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         Gesualdo Carlo:     more books (48)
  1. Carlo Gesualdo, Prince of Venosa, Musicaian and Murder by Cecil and Philip Heseltine Gray, 1926
  2. Carlo Gesualdo: Prince of Venosa, Musician and Murderer by Cecil & Philip Heseltine Gray, 1926
  3. Madrigali a Cinque Voci. Libro Primo (-Quarto). Nouamente Ristampato. [By Carlo Gesualdo, Prince of Venosa. Bk.i. and ii. with dedications by S. Stella, ... The printer of Bk.ii.-iv. is Angelo Garda)
  4. Madrigali a Cinque Voci. [By Carlo Gesualdo, Prince of Venosa. Bk.ii., Edited by Scipione Stella.] Tenore. (Quinto.) 2 pt
  5. Mannerism: Style and Mood - An anatomy of four works in three art forms (The Yale College Series) by Daniel B Rowland, 1964
  6. Ludd! (Playtexts in Performance) by John Mackendrick, 1996-05-01

61. PHONE-SOFT INTERNET-VERZEICHNIS DEUTSCHLAND:GESUALDO, CARLO
carlo gesualdo (um 1560 - 1613);
http://www.phone-soft.de/cyber-world/o7156d.htm
TOP-LINK UP-LINK DISCUSSION SEARCH ... HELP GESUALDO, CARLO
  • www.neuverlieben.com - Lerne Deinen Traumpartner kennen
  • CANTATE - Der Fürst unter den Tonsetzern Don Carlo Gesualdo
  • Carlo Gesualdo (um 1560 - 1613)
  • Carlo Gesualdo di Venosa Die Karfreitagsresponsorien - PDF-Datei
  • Gesualdo
  • Romanischer Sommer Köln: Madrigale von Gesualdo GLEICHE KATEGORIE: INTERNATIONAL
  • 62. CANTATE - Der Fürst Unter Den Tonsetzern Don Carlo Gesualdo
    Translate this page Der Fürst unter den Tonsetzern Don carlo gesualdo Wohl kaum ein Komponist verdanktseinen Bekanntheitsgrad einer so ruchlosen Tat wie dem Mord an der eigenen
    http://www.cantate-online.de/artikel/0103-1.htm
    Komponistenporträt Der Fürst unter den Tonsetzern Don Carlo Gesualdo
    Wohl kaum ein Komponist verdankt seinen Bekanntheitsgrad einer so ruchlosen Tat wie dem Mord an der eigenen Ehefrau. Doch wer Don Carlo Gesualdos Ruhm als Komponist allein auf die Gewalttat zurückführt, der verkennt die enormen kompositorischen Leistungen des italienischen Fürsten von Venosa.
    Über die Kindheit und Jugend des Fürsten ist nicht viel bekannt. Ein erst vor knapp 20 Jahren aufgefundener Brief korrigiert das bis dahin in der Zeit zwischen 1560 und 1562 vermutete Geburtsdatum auf den 8. März 1566. Schon früh kommt der berühmte Lautenspieler am musikliebenden Hof seines Vaters mit der Tonkunst in Berührung; jedoch kennen wir keine Details seiner musikalischen Ausbildung, die ihn zu einem der führenden Komponisten seiner Zeit macht.
    Nach vier Jahren scheinbar glücklicher Ehe des fürstlichen Paares und der Geburt eines Sohnes ereignet sich der fürchterliche Mord an Donna Maria und ihrem Liebhaber . Die Rachedrohungen der konsternierten Familien und die erhitzten Gemüter der Zeitgenossen zwingen den Fürsten dazu, sich für einige Zeit auf Burg Gesualdo zu verschanzen, doch der detailliert dokumentierten richterlichen Untersuchung dieser »Tötung im Affekt« entspringen keinerlei Konsequenzen, und das dramatische Ereignis wird bald vergessen. Aber Gesualdo peinigen zeit seines Lebens heftige Gewissensqualen: in den folgenden Jahren veranlaßt er den Bau eines Kapuzinerklosters mit der Kapelle Santa Maria delle Grazie, deren Altarbild ihn selbst in der Position des um Vergebung bittenden Sünders darstellt. Auch in seinem Testament erbittet er die Absolution und bestimmt weitere Gelder zugunsten des Baues von Kapellen und des Lesens von Messen für sein Seelenheil.

