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Kapitel: Maria Anna Mozart, Leopold Mozart, Franz Xaver Wolfgang Mozart, Constanze Mozart, Carl Thomas Mozart, Anna Maria Mozart, Maria Anna Thekla Mozart, Franz Mozart. Aus Wikipedia. Nicht dargestellt. Auszug: Johann Georg Leopold Mozart (November 14, 1719 - May 28, 1787) was a composer, conductor, teacher, and violinist. Mozart is best known today as the father and teacher of Wolfgang Amadeus Mozart, and for his violin textbook Versuch einer gründlichen Violinschule. He was born in Augsburg, son of Johann Georg Mozart (1679-1736), a bookbinder, and his second wife Anna Maria Sulzer (1696-1766). From an early age he sang as a choirboy. He attended a local Jesuit school, the St. Salvator Gymnasium, where he studied logic, science, theology, graduating magna cum laude in 1735. He then moved on to a more advanced school, the St. Salvator Lyceum. While a student in Augsburg, he appeared in student theatrical productions as an actor and singer, and became a skilled violinist and organist. He also developed an interest, which he retained, in microscopes and telescopes. Although his parents had planned a career for Leopold as a Catholic priest, this apparently was not Leopold's own wish. An old school friend told Wolfgang Amadeus Mozart in 1777, "Ah he was a great fellow. My father thought the world of him. And how he hoodwinked the clerics about becoming a priest!" He withdrew from the St. Salvator Lyceum after less than a year. Following a year's delay, he moved to Salzburg to resume his education, enrolling in November 1737 at the Benedictine University to study philosophy and jurisprudence. At the time Salzburg was the capital of an independent state within the Holy Roman Empire (the Prince-Archbishopric of Salzburg), now part of Austria. Except for periods of travel, Leopold spent the rest of his life there. Leopold received the degree of Bachelor of Philosophy in 1738. However, in September 1739 he was expelled from the univer...http://booksllc.net/?l=de ... Read more

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High Quality Content by WIKIPEDIA articles! High Quality Content by WIKIPEDIA articles! Franz Xaver Wolfgang Mozart (26 July 1791 - 29 July 1844), also known as F. X. Mozart, W. A. Mozart Son, or Wolfgang Amadeus Mozart, Jr., was the youngest child of six born to Wolfgang Amadeus Mozart and his wife Constanze. He was the younger of his parents' two surviving sons. He was a composer, pianist, conductor, and teacher. He was named in honour of his father and his father's student and close friend, Franz Xaver Süssmayr. Franz Xaver Wolfgang Mozart was born in Vienna, five months before his father's death. He received excellent musical instruction from Antonio Salieri and Johann Nepomuk Hummel, and studied composition with Johann Georg Albrechtsberger and Sigismund von Neukomm. He learned to play both the piano and violin. Like his father, he started to compose at an early age. "In April 1805, the thirteen-year-old Franz Xaver Mozart made his debut in Vienna in a concert in the Theater an der Wien." ... Read more

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Chapters: Leopold Mozart, Constanze Mozart, Maria Anna Mozart, Aloysia Weber, Franz Xaver Wolfgang Mozart, Maria Anna Thekla Mozart, Anna Maria Mozart, Sophie Weber, Mozart Family, Cäcilia Weber, Josepha Weber, Johann Georg Mozart, Karl Thomas Mozart, Franz Mozart. Source: Wikipedia. Pages: 67. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Johann Georg Leopold Mozart (November 14, 1719 May 28, 1787) was a composer, conductor, teacher, and violinist. Mozart is best known today as the father and teacher of Wolfgang Amadeus Mozart, and for his violin textbook Versuch einer gründlichen Violinschule. He was born in Augsburg, son of Johann Georg Mozart (16791736), a bookbinder, and his second wife Anna Maria Sulzer (16961766). From an early age he sang as a choirboy. He attended a local Jesuit school, the St. Salvator Gymnasium, where he studied logic, science, theology, graduating magna cum laude in 1735. He then moved on to a more advanced school, the St. Salvator Lyceum. While a student in Augsburg, he appeared in student theatrical productions as an actor and singer, and became a skilled violinist and organist. He also developed an interest, which he retained, in microscopes and telescopes. Although his parents had planned a career for Leopold as a Catholic priest, this apparently was not Leopold's own wish. An old school friend told Wolfgang Amadeus Mozart in 1777, "Ah he was a great fellow. My father thought the world of him. And how he hoodwinked the clerics about becoming a priest!" He withdrew from the St. Salvator Lyceum after less than a year. Following a year's delay, he moved to Salzburg to resume his education, enrolling in November 1737 at the Benedictine University to study philosophy and jurisprudence. At the time Salzburg was the capital of an independent state within the Holy...More: http://booksllc.net/?id=70095 ... Read more

