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This digital document is an article from Notes, published by Music Library Association, Inc. on March 1, 2002. The length of the article is 2748 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

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Title: Patterns in Play: A Model for Text Setting in the Early French Songs of Guillaume Dufay. (Composers).
Author: Alejandro Enrique Planchart
Publication: Notes (Refereed)
Date: March 1, 2002
Publisher: Music Library Association, Inc.
Volume: 58Issue: 3Page: 580(4)

Article Type: Book Review

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Purchase includes free access to book updates online and a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: Guillaume Dufay, Antoine Busnois, Arnold de Lantins, Robert Morton, Gilles Joye, Gilles Binchois, Johannes Brassart, Pierre Fontaine, Johannes Tapissier, Hayne Van Ghizeghem, Adrien Basin, Nicolas Grenon, Johannes Cesaris, Hugo de Lantins, Jacobus Vide, Reginaldus Libert, Clement Liebert, Johannes Legrant. Excerpt:Adrien Basin (fl. 1457 1476; died after 1498) was a Franco-Flemish composer, singer, and diplomat of the Burgundian school of the early Renaissance . He was listed along with Antoine Busnois and Hayne van Ghizeghem as one of the personal singers to Charles the Bold , Duke of Burgundy . Little is known about his early life, and he first appears in the records as a singer to Isabella de Bourbon, who was the wife of Charles the Bold. Later he seems to have joined the personal chapel of Charles, when Charles became Duke. Unlike many of the musicians of the Burgundian court, who traveled along with Charles on his military exploits (who loved music as much as war, and enjoyed having musical entertainment during his military adventures), Basin seems to have remained in Bruges most of the time. After the death of Charles at the Battle of Nancy in 1477, Basin served the court as a diplomat, according to records from the 1480s. The last record of his life is dated to 1498, when he was named as heir to his brother Pierre. All of Basin's surviving music is secular, although some of the anonymous music in the manuscripts of the time may be by him. Of his secular songs, one became immensely popular. Nos amys vous vous abusés was used by several later composers, including Tinctoris , as a source for mass settings, and numerous copies of the song have been found, some in collections as far away as Poland and Portugal . Before the advent of music printing at the beginning of the 16th... ... Read more

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1959 19 PP 7X9 SHEET MUSIC, VOICE-ORGAN ... Read more

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This digital document is an article from Arts and Humanities Through the Eras, brought to you by Gale®, a part of Cengage Learning, a world leader in e-research and educational publishing for libraries, schools and businesses.The length of the article is 549 words.The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase.You can view it with any web browser.Profiling milestones and movements in the arts, literature, music, and religion from a specific period that provides an understanding of the various disciplines of the humanities in relation to each other, as well as to history and culture. An overview of the period and a chronology of major world events covering the major branches of the humanities: architecture and design, dance, fashion, literature, music, philosophy, religion, theater, and visual arts. Articles cover the movements, schools of thought, and masterworks that characterize the discipline during the era and biographical profiles of pioneers, masters, and other prominent figures in the field. ... Read more

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8 pages. ... Read more