    63. Carlo Gesualdo Principe Di Venosa
    Translate this page carlo gesualdo Principe di Venosa, ristampa a cura di Ennio Speranza,Roma, ISMEZ, ristampa 1998, 182 pp., Lire 27.000 Euro 13,94.
    http://www.pml.it/ismez/gesu.htm
    Carlo Gesualdo Principe di Venosa ristampa a cura di Ennio Speranza, Roma, ISMEZ, ristampa 1998, 182 pp., Lire 27.000 Euro 13,94. Gesualdo ha attirato musicologi come Carl Dahlaus, Wilhelm Weismann, Glenn Watkins, Hubert Meister, Anthony Newcomb, tutti presenti in questo volume che viene a configurarsi come un’agile e ovviamente incompleta, ma si spera utile, antologia di importanti saggi apparsi svariati anni fa su riviste anglosassoni e tedesche con in più una introduzione e un contributo italiano finale dovuto a Barbara Pizzichelli. Piccolo omaggio dell’ISMEZ a un compositore assai citato o magnificato – ma in Italia forse ancora troppo poco studiato ed eseguito – per di più appartenente a quell’area geografica dell’Italia che precipuamente interessa l’Istituto. Indice del volume: Anthony Newcomb Carlo Gesualdo e una corrispondenza musicale del 1954 , pp. 17-45; Glenn Watkins Carlo Gesualdo e i confini dello stile tardo-manieristico , pp. 47-69; Carl Dahlaus Il trattamento manieristico della dissonanza in Gesualdo , pp. 71-83;

    64. Carlo Gesualdo - Biographie
    Translate this page carlo gesualdo - zurück. Externer Link 1560- 1613 carlo gesualdo 1 - carlo gesualdo 2,
    http://www.martinschlu.de/kulturgeschichte/rennaissance/spaetrennaissance/gesual
    Carlo Gesualdo -
    Externer Link Carlo Gesualdo 1 Carlo Gesualdo 2

    65. 100Links - Schede - CARLO GESUALDO
    Translate this page Sei qui Home » Musica » Compositori Classici » carlo gesualdo. Cliccaqui per visitare il sito. Il nostro giudizio Complessivo carlo gesualdo.
    http://100links.supereva.it/schede/2275.html
    Su 100Links Su superEva Siti italiani Tutte le lingue Altre ricerche Sei qui: Home Musica Classica Compositori Sito controllato il 20 Dicembre 2002 CARLO GESUALDO
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    66. Carlo Gesualdo (1560-1613) Ludwig Van Beethoven Renaissance
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    67. Early Music Chicago Composers
    Giovanni; gesualdo, carlo (c. 15601613) Dr. Estrella's Dictionarygesualdo, carlo Google Web Directory gesualdo, carlo; Gibbons
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    68. Carlo Gesualdo (1560-1613) Ludwig Van Beethoven Forum Frigate
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    70. Carlo Gesualdo - Analekta
    carlo gesualdo (1560 1611) - composer Discographie. Cover, Vancouver 23097. carlo gesualdo, Click here to join our mailing list! It's free!
    http://www.analekta.com/site/bio.e/gesualdo_ca.html
    Carlo Gesualdo
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    71. Carlo Gesualdo - Analekta
    Translate this page carlo gesualdo (1560 - 1611) - compositeur Discographie. carlo gesualdo,Cliquez ici pour vous inscrire à notre liste d'envoi! C'est gratuit!
    http://www.analekta.com/site/bio.f/gesualdo_ca.html
    Carlo Gesualdo
    - compositeur Discographie Vancouver Cantata Singers, Fankhauser
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    72. Osservazioni Sul Sesto Libro Dei Madrigali Di Carlo Gesualdo
    Translate this page Osservazioni sul Sesto Libro dei madrigali di carlo gesualdo. AntonioDe Lisa. E' noto che, diversamente dalle sue raccolte precedenti
    http://users.unimi.it/~gpiana/dm6/dm6gesad.htm
    Osservazioni sul Sesto Libro dei madrigali di Carlo Gesualdo Antonio De Lisa E' noto che, diversamente dalle sue raccolte precedenti, non si sia potuto rintracciare neppure un autore noto delle poesie che Gesualdo musica nel suo sesto libro, pubblicato nel 1611 da Carlino nella stamperia del castello di Gesualdo in Irpinia e ristampato da Simone Molinaro a Genova in partitura completa nel 1613. "Solo tre madrigali - come ha documentato Paolo Cecchi - furono musicati in precedenza: Ancide sol la morte , utilizzato da Luzzasco Luzzaschi nel Sesto Libro de Madrigali a cinque voci (1596), da Antonio Il Verso nel suo Terzo Libro de Madrigali a sei voci (1607) e da Pomponio Nenna nel suo Primo Libro de Madrigali a quattro voci Tu segui o bella Clori , musicato, con la sola variazione dell'incipit in Tu segui o bell'Aminta , da Alessandro Di Costanzo nel suo Primo Libro de Madrigali a quattro voci (1604, ristampa) e da Nenna nel Quarto Libro de Madrigali a cinque voci (I edizione, ante 1603) e

