Geometry.Net - Composers: Ockeghem Johannes

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ockeghem, johannes, Early Music FAQ johannes ockeghem This page from Todd M. McComb'sEarly Music FAQ site offers a biography and an extensive discography.
http://www.allianceforlifelonglearning.org/er/tree.jsp?c=42613
Ockeghem, Johannes
encyclopediaEncyclopedia ockeghem, johannes, yOhän'us ok'ugem PronunciationKey. ockeghem, johannes , c. 14101497, Flemish composer.
http://www.infoplease.com/ce6/people/A0836340.html
Johannes Ockeghem The Clerks' Group Edward Wickham Conducting
musicArts and EntertainmentMusicSignificant Recordings of 19961997Johannes ockeghem The Clerks' Group Edward Wickham conducting.
http://www.infoplease.com/ipea/A0195868.html

Extractions: Edward Wickham conducting Missa de Plus en Plus Classical record labels love anniversary recordings, but perhaps one of the least anticipated is the one commemorating 500 years since Ockeghem's death. The Clerks' multidisc survey of Ockeghem's strange, brainy, unpredictable works is a major revelation, especially since they know how to find the shade and contour in the winding melodies.
OCKEGHEM (Okeghem), Johannes (Jean, Jehan)
Translate this page ockeghem (Okeghem), johannes (Jean, Jehan), franko-flämischer Komponist, * ca.1410 vermutlich St Ghislain (Belgien), 6. Febr. 1497 vermutlich in Tours.
http://www.bautz.de/bbkl/o/ockeghem_j.shtml

Extractions: Verlag Traugott Bautz www.bautz.de/bbkl Bestellmöglichkeiten des Biographisch-Bibliographischen Kirchenlexikons Zur Hauptseite des Biographisch-Bibliographischen Kirchenlexikons Abkürzungsverzeichnis des Biographisch-Bibliographischen Kirchenlexikons Bibliographische Angaben für das Zitieren ... NEU: Unser E-News Service Wir informieren Sie regelmäßig über Neuigkeiten und Änderungen per E-Mail. Helfen Sie uns, das BBKL aktuell zu halten! Band XVII (2000) Spalten 1045-1047 Autor: Armin Raab Ausgaben: Sämtliche Werke, Messen I-VIII, hrsg. v. D. Plamenac (Publikationen älterer Musik I/2) Leipzig 1927, Neuausgabe 1959; Collected Works I, II, III, hrsg. v. D. Plamenac u.a., New York 1947, 1966, 1992. Daneben zahlreiche Einzelausgaben. Lit.: Armin Raab
Johannes Ockeghem (c.1410-1497) Library Of Congress Citations
Book Citations 20 Records. Author ockeghem, johannes, d. 1496? Uniform TitleWorks. Missa Caput. 1964. ockeghem, johannes, d. 1496? Missa Caput. 1964.
http://www.mala.bc.ca/~mcneil/cit/citlcockeghem.htm

Extractions: The Little Search Engine that Could Down to Name Citations National Library of Canada LC Online Catalog ... Free Email from Malaspina Book Citations [20 Records] Author: Ockeghem, Johannes, d. 1496? Uniform Title: Missa pro defunctis Title: Requiem [sound recording] / Johannes Ockeghem. Published: Saint-Michel de Provence: Harmonia Mundi, [1978?] Description: 1 sound disc (46 min.) : analog, 33 1/3 rpm, stereo. ; 12 in. LC Call No.: Harmonia Mundi 999 Notes: For 4 voices with instrumental doubling. Clemenfcifc Consort ; Renbe Clemenfcifc, director. Recorded Dec. 1975. Program notes in French, English, and German on container. Subjects: Requiems. Other authors: Clemencic, Renbe, 1928- cnd Other authors: Clemencic Consort. prf Control No.: 81760135 /R Author: Radauer, Irmfried, 1928- Title: Evocation d'Ockeghem : fhur zwei Orchestergruppen und computererzeugtes Zuspielband (1977/8) = for two orchestra groups and tape, produced by computer / Irmfried Radauer. Published: Bad Schwalbach : Edition Gravis, [1984], c1983. Description: 1 score (35 p.) ; 42 cm. LC Call No.: M1045.R12 E9 1984 ISBN: Rental material Notes: Duration: ca. 15:30. Subjects: Orchestral music Scores. Computer music. Other authors: Ockeghem, Johannes, d. 1496? Control No.: 86750766 /M/r87
Johannes Ockeghem - Chansons
johannes ockeghem Chansons. johannes ockeghem - Chansons Romanesque- Philippe Malfeyt, dir. Ricercar 206 302 Contents johannes
http://www.medieval.org/emfaq/cds/ric06302.htm

