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Dedicated to Georgia O'Keefe, this was first performed by the Santa Fe Chamber Festival in 1981.Duration: ca. 25 minutes. ... Read more

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Includes a program note by the composer for each movement. Contents: I. Summons · II. Line Dance · III. Couples' Dance. Duration: c. 14 minutes ... Read more

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Inspired by the use of the bass viol in Bach cantatas as well as jazz groups. Includes two piano reductions: Concert Pitch and Solo Tuning in D. Co-commissioned by 15 orchestras and the International Society of Bassists. ... Read more

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For oboe and orchestra (piano reduction). Commissioned by the San Francisco Symphony for its principal oboist. ... Read more

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G. Schirmer is proud to announce the publication of a set of five concert arias from Harbison's powerful new opera The Great Gatsby, based on F. Scott Fitzgerald's famous novel about the dark side of the American Dream. The Great Gatsby was commissioned and premiered by the Metropolitan Opera, where these arias were performed by Dawn Upshaw, Jerry Hadley and Lorraine Hunt Lieberson. "Where is the Old, Warm World" is Daisy's aria. ... Read more

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For violin and orchestra (piano reduction). This work was composed in 1980 for Rose Mary Harbison and received its first performance on January 24, 1981 with the Emmanuel Orchestra, Craig Smith conducting. Difficult in nature, this work reflects the classical style but recasts them in 20th century terms. Orchestral parts available for rental. Duration ca. 28 minutes. ... Read more

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G. Schirmer is proud to announce the publication of a set of five concert arias from Harbison's powerful new opera The Great Gatsby, based on F. Scott Fitzgerald's famous novel about the dark side of the American Dream. The Great Gatsby was commissioned and premiered by the Metropolitan Opera, where these arias were performed by Dawn Upshaw, Jerry Hadley and Lorraine Hunt Lieberson. "Everyone was Here" is Gatsby's aria. ... Read more

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"Quintet for Winds" was composed in 1978 for the Aulos Quintet, on commission from the Naumburg Foundation. The piece especially emphasizes mixtures and doublings, and is extremely challenging to play. Duration ca. 23 minutes. ... Read more

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THREE CITY BLOCKS was jointly commissioned by the wind ensembles of the New England Conservatory, U. of Cincinnati, Florida State U., Ohio State U., U. of Michigan., U. of Southern California, and the United States Air Force Band. Premiere performance: August 2, 1993, The U.S.A.F.B. ... Read more

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This piece for dancers and winds suggests to the composer "an imaginative vision of ancient worlds." It was commissioned by a College Band Directors National Association consortium of 14 wind ensembles and concert bands, and was first performed by the North Texas Wind Symphony on February 20, 1997, under the direction of Eugene Corporon. Performance materials available on rental. Duration: ca. 18 minutes. ... Read more

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This 19-minute concerto was commissioned by a consortium of three orchestras, and premiered by Ransom Wilson with the American Composers Orchestra in 1995. The piece was recorded on Albany Records. ... Read more

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This 1994 single-movement work is based on a hymn-like theme that both evokes the tradition of American hymn singing and echoes the much older tradition of plainchant. 22 minutes. ... Read more

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This 2004 piece was inspired by the transparency, ambiguity, and shiftiness of Franz Joseph Haydn's piano trios. 20 minutes. ... Read more

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This digital document is an article from Environmental Health Perspectives, published by National Institute of Environmental Health Sciences on August 1, 2010. The length of the article is 865 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: Fecundability and serum PBDE concentrations in women.(Correspondence)(polybrominated diphenyl ether)(Report)
Author: Julie E. Goodman
Publication: Environmental Health Perspectives (Magazine/Journal)
Date: August 1, 2010
Publisher: National Institute of Environmental Health Sciences
Volume: 118Issue: 8Page: A330(1)

Article Type: Report

Distributed by Gale, a part of Cengage Learning ... Read more

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For cello and orchestra (piano reduction). ... Read more

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The composer's note: The Duo for Flute and Piano (1961) was composed in Berlin while I was a student at the Hochschule für Musik. It was written for the flutist Neal Zaslaw, who gave its first performance, with Juliette Arnold, at the Brooklyn Museum on August 20, 1961. For many years the manuscript was lost. The revival of the piece, from a copy whose origins are obscure, was effected by Fenwick Smith and Randall Hodgkinson, and the second life of the piece owes much to their advocacy. ... Read more

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In four movements. The first two choral movements memorialize the composer's mother and mother-in-law. The final movement depicts Mary Magdalene, inspired by Harbison's work with Bach's St. John Passion.<-i> 19 minutes.

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