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Stockhausen Karlheinz:     more books (100)

Other Planets: The Music of Karlheinz Stockhausen by Robin Maconie, 2005-04 Stockhausen on Music: Lectures and Interviews by Karlheinz Stockhausen, Robin Maconie, 2000-09-01 The Works of Karlheinz Stockhausen by Robie MacOnie, 1981-07 Karlheinz Stockhausen Volume 1: German Language (Schott) Karlheinz Stockhausen-- wie die Zeit verging-- (Musik-Konzepte) (German Edition) by Herman Sabbe, 1981 Unsere Wagner: Joseph Beuys, Heiner Muller, Karlheinz Stockhausen, Hans Jurgen Syberberg : Essays (German Edition) Die Grundlegung der Musik Karlheinz Stockhausens (Beihefte zum Archiv fur Musikwissenschaft (AFMW-B)) (German Edition) by Christoph von Blumroder, 1993-12-01 Le reve de Lucifer de Karlheinz Stockhausen (La trace des silences) (French Edition) by Michel Rigoni, 2001 Kurzwellen von Karlheinz Stockhausen: Konzeption und musikalische Poiesis (Kolner Schriften zur neuen Musik) (German Edition) by Winrich Hopp, 1998 Sacrificium Intellectus: Das Opfer des Verstandes in der Kunst Karl-Heinz Stockhausens, Botho StrauÃ? und Anselm Kiefers by Christian Bauer, Towards a Cosmic Music by Karlheinz Stockhausen, 1990-06 Music of Stockhausen by Jonathan Harvey, 1975-03 STOCKHAUSEN: CONVERSATIONS WITH THE COMPOSER by JONATHAN COTT (EDITOR), 1974 Grand Street 56: Dreams (Spring 1996) by Jean Stein, Deborah Treisman, 1996-03-02

lists with details

1. Karlheinz Stockhausen
   Karlheinz Stockhausen. Music and the Centers of Man. Each of us is,as you know, a person with many levels there are after all  
   http://www.newalbion.com/artists/stockhausenk/
   
   Extractions: Each of us is, as you know, a person with many levels there are after all whole cultures which have differentiated them. I have a sexual center, three vital centers, two mental centers and a suprapersonal center. If I can perceive that, I have come far enough to have awoken seven different centers in myself. And with different things I can bring each center into vibration. I can set my sexual center in vibration with a certain sort of music, but with another music I can set my supranatural center in vibration. And I will add to that: have you perhaps gone far enough yet to discover which parts of a type of music, or which pieces of music, set which of your centers especially in vibration? There is also music that goes through all the centers: hence there are moments in which you are addressed in a purely sacred, a purely religious way; and other moments in which you are addressed purely sensually, purely erotically. That is pretty reckless music. One must be very strong to be able to experience that completely. Above all, this music must be exceptionally well balanced, fantastically composed. If it is not, then there are overloadings, and when one hears it one is overexcited in a certain way, and brought out of equilibrium. Hence it is naturally better if one hears music that draws one up higher than one is by nature. We are mostly pretty physical sacks, are we not all of us? Most of us spend most of our time on feeding ourselves, taking care of clothing and shelter, copulating and sleeping; primarliy satisfying physical desires, then. Now and again one reminds oneself: "We are spirits, and spirits should be connected with the superhuman, with the Cosmos, with God." Much music also serves for that! But such music is very rare today, extremely rare. Most music is just physical, and speaks to centers in us that belong more to the animal than to the superhuman (I mean here by "superhuman" what we are as spirits, when we are freed from flesh and bones).

2. STOCKHAUSEN Karlheinz
   (22/8/1928 ). U hoort nu van Karlheinz Stockhausen Sagittarius. KarlheinzStockhausen werd geboren in Burg-Mödrath nabij Keulen op 22 augustus 1928.  
   http://www.geocities.com/vienna/strasse/9275/stockhausen.htm
   
