Ukraine, He's a Native Son, Regardless (NY Times) 06/27/1999. http://www.brama.com/art/headlines9906A.html
Extractions: Calendar 02/16/2003 thru 03/25/2003 Folk Tales Exhibition of Artwork [Canada-West] 03/07/2003 thru 03/30/2003 "Shevchenko in Kazakhstan" Exhibit [NY-NJ-Metro] 03/15/2003 thru 03/29/2003 Ukrainian Pysanky (Easter Eggs) Workshops [USA-West] 03/21/2003 thru 03/24/2003 "NOT TO BE FORGOTTEN" EXHIBITION [Phila-Metro] ... more ... ** HOT SHOP UKRAINIAN War for Oil? BRAMA Home BRAMA in Ukrainian ... Yahoo!
Borzoi encyclopediaEncyclopedia borzoi, bôr'zoi Pronunciation Key. borzoi, breed of tall, swift hound developed in Russia in the early http://www.factmonster.com/ce6/sci/A0808403.html
Borzoi Back to Fact Monster, this page was printed from Factmonster.com www.factmonster.com/ce6/sci/A0808403.html.encyclopediaEncyclopedia http://print.factmonster.com/ce6/sci/A0808403.html
Borzoi Family Education Network Explore Our Sites http://www.infoplease.com/ce6/sci/A0808403.html
MetaEUREKA Metasearch What How All of the words Where Web. http://www.metaeureka.com/cgi-bin/odp2.pl?dir=Arts/Music/Composition/Composers/C
The Repertoire 4. Samuel BARBER (19101981), Adagio. Russian music XVIII - XX. 1. DmitriBORTNIANSKY (1751-1825), Concert for choir No. 6 Concert for choir No. 34. http://www.geocities.com/Vienna/Opera/4431/youth/repert.htm
Extractions: THE REPERTOIRE European music XVI - XVIII Giovanni PALESTRINA (1524-1594) Motets Giulio CACCINI (1550-1618) Motets Carlo GESUALDO (1560-1613) Motets Felice ANERIO (1560-1614) Motets Claudio MONTEVERDI (1567-1643) Madrigals Henricus SCHUTZ (1585-1672) Ein kleines Geistes Konzert Motets Antonio LOTTI (1667-1740) Motets J.K.BACH (1735-1782) Motet "Ich lasse dich nicht" J.L.BACH (1677-1731) Motet "Das ist meine Freude" J.S.BACH (1685-1750) Motet "Komm, Jesu, komm" Cantate No. 4 Giovanni PERGOLESI (1710-1736) "STABAT MATER" W.A.MOZART (1756-1791) REQUIEM Litania D-dur "Placido il mar" European music XIX Franz SCHUBERT (1797-1828) Messa Es-dur Messa G-dur Felix MENDELSON-BARTOLDI Motets op.116 Robert SCHUMANN (1810-1856) Choirworks Charle GOUNEAU (1818-1893) "Ave verum" Anton BRUCKNER (1824-1896) Graduale Johannes BRAHMS (1833-1897) "EIN DEUTSCHES REQUIEM" Messa Choirworks op.62, op.74, op.104 Gabriel FAURE (1845-1924) REQUIEM European and American music XX Bela BARTOK (1881-1945) "Four Slovac Songs"
Extractions: Aguiar, Ernani Ahnfelt, Oskar Allaway, Ben Althouse, Jay Andreo, Dante Augustinas, Vaclovas Balzanelli, Alberto Bardos, Lajos Bart, Katie Moran Baxter, Francis Bernhardt, Ross C. Bortniansky, Dmitri Bortniansky, Dmitry S. Bowen, Jose Bowen, Jose A. Braun, Yehezkel Broad, Elaine Brownsey, Lois and Marti Lunn Lantz Brunner, David L. Caldwell, Paul and Sean Ivory Certon, Pierre Chesnokov, Pavel G. Crouch, Andrae and Karen Lafferty Dawson, William L. di Capua, Edoardo Donnelly, Mary Escalada, Oscar Estavez, Antonio Ferko, Frank Golovanov, Nikolai S. Gretchaninoff, Alexandre Grieg, Edvard Gruber, Franz Xaver Hadar, Josef Halmos, Laszlo Hampton, Keith Harlap, Aharon Hatfield, Stephen Hawkins, Walter Hemmel, Ronald Higgins, Andrea Jill Hoffman, Stanley M. Hogan, Moses Horvit, Michael Hrusovsky, Ivan Ippolitov-Ivanov, Mikhail M. Kalinnikov, Victor Kastalsky, Alexander Kedroff, Nikolai Kopylov, Alexander A.
