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Meyerbeer Giacomo:     more books (100)

Giacomo Meyerbeer: A Reader by Robert Ignatius Letellier, 2007-12-01 An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays by Robert Ignatius Letellier, 2008-02-19 Meyerbeer Studies: A Series Of Lectures, Essays, And Articles On The Life And Work Of Giacomo Meyerbeer by Robert Ignatius Letellier, 2005-06 Giacomo Meyerbeer: A Life in Letters by Giacomo Meyerbeer, 1989-08-24 Giacomo Meyerbeer: Orchestral Works:The Incidental Music to Struensee, Fackeltanze, Overtures, Marches, Ballet Music (in Piano Score) by Giacomo Meyerbeer, 2009-07-01 The Diaries of Giacomo Meyerbeer: The Last Years 1857-1864 by Giacomo Meyerbeer, 2004-02 The Diaries of Giacomo Meyerbeer: 1791-1839 by Giacomo Meyerbeer, Robert Ignatius Letellier, 1999-12 Giacomo Meyerbeer: Briefwechsel und Tagebücher: Band 8: 1860-1864 (Giacomo Meyerbeer, Briefweschel und Tagebucher) (German Edition) by Sabine Henze-Dohring (Editor), 2006-12-01 The Diaries of Giacomo Meyerbeer, Volume 2 by Giacomo Meyerbeer, Robert Ignatius Le Tellier, et all 2001-03-31 The Diaries of Giacomo Meyerbeer: The Years of Celebrity, 1850-1856 by Giacomo Meyerbeer, Robert Ignatius Letellier, 2002-03 The Operas of Giacomo Meyerbeer by Robert Ignatius Le Tellier, 2006-06-30 Giacomo Meyerbeer, Musik ALS Welterfahrung: Heinz Becker Zum 70. Geburtstag (German Edition) Giacomo Meyerbeer: Eine Biographie nach Dokumenten (German Edition) by Reiner Zimmermann, 1991 Giacomo Meyerbeer, ein Leben in Briefen (Taschenbucher zur Musikwissenschaft) (German Edition) by Giacomo Meyerbeer, 1983

lists with details

1. Giacomo Meyerbeer
   Giacomo Meyerbeer. 17911864. Yaakov Liebmann Beer (the original name of GiacomoMeyerbeer) was born on 5 September, 1791, in Vogelsdorf, Germany.  
   http://www.composers.net/database/m/Meyerbeer.html
   
   Extractions: Giacomo Meyerbeer Il Crotiato in Egitto , in this musical style and written in 1824, is considered by many to be an operatic masterpiece. Following the great success of Il Crotiato in Egitto , Meyerbeer moved to Paris, France, and got married in 1826. In Paris, Meyerbeer suddenly ceased to compose Italian operas and switched to French. His Robert le Diable is considered to have been the defining work in French opera throughout the Romantic period. Several other great successes came to Meyerbeer in Paris, including Les Hugenots Le Prophete , and L´africaine Ein Feldlager de Schliessen Dinorah Giacomo Meyerbeer died in Paris on 2 May, 1864, and was buried in Berlin. The website www.meyerbeer.com is highly recommended for those interested in this composer. It is the Meyerbeer Fan Club Homepage, and contains huge amounts of information. It is a true fan club, and membership is available to those interested. It is dedicated to bringing forward the work and life of Meyerbeer to the fore-front wherever possible. Anyone interested in getting recordings of Meyerbeer music, or learning a good place to start, might want to check here. Meyerbeer Links Main Page Search E-mail

2. Classical Net - Basic Repertoire List - Meyerbeer
   Giacomo Meyerbeer. (1791 1864).  
   http://www.classical.net/music/comp.lst/meyerbeer.html

3. Giacomo Meyerbeer - CD Shop Musica Bona
   Mascagni Pietro (18631945) Massenet Jules Emile (1842-1912) Mendelssohn-BartholdyFelix (1809-1847) Messiaen Olivier (1908-1992) meyerbeer giacomo (1791-1864  
   http://www.musicabona.com/cdshop1/meyerbeer01.html