   Extractions: U hoort nu van Karlheinz Stockhausen: Sagittarius Karlheinz Stockhausen werd geboren in Burg-Mödrath nabij Keulen op 22 augustus 1928. Hij volgde een opleiding schoolmuziek- en pianoleraar aan de Musikhochschule te Keulen van 1947 tot 1951. Hij studeerde piano bij Hans Otto Schmidt-Neuhaus, muzikale vormleer bij Hermann Schroeder en compositie bij Frank Martin. Als wees had hij het financieel niet zo breed, en hij kwam in zijn studietijd aan de kost als pianist. In 1951 woonde Stockhausen de Internationale Zomercursussen bij te Kranichstein-Darmstadt. Daar maakte hij kennis met de werken van Webern en Messiaen en hij sluit er vriendschap met Karel Goeyvaerts. Hij voert met Goeyvaerts tot in 1955 een drukke briefwisseling waarin de technische en esthetische aspecten van de vernieuwing van het compositorische denken uitvoerig aan bod komen. Stockhausens werken zijn toepassingen van het zgn. 'punctuele serialisme', waarin alle 'parameters' (hoogte-duur-sterkte-kleur) van de muziek in reeksen worden geordend. Alle ordeningsdimensies van de muziek in elk van hun elementen dienen te gehoorzamen aan eenzelfde structuurbeginsel. Deze structuurregel dient tevens de interne opbouw van het klankmateriaal te bepalen. Voorbeelden van de punctuele stijl zijn 'Kontrapunkte' voor 10 instrumenten (1953) en zijn ingewikkelde reeks 'Klavierstücke'. In 1952 en begin 1953 verbleef Stockhausen te Parijs waar hij bij Olivier Messiaen de cursus analyse volgde aan het Conservatoire National. Hij maakte er kennis met

3. Classical Net - Basic Repertoire List - Stockhausen
   Karlheinz Stockhausen. ( b. 1928 ). A young Karlheinz Stockhausen can be spottedon the Beatles' famous Sgt. Peppers Lonely Hearts Club Band album cover.  
   http://www.classical.net/music/comp.lst/stockhausen.html
   
   Extractions: Karlheinz Stockhausen ( b. 1928 ) German composer of modern music, electronic music and operas. He was initially influenced by the music of Anton Webern , and by serialism (a method of composing non-tonal music). He studied under Olivier Messiaen in 1952, and his early works, like Spiel and Kreuzspiel , show the influence of both these masters. He was one of the first composers to write electronic music, having first studied phonetics and information/communication theory at Bonn University. Kontakte is a compostion which includes a tape playback of electronic sounds which zip and swirl about via loudspeakers placed around the audience. The Klavierstücke (Piano pieces) start out using strict serial principles (Klavierstücke I - IV), but later become expansive (VI), exquisite (VII), and even dramatic (IX and X). Zyklus , for solo percussion, is written so that the performance can start on any page, and it may be read upside down, or from right to left, or not, as the performer chooses. Refrain is somewhat meditative with its rarefied, ringing chords of bell-like sonorities, and occasional tutti vocalizations by the three instrumentalists. The piece Mantra is written for two pianos, the sounds from which are modulated in real time by ring modulators. If you are not accustomed to dissonance

4. STOCKHAUSEN Karlheinz - KONTAKTE
   stockhausen karlheinz KONTAKTE wergo *david tudor piano, percussion*christoph caskel percussion *karlheinz stockhausen electronic  
   http://www.web-malls.net/modernclassical/listings/103.html

5. STOCKHAUSEN Karlheinz - AUS DEN SIEBEN TAGEN
   Translate this page stockhausen karlheinz - AUS DEN SIEBEN TAGEN harmonia mundi *aloyskontarsky piano *michel portal clarinet, basset horn, bass  
   http://www.web-malls.net/modernclassical/listings/105.html

6. Stockhausen Karlheinz
   Translate this page impalcatura musicale che si esprime nel ciclo Licht, il cui completamentoè previsto per il 2002. dschwerdtfeger@stockhausen.org.  
   http://www.mmt.it/database/Autori/khstock_c.htm
   
   Extractions: Dal 1957 dirige i Ferienkurse di Darmstadt, imponendosi come uno dei protagonisti della musica contemporanea. Radicalizza la lezione di Webern, progettando una estensione dei procedimenti seriali a tutti i parametri del suono. La sua indagine si rivolge inoltre ad una nuova concezione del tempo musicale.

7. Lesinrocks.com : Stockhausen Karlheinz
   Translate this page Chargement de la page stockhausen karlheinz  
   http://www1.lesinrocks.com/inrocks/artistes/musiques/stockhausen_karlheinz.htm

8. Stockhausen Karlheinz
   Translate this page Karlheinz Stockhausen. dt. Musiker und Komponist.geboren am 22. August 1928 in Mödrath bei Köln.  
   http://www.sieber-online.ch/kompon/stockhausen.htm

9. KARLHEINZ STOCKHAUSEN
   KARLHEINZ STOCKHAUSEN. (photo courtesy of Stockhausen Verlag). Biography. Discography.More extensive information on KARLHEIZ STOCKHAUSEN. Return to COMPOSERS.  
   http://www.eyeneer.com/CCM/Composers/Stock/