Extractions: Ma maitresse (soprano, viol, lute, recorder) Prenez sur moi (recorder, viol, lute) Aultre Venus (soprano, lute, citole) L'autre d'antan (2 voices, recorder, hurdy-gurdy, viol, tympanon, harp, citole) Baisez moy (2 voices, 3 viols, lute) D'un autre amer (soprano, harp, citole) Prenez sur moi (recorder, viol, lute) Fors seulement (soprano, recorder, 2 viols) Romanesque [Katelijne van Laethem (soprano), Eitan Sorek (tenor), Hannelore Devaere (harp), Sophie Watillon (viol), Bart Coen (recorders, percussion), Frank Liegeois (viol, lute, citole), Philippe Malfeyt (lute, tympanon, citole), Piet Stryckers (viol, hurdy-gurdy)] - Philippe Malfeyt, dir. Recording site and date:
HOASM: The Netherlanders To Ockeghem
Biographies of Dutch early music composers from the Here Of A Sunday Morning radio program.Category Arts Music Composers By Region Europe Dutch greatest). The most significant composers of the generation afterDufay and Binchois were Antoine Busnois and johannes ockeghem .
http://www.hoasm.org/IIID/IIIDNetherlanderstoOckegh.html

Extractions: As the Middle Ages drew to a close, music was in a state of separatism, mannerism, and confusion. From this disorder Dunstable and Dufay forged a new International style that was to serve as a model for well over a century. Because virtually all the important composers writing in this style emanated from what is today central and southern Holland, Belgium, and the northeastern portion of France, they have commonly been labelled Franco-Flemish, and the century 1450-1550 is known as "the age of the Netherlanders." Most of these composers worked for the Emperor, the King of France, the Pope, or at one of the Italian courts (while Italy did not actually produce any major composers during this period, it did provide employment for some of the greatest). The most significant composers of the generation after Dufay and Binchois were Antoine Busnois and Johannes Ockeghem . In many respects their careers paralleled those of their predecessors. Busnois, like Binchois, spent most of his career in the employ of the Burgundian court, and excelled in elegant and refined chansons, often to hedonistic texts of his own creation. But unquestionably the dominant musician of his era, and the successor to Dufay as master of the large-scale form, was Ockeghem.
ECHO III/2: Marsh
Paris 1998. The Masses of ockeghem recorded by The Clerks Group 1. ockeghem,johannes. 2. ockeghem, johannes. Missa MiMi. The Clerks Group. Cond.
http://www.echo.ucla.edu/volume3-issue2/reviews/marsh.html

Extractions: premier chapelain of the royal chapel; from 1459 he additionally served as treasurer of the church of St. Martin, Tours; and from 1463 he was a canon at Notre Dame cathedral in Paris. Ockeghem was also likely present at various international political negotiations, and although any diplomatic role on his part would be highly speculative, his presence was certainly valued. Missa Cuiusvis Toni auricular counterpoint premiere chapelain kyrie and the agnus dei , are repeated, each time beginning on a different starting pitch: fa (mixolydian) [ hear example ] and mi (phrygian) [ hear example ] respectively, though most of their performance is in the Phrygian mode. It is striking how persuasive the music remains in each instance and it is this highly clever compositional facility, among others, that earned Ockeghem such high praise during his lifetime and for generations afterwards.
Jean De Ockeghem
Websites ockeghem, johannes (c. 1410 1497) , biography and works by naxos.com.ockeghem, johannes (appr. Books johannes ockeghem Collected Works, Vol.
http://www.grainger.de/music/composers/ockeghem.html

Extractions: prev. table next Jean de Ockeghem (1420-1495) Jean de Ockeghem was, according to The New Penguin Dictionary of Music , a Flemish composer in the service of the French court; also visited Spain. Of great influence; called the Prince of Music in his own day; his pupils include . Wrote Masses and motets, sometimes choosing a secular tune as Cantus Firmus; wrote also French chansons.
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A great resource for United States New - Entertainment - Music - Genres - ClassicalMusic - Composers - Renaissance - ockeghem, johannes. ockeghem, johannes
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Ockeghem,Johannes (1430-1497) Missa Sine Nomine - Jpc
Translate this page ockeghem,johannes (1430-1497) Missa Sine Nomine Preis- und BestellinformationCD Arte,DDD,97 Weitere Informationen zu diesem Titel Klangbeispiele
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Ockeghem,Johannes (1430-1497) Missa "L'homme Arme" - Jpc
CD Naxos,DDD,97 Weitere Informationen zu diesem Titel Klangbeispiele
http://www.jpc-klassik.de/8376167.htm
Alphamusic - Missa Pro
Translate this page Vokalmusik geistlich CD ockeghem,johannes (ca.1430-1497) - Missa pro defunctis(Requiem). Startseite, International Customers click here! Suche, Profisuche.
http://www.alpha-musicshop.com/631/7976631.html

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Ockeghem, Johannes
Home Page Compiled by Nicholas S. Lander Christopher Short. JohannesOckeghem. The Art of the Netherlands EMI Reflexe 64 215 Küng
http://members.iinet.net.au/~nickl/cds/composers/ockeghemjohannes.html
Ockeghem, Johannes
ockeghem, johannes (14101497). ockeghem was one of the most respectedcomposers of the fifteenth century, and along with Guillaume
http://www.cartage.org.lb/en/themes/Biographies/MainBiographies/O/Ockeghem/Ockeg