4. Pqj - Fehler
   pqj.de. meyerbeer giacomo. (M). Klassische MilitärmärscheMarschmusik  
   http://www.pqj.de/meyerbeer_giacomo.htm

5. Meyerbeer,Giacomo
   Meyerowitz Jan . meyerbeer giacomo (17911864)  
   http://www.woodwind.org/Databases/Composers/Names/006866.html

6. Giacomo Meyerbeer - CD Shop Musica Bona
   about this title, Verdi Giuseppe Aida Luisa Miller La forza del destino Il TrovatoreUn ballo in maschera Don Carlos La traviata meyerbeer giacomo L'Africaine  
   http://www.musicabona.com/cdall1/meyerbeer01.html

7. Meyerbeer, Giacomo At ChesterNovello.com
   HOME COMPOSERS Giacomo meyerbeer giacomo Meyerbeer. Complete Works. Orchestra. CoronationMarch (Prophete) 4 mins. Orchestration 2(pic)224/4431/timp.perc/str.  
   http://www.chester-novello.com/composer/1074/main.html

8. Briefwechsel Und Tagebücher 5 Bde Bd3 1837-1845 Meyerbeer Giacomo
   Translate this page Briefwechsel und Tagebücher 5 Bde Bd3 1837-1845 meyerbeer giacomo. Titel Briefwechselund Tagebücher 5 Bde. Autor meyerbeer giacomo. Rubrik Kategorie  
   http://www.1a-krimitrend.de/Meyerbeer-Giacomo-Briefwechsel-und-Tagebuech-3110042

9. Briefwechsel Und Tagebücher 5 Bde Bd1 Bis 1824 Meyerbeer Giacomo
   Translate this page Briefwechsel und Tagebücher 5 Bde Bd1 Bis 1824 meyerbeer giacomo. Titel Briefwechselund Tagebücher 5 Bde. Autor meyerbeer giacomo. Rubrik Kategorie  
   http://www.1a-krimitrend.de/Meyerbeer-Giacomo-Briefwechsel-und-Tagebuech-3110029

10. Meyerbeer Giacomo
    Translate this page meyerbeer giacomo (eigentl. Jakob Liebmann Beer). französischer Komponist deutscherHerkunft. Geboren 05.09.1791 in Berlin Gestorben 02.05.1864 in Paris.  
    http://www.sieber-online.ch/kompon/meyerbeer.htm
    
    Extractions: Gestorben: 02.05.1864 in Paris seit 1816 in Italien, dann in Paris und seit 1842 Generalmusik-Direktor in Berlin. Hauptvertreter französischer Grossen Oper; "Robert der Teufel" (1831), "Die Hugenotten" (1836), "Der Prophet" (1849) und "Die Afrikanerin" (1865). Aktualisiert durch sieber-online am:

11. Giacomo Meyerbeer @ Unverse
    Giacomo Meyerbeer at Unverse Books, pictures, ideas for the unversed. Books,DVDs, CDs, videos and stuffClassical Music Giacomo Meyerbeer.  
    http://www.unverse.com/list-classical-find_artist Giacomo Meyerbeer

12. Giacomo Meyerbeer @ Unverse
    Giacomo Meyerbeer at Unverse Books, pictures, ideas for the unversed. Books,DVDs, CDs, videos and stuffPopular Music Giacomo Meyerbeer.  
    http://www.unverse.com/list-music-find_artist Giacomo Meyerbeer

13. Giacomo Meyerbeer
    Giacomo Meyerbeer. Click Here. Born Berlin, September 5, 1791. Died Paris,May 2, 1864. Major Works Opera L'Africana. Other Works Robert le Diable.  
    http://www.webref.org/composers/meyerbeer_giacomo.htm

14. GIACOMO MEYERBEER
    GIACOMO MEYERBEER Much has been written about Meyerbeer's enormous popularity duringhis lifetime, and his eventual fall from grace during the twentieth century  
    http://www.geocities.com/Vienna/8917/Meyerbio.html
    