10. Stockhausen Karlheinz Karlheinz Stockhausen In Weingarten
    Translate this page stockhausen karlheinz Karlheinz Stockhausen in Weingarten. Titel Karlheinz Stockhausenin Weingarten. Autor stockhausen karlheinz. Rubrik Kategorie  
    http://www.myscifiindex.de/Stockhausen-Karlheinz-Karlheinz-Stockhausen-in-389089

11. EtnoS
    Translate this page stockhausen karlheinz, MOMENTE, DG, D, 3 LP B 1975, 60. stockhausen karlheinz,MUSIK IM BAUCH, DG, D, LP 1977, 35. stockhausen karlheinz, ES UND AUFWARTS, DG,D, LP, 35.  
    http://www.vinylmad.net/cataloghi/et/etnoS.htm

12. Karlheinz Stockhausen - Wikipedia
    Karlheinz Stockhausen. From Wikipedia, the free encyclopedia. KarlheinzStockhausen (August 22 1928 ) is a modern composer. Born  
    http://www.wikipedia.org/wiki/Karlheinz_Stockhausen
    
    Extractions: Main Page Recent changes Edit this page Older versions Special pages Set my user preferences My watchlist Recently updated pages Upload image files Image list Registered users Site statistics Random article Orphaned articles Orphaned images Popular articles Most wanted articles Short articles Long articles Newly created articles All pages by title Blocked IP addresses Maintenance page External book sources Printable version Talk Log in Help From Wikipedia, the free encyclopedia. Karlheinz Stockhausen (born August 22 ) is a modern composer Born in Burg Modarath, near Cologne (German: Köln ), he studied at the Cologne Musikhochschule and University (1947-51), at Darmstadt in 1951 and with Olivier Messiaen in Paris (1951-53). From 1954 to 1956, at the University of Bonn , he studied phonetics, acoustics, and information theory and composition. After lecturing at the contemporary music seminars at Darmstadt (1957), Stockhausen gave lectures and concerts in Europe and North America. Stockhausen has worked with serial and electronic procedures, with spatial placements of sound sources, and with graphical notation. Stockhausen is unconcerned with musical tradition and his work is influenced by Messiaen and

13. Stauckhausen
    Translate this page stockhausen karlheinz *1928. Le site Klavierstück X Ce site estconsacré au Klavierstück X de Karlheinz Stockhausen. Il est  
    http://musicologie.free.fr/Biographies/stockhausen.html
    
    Extractions: Le site du compositeur, http://www.stockhausen.org/ Ce site est consacré au Klavierstück X de Karlheinz Stockhausen. Il est le premier d'une série destinée à faciliter l'accès à la musique classique contemporaine. L'auditeur est malheureusement souvent dérouté à l'approche du répertoire classique d'aujourd'hui. Les repères rythmiques, harmoniques et mélodiques semblent avoir disparu et les pièces sont perçues comme autant de chaos sonores dénués d'expression. Pianiste durant 11 ans à l'Ensemble Intercontemporain, j'ai appris à connaître et aimer ce répertoire passionnément, et il m'a semblé utile de proposer aux mélomanes des guides musicaux disponibles avant, ou même après l'écoute sur disque ou en concert. Le prochain "i-atelier" sera consacré aux 5 Pièces pour piano opus 23 d'Arnold Schönberg.

14. Karlheinz Stockhausen Home Page
    Official site of the stockhausen Foundation. Chronology of life and work, interview, awards, CD ordering Category Arts Music Composers S stockhausen, karlheinzAll official stockhausen material is © 2002 stockhausenVerlag clickHERE for our use policy. If you wish an answer from stockhausen  
    http://www.stockhausen.org/

15. Karlheinz Stockhausen
    Classical Music Pages biographical essay with study of his influences from The Grove Concise Dictionary of Music.  
    http://w3.rz-berlin.mpg.de/cmp/stockhausen.html
    
    Extractions: Country: Germany Detailed Information about Introduction He studied with Martin at the Cologne Musikhochschule (1947-51), but the decisive stimulus came from his encounter with Messiaen 's Mode de valeurs at Darmstadt in 1951 . There he saw possibilities of long-range serial process which he pursued in Kreuzspiel (1951) and KontraPunkte (1952), both for piano-based ensemble. The latter piece was written during a period of study with Messiaen in Paris, and while there he made a first essay in electronic music. On returning to Cologne he continued this activity, notably in for vocal and synthesized sounds on tape (1956). At the same time, he pursued the ramifications of serial instrumental music in a cycle of 11 piano pieces (1956), in for wind quintet (1956) and in Gruppen for three orchestras (1957). In all these scores he began working with large groups of notes rather than with the isolated points that the avant garde had inherited from Webern and Messiaen. He also concerned himself with abstract processes and discoursed on these in a series of articles and in his teaching at Darmstadt, where he first lectured in 1953: his influence extended over a whole generation of European composers, including such contemporaries as