    73. TWAS 105: Perotin, Josquin Desprez, Thomas Tallis, Carlo Gesualdo, Arvo Part, Hi
    Me With Hyssop 30 January 97 Perotin Perotin Josquin Desprez Motets ChansonsThomas Tallis The Lamentations of Jeremiah carlo gesualdo Tenebrae Arvo Part
    http://www.furia.com/twas/twas0105.html

    Contents
    Issues Artists About Purge Me With Hyssop 30 January 97 Perotin: Perotin
    Josquin Desprez:
    Thomas Tallis: The Lamentations of Jeremiah
    Carlo Gesualdo: Tenebrae
    Arvo Part: Arbos
    Arvo Part: Passio
    Arvo Part: Miserere
    The Hilliard Ensemble: New Music for Voices
    Perotin: Perotin In amongst a long series of laughably over-ambitious New Year's resolutions regarding things over which I don't necessarily exert much control, I also resolved that this will be the year I stop not knowing anything about classical music. I'm not sure why this year my ignorance on the subject suddenly seems unconscionable, while my complete inability to fathom jazz and my lingering indifference to most rock music before 1978 still don't trouble me, but life is long, so I try not to worry about its disorganization. I start from a very small kernel of trustworthy knowledge. I played cello for about six years of my youth, so even if you disregard the time spent at the beginning learning magnanimously oversimplified versions of the theme to Star Wars , I did encounter enough random classical music to have a general feel for the art form, about like you'd have for painting, in general, after working your way through several volumes of the copy-the-masters-by-numbers series filling in only the red patches. I also took a classical-music survey course in college, which is certainly not the way you develop an actual empathy for the stuff, but does supply you with some useful historical context (like: generally speaking, twiddly harpsichord soliloquies are from a really long time ago, pieces that sound like the entire population of a small, pious Northern European country simultaneously glimpsing the face of God are from more recently, and anything that sounds like a pointless chaotic mess or a cautionary tale for why tuning

    74. Gesualdo. Moro, Lasso
    MHL 341 Music History. gesualdo, carlo. carlo gesualdo (c. 15611613) concentratedon madrigal composition almost to the exclusion of any other type of music.
    http://www.asu.edu/cfa/classnotes/music/reynolds/MHL341/ren/gesualdo.html
    MHL 341 Music History
    • The immediately preceding listening example was of a mid-16th-century madrigal by
    • Your next listening example is from the English madrigal repertory,
    p. 153 #65, p. 103 MHL 341 Study Guide for K. Marie Stolba Brief Second Edition with Antholology , 2nd edition. Return to First Page

    75. Cantori New York: Don Carlo Gesualdo
    Back to Composer’s Archive. DON carlo gesualdo. carlo gesualdo, princeof Venosa, born March 8, 1566 in Venosa, Italy, and died Sept.
    http://www.cantorinewyork.com/composers_archive/gesualdo.html
    DON CARLO GESUALDO Born: Venosa, Italy, March 8, 1566
    Died: September 8, 1613 Carlo Gesualdo
    On May 17, 1997 and also on May 11, 1996, I Cantori di New York performed selected Madrigals by Carlo Gesualdo. Home Join The Mailing List Mark Shapiro
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    76. Carlo Gesualdo (1560-1613) Forum Frigate
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    77. GESUALDO Da VENOSA, Don Carlo
    (1560 8/9/1613). U hoort nu van Don carlo gesualdo da Venosa Mercegrido piangendo. gesualdo werd in 1560 in Napels geboren als
    http://www.geocities.com/Vienna/Strasse/9275/gesualdo.htm
    U hoort nu van Don Carlo Gesualdo da Venosa: Merce grido piangendo Gesualdo werd in 1560 in Napels geboren als rijke telg uit een der aanzienlijkste en oudste Spaans-Italiaanse vorstenhuizen in het koninkrijk Napels en beide Siciliën. Hij volgde les in muziektheorie, zang en het bespelen van verschillende muziekinstrumenten w.o. luit bij Pomponio Nenna. Deze werkte, evenals Dentices en de Vlaming Giovanni De Macque, in de academie van Gesualdo's vader. Als zijn oudere broer in 1585 overlijdt, is hij genoodzaakt zijn verwend aristocratisch leventje op te geven. Hij wordt regerend vorst van Venosa. Het componeren gebeurt enkel in zijn vrije tijd. Nog een andere plicht wordt hem opgelegd: huwen binnen zijn eigen stand. Zijn keuze valt op de beeldschone Maria d'Avalos. Zij schenkt hem een zoon en een dochter. Maar dit geluk is van korte duur. Op 26 oktober 1590 worden zijn vrouw en haar minnaar Don Fabrizio de Carafa betrapt en... zonder pardon vermoord. Ook zijn dochtertje wordt, wegens twijfel aan zijn vaderschap, uit de weg geruimd. Hoe groot het aandeel van Gesualdo bij dit alles was, is niet geweten. In elk geval trekt hij zich na deze tragische feiten, om aan eventuele wraakacties te ontkomen, terug in het versterkte slot van Gesualdo, nabij Napels. Welke werken voor het dramatische jaar ontstonden, is niet geweten. Vermoedelijk zijn de eerste twee madrigalenbundels, de canzonetta's en gagliarda's van voor deze tijd. De canzonetta's hebben nog niets van het dramatische karakter van de latere madrigalen. De gaillardes bieden voorbeelden van zuiver instrumentale muziek. Het zijn dansen om met vier te spelen, 'per suonare le viole', naar een danstype dat toen bijzonder populair was.