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Kapitel: Wolfgang Amadeus Mozart, Leopold Kohr, Christian Doppler, Joseph Mohr, Franz Xaver Gruber, Maria Anna Mozart, Stefan Zweig, Hermann Maier, Otto, Barbara Rosenkranz, Andreas Maislinger, Kajetan Mühlmann, Cornelia Fischer, Manfred Magnus, Annemarie Moser-Pröll, Georg Trakl, Helmut Krackowizer, Alexandra Meissnitzer, Andrea Fischbacher, Ulrike Maier, Lucas Suppin, Petra Kronberger, Ladislaus Almásy, Hannes Reichelt, Wolf Haas, Friedrich Ritter Von Lama, Herbert Fux, Felix Gottwald, Luise Von Österreich-Toskana, Thomas Stangassinger, Hans Makart, Albert Birkle, Leopold Mozart, Franz Aigner, Reinfried Herbst, Anton Diabelli, Cesar Bresgen, Ernst Von Bayern, Lois Renner, Helmut F. Kaplan, Michaela Kirchgasser, Friedrich Welz, Simon Stampfer, Sigfried Uiberreither, Brigitte Totschnig, Anton Cajetan Adlgasser, Michael Walchhofer, Virgil Widrich, Felix Baumgartner, Meister Von Großgmain, Josef Wessicken, Johann Grugger, Benita Ferrero-Waldner, Gerhard Amanshauser, Hans Bocksberger Der Ältere, David Zwilling, Sylvester Oberberger, Anton Faistauer, Christoph Wilhelm Aigner, Hans Augustin, Walter Mayer, Leopold Wölfling, Robert Ibertsberger, Matthias Lanzinger, Johann Baptist Hagenauer, Franz Karl Ginzkey, Josef Thorak, Adi Macek, Karl-Markus Gauß, Peter Harlander, Hans Hauser, Roland Ratzenberger, Kathrin Röggla, Alexander Manninger, Johann Georg Hagenauer, Ferdinand Iii., Simon Eder, Walter Kappacher, Irma Von Troll-Borostyáni, Eckart Witzigmann, Roman Kienast, Michael Aufhauser, Thomas Winklhofer, Karl Von Moll, Reinhard Schwabenitzky, Rudolf Hradil, Wolfgang Feiersinger, Berthold Pürstinger, Johann Michael Rottmayr, Liste Der Persönlichkeiten Der Stadt Salzburg, Ludwig Paischer, Fred Friedman, Ernst Märzendorfer, Franz Innerhofer, Robert Zoller, Georg Rendl, Kurt Engl, Hannes Reiter, Sigismund Von Neukomm, Else Pappenheim, Gerrit Glomser, Gaby Dohm, Franz Berger, Harald Krassnitzer, Luigi Gatti, Wilhelm Holzbauer, Ferdinand Sau...http://booksllc.net/?l=de ... Read more

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This volume is produced from digital images created through the University of Michigan University Library's large-scale digitization efforts. The Library seeks to preserve the intellectual content of items in a manner that facilitates and promotes a variety of uses. The digital reformatting process results in an electronic version of the original text that can be both accessed online and used to create new print copies. The Library also understands and values the usefulness of print and makes reprints available to the public whenever possible. This book and hundreds of thousands of others can be found in the HathiTrust, an archive of the digitized collections of many great research libraries. For access to the University of Michigan Library's digital collections, please see http://www.lib.umich.edu and for information about the HathiTrust, please visit http://www.hathitrust.org ... Read more

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Contents:

1. Requiem, Kyrie (Mozart)
2. Dies Irae (Mozart)
3. Tuba Mirum (Mozart)
4. Rex Tremendae (Mozart)
5. Recordare (Mozart)
6. Confutatis (Mozart)
7. Lacrymosa (Mozart and Sussmayr)
8. Domine Jesu (Mozart)
9. Hostias (Mozart)
10. Sanctus (Sussmayr)
11. Benedictus (Sussmayr)
12. Agnus Dei (Mozart and Sussmayr)

This is a new, digitally enhanced reprint of the classic vocal score prepared by Friedrich Brissler around 1880 and first issued by C. F. Peters in Leipzig. The vocal score was arranged from the well-known completion of Mozart's unfinished masterpiece done my his student Franz Xaver Süssmayr in 1792 at the request of Mozart's widow Constanze. Includes contents, instrumentation, and an English translation of the latin text in the frontmatter. ... Read more

Customer Reviews (1)

Mozard Requiem Score
One of my favorite pieces of music.It is great to have the score to study along with the music. ... Read more

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Eine Biografie des bekannten Komponisten W. A. Mozart. ... Read more