16. The Unofficial Karlheinz Stockhausen Page
    Presents sections of Christopher Koenigsberg's paper on stockhausen's New Morphology of Musical Time, written at Mills College in 1991.  
    http://www.geocities.com/Vienna/2047

17. Stockhausen, Karlheinz
    Read selections from the book Music, Mysticism and Magic by Joscelyn Godwin in which stockhausen talks about culture, music, and philosophy. karlheinz stockhausen. Music and the Centers of Man  
    http://www.stevenestrella.com/composers/composerfiles/stockhausenliving.html

18. Stockhausen, Karlheinz (1928 - )
    Brief biography with summary of his instrumental and vocal music and comments on the numbering of his works.Category Arts Music Composers S stockhausen, karlheinzstockhausen, karlheinz (1928 ). stockhausen has been among theleading avant-garde figures in German music since the 1950s. In  
    http://www.hnh.com/composer/stockhau.htm
    
    Extractions: Stockhausen has been among the leading avant-garde figures in German music since the 1950s. In spite of material difficulties, he studied in Cologne with Frank Martin and was subsequently strongly influenced by attendance at Darmstadt, where summer sessions contributed largely to the development of new music. He went on to study with Messiaen in Paris. Parallel to his work in electronic music, he explored the human element in performance, moving from total serialism, in which every aspect of a piece is controlled by a predetermined serial pattern, to a more flexible approach. Works The numbering of Stockhausen's works allows his earlier compositions the numbering of fractions, with his Kontre-Punkte of 1952 as the first whole number, No. 1. A varied and fascinating series of compositions includes Stimmung for electronically treated voices, Mantra, for two pianos, woodblocks and crotales, the result of a visit to the Osaka World Fair, at which his music was featured. Zyklus has an important part in modern percussion repertoire, while work continues on Licht, a project divided into seven days and involving dramatic use of instrumental performance. The size of this work, calculated to reach completion in 2002, is characteristic of the composer's Wagnerian tendencies. Instrumental and Vocal Music Of particular interest in the development of Stockhausen's ideas is Gruppen, first performed in 1958, and using three orchestras surrounding the audience. Use of short-wave radio occurs in Hymnen, Spiral and his celebration of the bicentenary of Beethoven's birth, Kurzwellen mit Beethoven (Short-Wave with Beethoven). Aus den sieben Tagen (From the Seven Days), a series of fifteen compositions, is written without notes but with verbal directions to performers, on whose particular imagination and ability he as so often relies. His continuing work Licht (Light) allows a significant dramatic element for solo trumpet in Donnerstag (Thursday), but all in all the comprehensive nature of Stockhausen's work and its development over the last forty years defy succinct summary.

19. Musica Classica - Classical Music - Klassische Musik - Karadar Bertoldi Ensemble
    Musica Classica Classical Music Dictionary entry with life, important works, and illustrations.  
    http://www.karadar.net/Dictionary/stockhausen.html
    
    Extractions: He studied with Martin at the Cologne Musikhochschule (1947-51), but the decisive stimulus came from his encounter with Messiaen 's Mode de valeurs at Darmstadt in 1951 . There he saw possibilities of long-range serial process which he pursued in Kreuzspiel (1951) and KontraPunkte (1952), both for piano-based ensemble. The latter piece was written during a period of study with Messiaen in Paris, and while there he made a first essay in electronic music. On returning to Cologne he continued this activity, notably in Gesang der Jünglinge for vocal and synthesized sounds on tape (1956). At the same time, he pursued the ramifications of serial instrumental music in a cycle of 11 piano pieces (1956), in Zeitmaße for wind quintet (1956) and in Gruppen for three orchestras (1957). In all these scores he began working with large groups of notes rather than with the isolated points that the avant garde had inherited from Webern and Messiaen.

20. KARLHEINZ STOCKHAUSEN, 1928 GERMANY
    Biography and summaries of various pieces including examination of certain keyboard techniques.  
    http://www.xs4all.nl/~gaud/oud/biobak/s/stockhak.htm
    
    Extractions: Every now and then individual parliamentarians step forward, walk to the empty space between the two halves of the chorus, and in the local language intelligibly sing their declarations of love to the choir singers and for short moments also to the public. Each time the president comments, and the chorus of parliamentarians reacts to this with characteristic leaps in the dynamic level and envelopes.

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