Extractions: He was premier chaplain to three kings of France, as well as holding the prestigious position of treasurer at the great cathedral and monastery of St. Martin de Tours. During his lifetime, Ockeghem was known for his personal refinement and fine bass voice. After his death, a famous poem by Guillaume Cretin (set to music by Josquin Desprez) praised his character, skill, and influence. He was long identified as one of the fathers of Renaissance music, his influence finally fading only years after his death. Ockeghem's surviving musical output is relatively small, comprising a mere handful of motets, several masses, and a couple of dozen secular chansons. His style is marked by a careful handling of vocal ranges in a primarily four-voice texture, and an emphasis on complex and expressive bass lines. This emphasis on lower textures opened up a new world of structural possibilities for Renaissance composers, and Ockeghem's compositions exploit these potentials in a variety of ways. Today he is best known for his masses and his ability to integrate large-scale forms in ways which were as unparalleled then as they are now. By the sixteenth century, Ockeghem was known primarily as an accomplished technical master, famous for his complex lines and polyphonic structures, which had the appearance of intractable puzzles for all but the most accomplished musicians.
O
Translate this page ockeghem, johannes, Agnus Dei III, Missa L'homme armé, C 186. ockeghem,johannes, Alma redemptoris mater, C 275. ockeghem, johannes, Ave Maria,C 275.
http://www.mdw.ac.at/I103/html/ima/html/phonothek/komponisten/O.HTM
C O M P O N I S T E N . N E T : Johannes Ockeghem
Guillome de Machaut. johannes ockeghem. Philippe de Vitry. Walther von der Vogelweide.johannes ockeghem. » België (Stijlperiode Middeleeuwen)
http://www.componisten.net/componisten.net/default.asp?c=ockeghem
Johannes Ockeghem (um 1425 - 1495)
Translate this page johannes ockeghem. (um 1425 - 1495). Home Page . Die Biographie vonjohannes ockeghem. Niederländischer Komponist er war Chorknabe
http://www.karadar.com/Worterbuch/ockeghem.html

Extractions: Komponisten Johannes Ockeghem (um 1425 - 1495) Biographie Hauptwerke Photo Gallery Home Page Die Biographie von Johannes Ockeghem Niederländischer Komponist: er war Chorknabe an der Kathedrale in Antwerpen, dann Kapellsänger bei Herzog Charles I. von Bourbon und seit 1453 Mitglied der Kapelle König Karls VII. von Frankreich; dort wurde ihm eine einträgliche geistliche Pfründe zuteil. Bei seinem Tod wurde er von den angesehensten Musikern der Zeit, die seine Schüler gewesen waren, in Werken betrauert (am berühmtesten die Lamentation von Josquin Desprez ); auch Erasmus von Rotterdam verfaßte ein Gedicht auf das Ableben des "guten Vaters" Ockeghem. Erstaunlich war daher, daß seine Musik binnen kurzer Frist fast vergessen war. Der Grund dafür war, daß Ockeghems Werk trotz zukunftsträchtiger Andeutungen noch das gotische Mittelalter verkörperte, während seine Schüler - voran Josquin - schon der Renaissance angehörten. Diese Stellung an der Grenze einer Musikepoche führte zur Verkennung seiner Kunst als bloßer Künstelei. Tatsächlich aber bedeutete Ockeghem die höchste Vollendung der niederländischen Polyphonie.
San Francisco Bach Choir: Johannes Ockeghem
Composers. johannes ockeghem (c. 14101497). A native of Hainaut, johannes ockeghemspent most of his active career in the service of the French royal court.
http://www.sfbach.org/repertoire/ockeghemj.html

Extractions: A native of Hainaut, Johannes Ockeghem spent most of his active career in the service of the French royal court. Alongside Binchois, Du Fay, Busnoys and Josquin Although the number of known works attributed to Ockeghem is surprisingly small in view of the length of his life and the esteem in which he was held, his masses constitute an imposing repertory. He wrote a number of masses deploying a varied treatment of cantus-firmus melodies and complex polyphony. His motets, though few in number, display perhaps even greater inventiveness than his masses, no doubt because the genre was itself in a state of stylistic redefinition during much of the 15th century. In his Alma Redemptoris mater the antiphon melody is heard in an upper voice, as in a treble-dominated plainsong setting, but with the addition of a fourth part in an unusually high range above it. He also composed a number of secular chanson based on vernacular poetry. Like his contemporaries, he adhered to tradition, but no other 15th-century master seems to have handled with as much freedom compositional procedures such as head-motifs, cantus firmi and canonic imitation, nor to have treated established musical genres (mass, motet and chanson) with such subtly inventive creativity. For more information about the life and music of Johannes Ockeghem, check out these other websites:
Säveltäjien Teosluetteloita Ockeghem
Säveltäjäluettelo ockeghem, johannes Picker, Martin johannes ockeghem and JacobObrecht A guide to research. New York Garland Publishing, 1988.
http://www.kaapeli.fi/~musakir/Verzeichnis/ockeghem.html

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