    Extractions: GIACOMO MEYERBEER Much has been written about Meyerbeer's enormous popularity during his lifetime, and his eventual fall from grace during the twentieth century. Many explanations have been proffered for this fall from gracechanges in taste, shortage of the singers who can execute the music, costs of mounting them, and the like. His detractors, primarily Wagner, Schumann, Mendelssohn, Berlioz, and others were noted for their jibes, such as the anti-Semitic Wagner's "Effects without causes". Be that as it may, the impact of these negative comments has lingered, and, as Michael Scott says in his notes for the Opera Rara recording of Dinorah "We are still living in the wake of these prejudices. The German ideal has triumphed, the opera house has ceased being a place of entertainment, and has become a temple of enlightenment, with the composer as high priest, where formerly the prima donna had been mistress of ceremonies" The battle between opera as a form of enlightenment and opera as a form of entertainment has been raging throughout much of the 19th century, and all of the 20th. Basically, the original cause was an intolerant attitude toward Italian opera on Mendelssohn's part, starting apparently with a letter he wrote while in Italy in 1831. Mendelssohn was no admirer of Italian music, his views being succinctly summarized in a letter criticizing music by Bellini and Pacini where he states «just as a cicisbeo (gigolo) will for ever be repulsive to my feelings, so it is with Italian music. But, of course, Mendelssohn regarded Meyerbeer with the same disdain that he had for Pacini and Bellini, and Schumann as well as Wagner were only too pleased to follow in his footsteps.

15. Giacomo Meyerbeer
    Giacomo Meyerbeer (1791 1864), TRANSCRIPTION. ABOUT THE COMPOSER. Giacomo Meyerbeerwas born September 5, 1791 in the town of Vogelsdorf, near Berlin, Germany.  
    http://www.morrisonfoundation.org/giacomo_meyerbeer.htm
    
    Extractions: the date this note was written ABOUT THE COMPOSER Giacomo Meyerbeer was born September 5, 1791 in the town of Vogelsdorf, near Berlin, Germany. His name at birth was Jakob Liebmann Beer. His father was Jakob Herz Beer who owned sugar refineries in Germany and Italy. His mother was Amalia Beer, a Berlin socialite. Her father was Liebmann Meyer Wulf, a successful contractor for Prussia. He was also a respected Jewish leader. Jakob was destined to become one of the world’s great musicians. He fast became known as a child prodigy, and one of the finest pianists in Berlin. His teachers were some of the finest of that time. The master pianist Muzio Clementi taught him piano. He studied composition and counterpoint with the Abbé Vogler in Darmstadt and became friends with composer Carl Maria von Weber. By age 24, Jakob Beer, who now called himself, Giacomo Meyerbeer, the name by which the world would remember him, had composed several promising oratorios and operas in German. At Antonio Salieri’s suggestion, he went to Italy to study vocal composition.

16. U. Of Western Ontario /All Locations
    1960 1 Meyer Zur Capellen Jurg 2 Meyer Zur Capellen Walther Taylor 1950 1 MeyerbeerG Giacomo 1791 1864 See meyerbeer giacomo 1791 1864 1 Meyerbeer  
    http://alpha.lib.uwo.ca:5701/search/aMeyerbeer, Giacomo, 1791-1864./ameyerbeer g
    
    Extractions: AUTHOR TITLE SUBJECT MEDICAL SUBJECT WORD KEYWORD CALL NO Brescia University College Library Business Library Education Library Huron University College Library Music Library Law Library The D. B. Weldon Library Information and Media Studies Int'l Centre for Olympic Studies Electronic Resources Journals View Entire Collection Mark Nearby AUTHORS are: Year Entries Meyer Zu Schloctern F Weldon Meyer Zu Uptrup Klaus Weldon Meyer Zur Capellen Jurg

17. EMORY UNIVERSITY: 19th-Century Music: GIACOMO MEYERBEER
    GIACOMO MEYERBEER (17911864) student project contributed by Melissa Van Drie.Life. Giacomo Meyerbeer A Life in Letters. Portland Amadeus Press, 1989.  
    http://www.emory.edu/MUSIC/ARNOLD/meyerbeer_content.html