    78. Carlo Gesualdo Da Venosa (1566-1613) - Klassiekemuziekgids.net
    klassiekemuziekgids.net. carlo gesualdo da Venosa Napels ca. 1566– gesualdo 1613 Napolitaans componist en luitspeler. Componeerde
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    klassiekemuziekgids net Carlo Gesualdo da Venosa
    Napels ca. 1566 –
    Gesualdo 1613
    Napolitaans componist en luitspeler
    Componeerde, behalve kerkmuziek in min of meer traditionele stijl, madrigalen die door hun vooruitstrevende harmoniek en expressieve chromatiek hun tijd ver vooruit waren.
    Zijn eerste vier boeken madrigalen (1594–1596) vertonen nog de conventionele verfijnde stijl van zijn tijd; boek 5 en 6 daarentegen (1611) en de in 1626 gepubliceerde zesstemmige madrigalen zijn opvallend door bijzondere melodische toonschildering en vooral door gedurfde harmonische akkoordverbindingen.
    Strawinsky
    heeft in 1960 drie onvolledig bewaard gebleven kerkmuziekwerken aangevuld en drie van Gesualdo's madrigalen herschreven voor strijkers en blazers (Monumentum pro Gesualdo di Venoza ad CD annum) UITG: Sämtliche Werke (10 dln.). home muziekfragment uit Madrigaal Mercè grido piangondo

    79. Carlo Gesualdo Da Venosa - Madrigaal Mercè Grido Piangondo - Klassiekemuziekgid
    klassiekemuziekgids.net. carlo gesualdo daVenosa Madrigaal Mercè grido piangondo,
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    80. Teatro Carlo Gesualdo
    carlo gesualdo . Biglietti. Abbonamenti. Prima Platea
    http://www.bottegadellemani.com/Bottega/eventi/teatro_carlo_gesualdo.htm
    Teatro Carlo Gesualdo la "bottega" sostiene il Teatro
    la "bottega delle mani" tra le associazioni sostenitrici del nuovo teatro di Avellino
    L’associazione "amici della bottegadelle MANI", ha aderito all'iniziativa promossa dall'Assessorato alla Cultura del Comune di Avellino, al fine di diffondere la cultura teatrale sul territorio: “Il teatro Gesualdo per le Associazioni culturali del territorio”. Una realtà importante per la provincia, quella del nuovo Teatro "Carlo Gesualdo", a cui la " bottega" si sente ancopr più legata, per aver tra i suoi soci anche l'artigiano che ha realizzato il piano di calpestio del palcoscenico: la falegnameria Artelegno di Montoro Superiore. Il Teatro Carlo Gesualdo, inaugurato lo scorso novembre dal Presidente della Repubblica Ciampi, ha avuto il battesimo del palcoscenico lo scorso 21 dicembre con l'opera "le nozze di Figaro" diretta dal M.o Claudio Desideri. La stagione teatrale continuerà poi, con nomi come Vincenzo Salemme, Ligabue, l'Orchestra "Scarlatti", l'Accademia di Danza di Roma e tanti altri vari e qualificati appuntamenti. Situato nel cuore del Centro storico avellinese, costruito su progetto dell'arch. Carlo Aymonino, presenta una soluzione con sala circolare divisa su due livelli. La "sala" contiemne 1200 posti a sedere di cui 800 in platea e 400 in galleria. Un aparete mobile situta sopra la fila dei palchi permette la riduzione dei posti sala a 720, per manifestazioni che richiedono un minor numero di spettatori

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