Nasslli Program gerhard Jaeger and Reinhard Blutner, Linguistic and computational issues in Optimality EdwardKeenan and Edward stabler, A Mathematical Theory of Grammatical http://www.indiana.edu/~nasslli/program.html
Extractions: ca. 1986 In addition to presenting concerts, Feldman's festival created a seminar environment in which student composers attended workshops where distinguished composers-in-residence rehearsed their works and gave lectures. Feldman also wanted to create a more intense listening experience by presenting programs that contained multiple works by a single composer. To that end, twelve works by John Cage were presented on the three concerts that opened the first festival in June 1975. Other single-composer programs were devoted to the works of Christian Wolff, Ralph Shapey, George Crumb, Lejaren Hiller, Nils Vigeland, Steve Reich, Charles Wuorinen, Henry Brant, Elliott Carter, Stefan Wolpe, Milton Babbitt, Lou Harrison, Earle Brown, and Aaron Copland. Works by earlier twentieth-century composers, including Ives, Schoenberg, Satie, Cowell, Webern, Berg, and Bártók were also presented on June in Buffalo programs.
Bucknell University || Official Athletic Site || Men's Golf Mon, 10/14/2002, stabler Invitational, Bethlehem, Pa. All Day. gerhard Fieldhouse,Bucknell University, Lewisburg, PA 17837 Bucknell Universty Athletics Men's Golf. http://bucknellbison.ocsn.com/sports/m-golf/sched/buck-m-golf-sched.html
Margaret Lancaster, Flute Musical theater pieces she has performed include works by Karlheinz Stockhausen,Frederic Rzewski, gerhard stabler, Sal Martirano, Robert Cantrick (for which http://home.earthlink.net/~malancaster/
Extractions: Flutist of choice for hoards of composers, Margaret Lancaster is an artist who hasn't merely 'pushed the envelope' of flute performance and repertoire, she's redefined it with fearless technique, musicianship, wit, and a clear sense of performance values. Lancaster's early interest in new music, specifically the works of Elliott Carter, Karlheinz Stockhausen, Steve Reich, was fostered while studying music at the University of Louisville and Brooklyn College where her primary teachers were Francis Fuge and Harold Jones. Noted for her inter-disciplinary collaboration with writers and composers, she has built a large repertoire of contemporary flute works composed specifically for her, that employ extended techniques, dance, drama, multi-media, and electronics. Lancaster is a member of Essential Music and Downtown Ensemble, and is a recurring performer at Spoleto Festival USA, BONK Festival of New Music, ThreeTwo Festival, and Santa Fe New Music. Performance highlights include Bargemusic, Paul Zukofsky¹s Musical Observations workshop, and the Lincoln Center Festival. She has appeared as a lecturer/soloist at many sites including Dartmouth College Festival of New Musics, Princeton University, North Carolina School of the Arts, and the National Flute Association annual convention.
Repertoire Of Margaret Lancaster 11/7/02 ThreeTwo Festival Futuressence, an evening of Italian futurist playsdirected by gerhard stabler and Kunsu Shim Sanford Meisner Theater, NYC. http://home.earthlink.net/~malancaster/concerts.html
IAN PACE REPERTOIRE, COMPOSERS R-Z 4 *** Vale***. gerhard stabler Traum 1/9/92 16' Internet 1.1 (1996)***4' Dali (199596)** 12'. KARLHEINZ STOCKHAUSEN Klavierst uumlcke http://www.ianpace.com/text/comprz.htm
FUTOUR Förderung Und Unterstützung Von Technologieorientierten Translate this page Herr Markus stabler. Am Technologiepark 1 03099 Kolkwitz Tel. 03 55/78 41-8 00 Fax03 55/78 41-8 01. markus.stabler@zab-brandenburg.de. Herr Dr. gerhard Greiner. http://www.futour.de/links/anbrb.htm
Andrea Polli - NEXT in order to (symbolically) urge their change. (gerhard stabler's descriptionof 'Active Music' from Not Dream, Dream Reflections on Composing lecture http://www.media.kau.se/next/abstracts/Polli.html
Extractions: Andrea Polli is a digital media installation and performance artist living in Chicago, Illinois; She received a Master of Fine Arts in Time Arts from the School of the Art Institute of Chicago and is currently an Assistant Professor of Web and Multimedia at Columbia College Chicago and an adjunct faculty member of the School of the Art Institute of Chicago. She has exhibited and lectured nationally and internationally. In 1999, Polli presented her performance work with eye and motion tracking devices at Invencao in Sao Paolo, Creativity and Consumption at the University of Luton, UK, and Minds, and Machines, and Electronic Culture at Connecticut College. To support this work and the production of an Audio CD, Active Vision, she was awarded a 1999 summer artist's residency at The iEAR Institute at Rensellaer Polytechnic and a Harvestworks Recording Production Grant in New York City. Other recent exhibitions, presentations, and performances include: the Imagina 98 Conference, The Digital Whole in Monaco, and the CAiiA 98 conference, Re-Framing Consciousness. Her work was also been shown in Iceland, Lithuania, and Germany.