18. Meyerbeer Fan Club Home Page
    Biography, bibliograpy, discographies, articles, discussion page and membership information.Category Arts Music Composition Composers M meyerbeer, giacomoDetailed information about the life, music and opera of giacomo meyerbeer,including articles, discussion page and membership information.  
    http://www.meyerbeer.com/
    
    Extractions: Covering the years 1853 through 1855 "[T]he most informative, exceptionally well and lovingly designed website" on the net! Frankfurter Allgemeine Magazin , April 9, 1998 Seth Williamson, Classical Music Radio Host WVTF Public Radio, Roanoke, VA NEW!! March, 2002.......The Meyerbeer Diaries in English: Volume III released!!.... Meyerbeer and Auber: Their Relationship............The Story of Halevy's La Juive......... Dr. Sieghart Döhring: Giacomo Meyerbeer and the Opera of the Nineteenth Century........"Mario-aria" clips See Real Audio files........... The Neglected Bel Canto Composers See "What's New" This page is dedicated to Giacomo Meyerbeer (1791-1864) one of the most famous and successful composers of 19th century opera and the originator of French Grand Opera, a style imitated by many other well known composers, including Hector Berlioz, Giuseppe Verdi and Richard Wagner. Due to the paucity of performances of his operas in the major and minor opera venues, Meyerbeer's music is not well known today. However, a group of music lovers who are committed to the resurrection of Meyerbeer's opera and music have formed the Meyerbeer Fan Club.

19. Giacomo Meyerbeer
    giacomo meyerbeer. (17911864) Berlín, Alemania  
    http://www.epdlp.com/meyerbeer.html
    
    Extractions: Compositor alemán de gran dramatismo que influyó en su compatriota Richard Wagner. Destacó como la figura más sobresaliente de la gran ópera francesa posterior a 1831. Nació en Berlín y su verdadero nombre era Jakob Liebmann Beer. Tuvo como profesor de composición a Karl Friedrich Zelter y al organista alemán Abad Georg Joseph Vogler. Meyerbeer se trasladó a Venecia en 1815, donde adoptó el estilo melódico del compositor italiano Gioacchino Rossini. Allí compuso 6 óperas al estilo italiano, entre las que destaca Il Crociato in Egitto (1824) estrenada en la Fenice de Venecia. A continuación dejó de componer y se trasladó a París para estudiar la ópera francesa, que se distinguía de la italiana por la grandiosidad de la puesta en escena y los ballets incluidos como interludios entre los actos y por la mayor utilización de música coral e instrumental en lugar de arias solistas. Los temas también eran más cultos, por lo general de tipo histórico. En sus últimos años asociado al libretista Eugéne Scribe, Meyerbeer compuso 6 óperas francesas, entre las que destacan Robert le diable (1831), Les Huguenots (1836), Le Prophète (1849) y L'Africaine (1865), que le valieron su consagración y la de este género en Europa. © eMe

20. MEYERBEER, GIACOMO
    meyerbeer, giacomo (17911863), German composer, first known as Jakob Meyer Beer, was born at Berlin on the 5th of September I79I 1 of a wealthy and talented Jewish family  
    http://48.1911encyclopedia.org/M/ME/MEYERBEER_GIACOMO.htm
    
    Extractions: His next opera, Les Huguenots, was first performed in 1836. In gorgeous colouring, rhetorical force, consistency of dramatic treatment, and careful accentuation of individual types, it is at least the equal of Robert le Diable. In two points only did its interest fall short of that inspired by the earlier work. Meyerbeer had shown himself so eminently successful in his treatment of the supernatural that one regretted the omission of that element; and, more important still, the fifth act proved to be an anti-climax. The true interest of the drama culminates at the close of the fourth act, when Raoul, leaping from the window to his death, leaves Valentine fainting upon the ground. The opera now usually ends at the fourth act. After the production of Les Huguenots Meyerbeer spent many years in the preparation of his next greatest works—L'Africaine and Le Prophete. The libretti of both these operas were furnished 1 Or, according to some accounts, 1794. MEYNELL—MEZIERES, P. DE

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