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Newly engraved and revised edition of Gleichauf's classic vocal score. Composed in in Salzburg in 1769, Mozart modeled this youthful work closely on a similar one by Michael Haydn (for which reason its authenticity had long been questioned). Mozart's piece divides the lengthy liturgical text into three contrasting sections, including a final rousing double fugue. Musicologist Alfred Einstein described the work as "sure in construction, thrilling in its choral declamation, and having a certain rustic South-German grandeur." ... Read more

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Presents two settings of "Ave Verum Corpus" - the Mozart setting for SATB, strings and organ and the Sussmayr setting. This work is also suitable for SATB, 2 oboes, 2 horns, strings, and organ. ... Read more

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It may be a while before hypnotic regression achieves mainstreamacceptance, but Montano's own work in that area and the resultantLoving Mozart will certainly assist in its doing so.Loving Mozartadds an important dimension to the musical genius we know as Mozartand his devoted friend Franz Sussmayr.Captivatingreading. ... Read more

Customer Reviews (3)

A Book of Haunting Beauty
When I read this book four years ago it haunted me for a long time. The beauty of its prose and the lucidity of the author's memories lingered in the back of mind and in the recesses of my heart, adding a dimension to the character of a young man few people can say they understand. There are no portraits of Franz Süssmayr, no eye-witness accounts of what kind of person he was, or what his relationship with Mozart was really like. This book fills in those spaces to reveal a gifted, generous, tender-hearted man, who was a loyal friend to the end-and beyond.

Books that claim to have their basis in past-life recall are always met with ridicule because people who don't believe in reincarnation are not educated in the field and thus cannot comprehend all the profound implications of it, or the myriad beautiful possibilities that go along with it. Immature souls see life as black and white. Mature souls see life as an ocean of limitless color, light and shadow, tone and texture. This book is a creation of all these qualities.

I recently re-read Loving Mozart and I received more from it than I did after my first reading. Only when something contains the truth can it affect us this way-it touches our hearts again and again, regardless of how many times we pick it up, dust it off and allow it to take us into its private world.When truth is that palpable, we know it deep in our subconscious whether we recognize it or not, and assumed historical details lose their grasp. Ask any police detective if any ten people will remember an event the same way and the answer will be no. Mozart knew a great many people, some of whom were never allowed into his private life. Many of those people went on to write about him, and even they do not always agree on just what happened at the end of Mozart's life. We remember events from our own experience and inner reality, and history is written by the winners anyway. Franz Süssmayr was not one of the winners. The winners went on to create a Mozart that would appeal to charitable organizations and individuals-an eternal manchild, a composer who never struggled over a piece of music, but composed as easily as writing out a grocery list, an apollonian god.

Some critics of this book don't recognize that Loving Mozart is not a book about Mozart, but a book about the spiritual path of someone who simply loved, and acted out that love in a beautiful, selfless way. If that's not Truth I don't know what is.

We hear only from the most courageous
There are two kinds of people who claim famous past lives: total phonies, who are simply out to make themselves seem more important, and the rare genuine articles, who really do have some connection, direct or archetypical, with a historical figure.

How to tell which is which?Just ask the person this: "When you found out you were or knew so-and-so... how did you deal with the shock and the fear?"If they don't know what you're talking about, you have a genuine, garden-variety phony.

Real ones do what most of us would do in their situation: look in the mirror, think 'how could I have been THAT?', feel surreal and worry that maybe they are just crazy.When considering telling anyone, they worry about their reputations, their jobs, their relationships.They know about the phonies, the weekend Cleopatras, and they know what they will be called.They sometimes wish their memories would just go away.

We hear only from the most courageous of them.

_Loving Mozart_ was ten years in the making; ten years for the author to gather the information and the courage to publish.Wishful thinking simply doesn't take that long, and lusts after perfect experiences, not the painful, ambiguous, messy ones portrayed.Besides, if the author had the total freedom of fantasy, why not go the whole hog and claim to have been Mozart himself?

This book isn't about fame and glory anyway; it is about music, and about love.It is about loyalty, joy and a passion for creating beauty that transcend poverty, rejection and death.It is about the nature of souls and their multi-life connections and missions, and about how inspiration is drawn from the Divine.

If you firmly disbelieve in reincarnation you don't want to read it; it will just seem like airy-fairy nonsense, and the details that differ from history (as is inevitable, since people often remember the same events differently) will peck at you.If you can accept reincarnation as fantasy, you will be both moved and uplifted.If you accept reincarnation as reality, you will find much that is confirmatory -- and still be moved and uplifted.If you are undecided but open-minded, there is a lot to learn, and this deeply beautiful book will stay in your mind and heart for a long time after reading.

A "must read"
for anyone who has ever stopped to wonder WHY one has these memories that just do not fit in one's current life. Also, this book gives some insight into Mozart as a person with talent, not the "man touched by God"as a recent A&E commentator claimed. ... Read more