Taimur Sullivan the contemporary repertoire for the saxophone, he has premiered over 40 works byboth established and emerging composers including gerhard stabler, Jeff Nichols http://www153.pair.com/bensav/Interpretes/Sullivan.T.html
Extractions: Taimur Sullivan (U.S.A.) Franco Donatoni Hot avec la participation de: with the participation of: NEM (Nouvel Ensemble Moderne) Lorraine Vaillancourt , chef d'orchestre / conductor n/d-n/a, clarinettes / clarinets n/d-n/a, trompette / trumpet n/d-n/a, trombone n/d-n/a, percussion n/d-n/a, contrebasse / doublebass n/d-n/a, piano Taimur Sullivan (b. 1970) has won increasing attention as a performer of contemporary saxophone music in the United States and abroad. He has performed throughout eight countries, and has received critical acclaim as a musician "...not only dedicated and skilled, but also talented, fearless and sensitive" ( Milwaukee Journal-Sentinel ). Active in advancing the contemporary repertoire for the saxophone, he has premiered over 40 works by both established and emerging composers including Gerhard Stabler Jeff Nichols Alvin Lucier Olga Nenwirth Keith Moore Jason Eckardt and Ross Feller , and has given lecture/performances on modern music and contemporary saxophone technique at the Manhattan School of Music, King's College London, Columbia University, the Curtis Institute, and New York University. Of his 1995 New York Debut Recital, the New York Times described it was "...commanding... Mr. Sullivan delivered this...wide-ranging program with a seductive breadth oftone and considerable technical agility."
Keith Carpenter completing his DM at Northwestern University where he studied with M. WilliamKarlins, Jay Alan Yim, Michael Pisaro, Amnon Wolman and gerhard stabler. http://www153.pair.com/bensav/Compositeurs/Carpenter.K.html
Extractions: Keith Carpenter (U.S.A.) Keith Carpenter is from Houston, Texas. He earned his BM in composition from Rice University where he studied with Ellsworth Milburn and the late Paul Cooper . His earliest musical experiences came through playing guitar in rock and roll bands. As a result, Carpenter's music is often heavily indebted to rock and jazz. He often borrows elements (progressions, licks, rhythms, forms) directly from what he considers seminal rock songs, but disguises them so that they are impossible to recognize. Carpenter is currently completing his DM at Northwestern University where he studied with M. William Karlins Jay Alan Yim Michael Pisaro Amnon Wolman and Gerhard Stabler . He received his MM from the University of Cincinnati College-Conservatory of Music in 1992. While there he studied with Joel Hoffman and Darrell Handel . He has also studied at the American Conservatory at Fountainebleau where he worked with Tristan Murail and with Louis Andriessen at the Atlantic Center the Arts. Carpenter's works have been performed in the United States and Europe. His first orchestral work, Lump, received its European premiere in 1998 in Tirana. Carpenter teaches at the University of Wisconsin-Parkside and is the coordinator and founder of the Chicago Chapter of the American Composers Forum. Webmaster: Bernard Savoie b.savoie@videotron
OurCountryHaven: Guestbook Date 01/21/2003 Guest 3 (Reference ID 514295) Name evelyn stabler Email Address Date01/21/2003 Guest 4 (Reference ID 514035) Name gerhard Email Address http://www.guestbookcentral.com/guestbook.cfm?Guestbook=9874
Artists And Resume The Young Radishes. He has also performed with the Bill Kelley TechnologyQuartet and gerhard stabler. Past performances include http://www.dadanetcircus.org/artists.html
Extractions: The Players Jim Clarage (creative director) is an electronic-artist and computational biologist whose fiction, essays and scientific studies have appeared in such publications as "Wired" magazine, the English journal "Nature", and Italy's "Il Mundo". Jim is the author of several multi-media-plays that have been performed throughout Houston by the dadaNetCircus troupe. His hypertext drama, "ClickMe" ( http://www.dadaNetCircus.org/clarage/clickme/ ), gets as many as 10,000 hits a day, and has been reviewed by "Texas Monthly", "The Boston Globe", and "HotWired". Other websites he has worked on include Yahoo, USA-today, Baylor College of Medicine, University or Houston and Rice University. Jim has a Ph.D in Theoretical Physics and works at the University of Houston developing the school's web presence. (click here for her complete resume) Kim Andrews (performance director) has contributed both organic and digital performances as an actor, pixelpuppetMaster, cybermimic, juggler, prestidigitator, musician, minstrel and fire-breathing-bubble-blowing shaman since The Circus began. He has performed as a Celtic minstrel and crystal orb manipulator at the Texas Renaissance Festival (1995-98) and Scarborough Fair (1995-8) He is founder and faculty representative for the
Im Unaufhorlichen Wirbel Gerhard Stabler Translate this page Im unaufhorlichen wirbel gerhard stabler. Titre Im unaufhorlichen wirbel.Artistes gerhard stabler Rubriques Contemporaine Rubriques http://www.francetechno-index.com/Gerhard-Stabler-Im-unaufhorlic-B0000241ZK.html
Banff Centre Archives Andy Hurlbett, Walter Ideler, David Jaeger, Brian Macdonald, Jack McDowall, WieslawRentowski, Dave Robbins, Wilf Sharp, gerhard stabler, Miriam Waddington http://www.banffcentre.ca/library/archives/descriptions/Scores_collection.html
Extractions: Scores collection. 1967-1998. 34 scores. Collection consists of scores by Johnathan G. Bayley, Merrill Bradshaw, Neal Davenport, Reverend J. Dorskind, Michael S. Horwood, Andy Hurlbett, Walter Ideler, David Jaeger, Brian Macdonald, Jack McDowall, Wieslaw Rentowski, Dave Robbins, Wilf Sharp, Gerhard Stabler, Miriam Waddington, and Amnon Wolman.
Stiller Ut Bjarne Ness Han komponistkollega gerhard stabler (f. 1949) er kanskje ikke fullt så kjent,men like fullt også en fantasifull herre som dessuten lar musikerne som http://www.bodogaard.no/A88/artikler/khroma/stenso.html
Extractions: Man tar seg i å måpe. Smile. Undres. Musikk er lyd lyd er musikk. Lyd og musikk henger sammen. Musikk laget av slagverk maner fram bilder. Musikk er også den ikke-stille stillheten som en ansamling mennesker i et rom lager mens de venter på neste sekvens av musikken. Den amerikanske komponisten og multikunstneren John Cage (1912-1992) visste noe om dette. Noen av de 27.10554 minuttene komposisjonen hans skal vare består av denne typen musikk. De lydene vi har rundt oss selv om vi er stille. Vanligvis oppfordres publikum til å slå av mobiltelefoner før en konsert begynner. På Atelier 88/Galleri Bodøgaard i går sa slagverker Rolf Lennart Stensø det motsatte: - om det ringer en telefon underveis gjør det ingenting. Intervaller. Det ringte ingen telefon, men det var fly over, det var barn blant publikum, det var litt beinflytting og ytterjakkegniss nok til å være med å komplettere John Cages komposisjon. Komposisjonen heter det samme som sin varighet, og Rolf Lennart Stensø hadde utstyrt de tre slagverksstasjonene han brukte med stoppeklokker. Musikk i intense og strengt tidsplanlagte intervaller. Lange sekunder stillhet avløst av eksakte antall minutter og sekunder med lyder av alle typer og i alle styrkegrader, inkludert en radio, en foodprosessor og en avis som hang ned fra taket. Men mest var det selvfølgelig slagverksinstrumenter i alle varianter fra en diger tordenplate til de netteste små trommer og cymbaler.
FF World Cup Results 2002 33rd Eifel-Pokal Translate this page 1 gerhard Aringer AUT 1260 +120e +465 2 Claus Gretter GER 1260 +120e +156 3 Gabor 5Hans Raabe GER 1188 6 Claus Peter Wachtler GER 1174 7 Rolf stabler GER 1169 http://www.fai.org/aeromodelling/competitions/free_flight/wc02/wr02f1EF.htm
FF World Cup Results 1997 Bilzen Translate this page Waltonen FIN F1C 10 flew. 1 gerhard Aringer AUT 2 Rolf stabler GER3 Alain Roux FRA 4 John Cuthbert GBR 5 Bernard Boutillier FRA http://www.fai.org/aeromodelling/competitions/free_flight/wc97/wr97f1BZ.htm
Extractions: Last update of this page: 8 Jan 2000 1 Pim Ruyter NED 2 Stepan Stefanchuk UKR 3 Russell Peers GBR 4 Gerald Pink GBR 5 Henk vanHoorn NED 6 Michael Woodhouse GBR 7 Philip Uden GBR 8 Anselmo Zeri NED 9 Heiko Helmbrecht GER 10 Klaus Salzer AUT 11 Bernard Aslett GBR 12 Jan Somers NED 13 Thedo Andre NED 14 Bernd Silz GER 15 Yrjo Waltonen FIN 1 Gerhard Aringer AUT 2 Rolf Stabler GER 3 Alain Roux FRA 4 John Cuthbert GBR 5 Bernard Boutillier FRA
Participants and creative presentation on stage and many composers wrote specially for her WolfgangRihm, Volker Heyn, Radu Malfatti, Fernando Grillo, gerhard stabler,etc. http://www.owc.org.mn/roaring-hoofs/participants.htm
Untitled Translate this page Sokopp Rupert Soliman Amal Soliman Mohamed Farid Sollner gerhard Somlyay Ladislaus LeopoldSpira Andrea Spitznagel Harald Spona Ingrid stabler Monika Stadler http://www.medizinprodukte.at/ompx/shb02/nie_f/nie_f000.htm
