61. POFBA Presents: Pauline Oliveros Retrospective Concerts Sounding the Margins A Retrospective of the Music of pauline oliveros. paulineoliveros, Tom Bickley, Jorge Boehringer, Anne Bourne, Natalie Brejcha. http://www.pofba.org/Retrospective/

Sounding the Margins: A Retrospective of the Music of Pauline Oliveros Schedule The Sounding the Margins Orchestra Press Coverage The Pauline Oliveros Foundation Bay Area (POFBA) , in collaboration with Meridian Music: Composers in Performance presented Sounding The Margins: A Retrospective of the Music of Pauline Oliveros , May 31, and June 1, 2002 at the Lorraine Hansberry Theatre in San Francisco, and at Dolores Park in San Francisco on June 2, 2002. In celebration of the 70th birthday of Pauline Oliveros, dozens of musicians, artists and dancers came together to celebrate and honor the work of one of the most important artists of our time. The celebration was hosted by Sarah Cahill. You can see a collection of press coverage of the festival See Anne Bourne's photos of participants The Events Friday, May 31, 2002 8:00 pm (Concert 1) Four Meditations for Orchestra : The Sounding the Margins Orchestra Variations for Sextet (1960): sfSound Group [Matt Ingalls (bass), Hugh Livingston ('cello), Diane Grubbe (flute/piccolo), David Bithell (trumpet), Carrie Weick (French horn), Hadley McCarroll (piano), Jennifer Bailey (conductor)] Saxual Orientation (1998) (Commissioned by the Rova Saxophone Quartet): ROVA [Bruce Ackley (soprano saxophone), Steve Adams (alto saxophone), Larry Ochs (tenor saxophone), Jon Raskin (baritone saxophone)]

62. Pauline Oliveros Foundation Bay Area (POFBA) pauline oliveros Foundation Bay Area (POFBA). The pauline oliveros FoundationBay Area (POFBA) is a program of the pauline oliveros Foundation. http://www.pofba.org/

Pauline Oliveros Foundation Bay Area (POFBA) Activities Pauline Oliveros Retrospective Concerts Artists' Group Grants via POFBA Contacts The Pauline Oliveros Foundation Bay Area (POFBA) is a program of the Pauline Oliveros Foundation . The purpose of POFBA is to provide a platform for supporting new work in the San Francisco Bay Area. POFBA wishes to provide a context for new work through community building. The formation of POFBA was announced by Pauline Oliveros on November 12, 2000, at the Oakland home of Wendy Burch. This culminated over three years of planning and organization. POFBA is the second regional program of the Pauline Oliveros Foundation, after POF Houston. Obtaining Grants via POFBA Artists may make proposals to the POF Board of Directors. Proposals that are consistent and resonant with the POF mission are considered for sponsorship. With approval of the POF Board of Directors, artists may submit the proposals to granting organizations, using the tax exempt status of POF (a 510(c)(3) non-profit organization). This status allows access to a larger variety of grants, including funds that are restricted to California organizations. POF administers funds, and assists with the final reports, and charges an administrative fee of 5% of the project budget. Artists are responsible for all aspects of their projects. Activities Pauline Oliveros Retrospective Concerts POFBA, in collaboration with

63. Rubiks's ROCK N ROLL REFERENCE DISCOGRAPHY Paivepo) 2000 Oliver, Steve (Positive Energy) native language 2001 oliveros,pauline - Lift (Primordial Lift) tableoftheelements 2000 oliveros, pauline http://www.rockmusiclist.com/rock_old.htm

RUBIN'S ROCK N ROLL DISCOGRAPHY REFERENCE "Let The Music Do The Talking!" Oldfield, Mike - "Capture" (The Killing Fields trk) Oldfield, Mike - "Family Man" (Five Miles Out) Oldfield, Mike - "Flying Start" (Islands) 1987 orw-Kevin Ayers Oldfield, Mike - "Foreign Affair" (Crises) Oldfield, Mike - "Good News" (The Killing Fields trk) Oldfield, Mike - "Guilty" (Airborn) Oldfield, Mike - "In The Beginning" (The Songs Of Distant Earth) Oldfield, Mike - "Islands" (Islands) Oldfield, Mike - "Magic Touch" 88 Oldfield, Mike - "Mirage" (Q.E.2) Oldfield, Mike - "Mistake" (Crises) Oldfield, Mike - "Only Time Will Tell" (The Songs Of Distant Earth) Oldfield, Mike - "Platinum" (Airborn) Oldfield, Mike - "See The light" (Earth Moving) Oldfield, Mike - "Shadow On The Wall" Oldfield, Mike - "Supernova" (The Songs Of Distant Earth) Oldfield, Mike - "Tattoo" (Tubular Bells II) Oldfield, Mike - "Tubular Bells (Theme From The Exorcist)" 23:50 (same) vrg Oldfield, Mike - "Weightless" (Tubular Bells II) Oldfield, Mike - (Amarok)

64. NewMusicBox: Issue 20 - December 2000 13 interviews by Frank J. Oteri.Category Arts Music Composition Composers O oliveros, pauline...... http://www.newmusicbox.org/first-person/dec00/

65. January Scores New To Mills Music Library London Ascherberg, Hopwood Crew, 1916. M1503 N688 T5 1916. oliveros,pauline. Deep listening pieces. M1470 O55 D4 1990. oliveros, pauline. http://www.library.wisc.edu/libraries/Music/rescoll/jan01sco.htm

New Scores for January 2001 Albert, Eugen d' . Huntsville, Tex: Recital Publications, 2000? M25 A4253 op.29 2000 Bach, Carl Philipp Emanuel Complete sonatas for flute and basso continuo Balfe, M. W The Bohemian girl opera in three acts . London: Boosey, 1918. Benedict, Julius The Lily of Killarney opera in three acts . London, New York: Boosey, 1918. Berger, Rodolphe . Paris: Max Eschig, 1914. Bernard, Emile Divertissement for wind instruments op. 36 2 flutes, 2 oboes, 2 B clarinets, 2 F horns, and 2 bassoons . Tunbridge, Vt. (Box 88, Tunbridge, 05077): Trillenium Music Co, 1998. M957 .B4 op.36, 1998 Brjendra, Baijanatha Gupta Ao priya gita sangraha . Lakhanau: Cirajivi Praka sana, 1990. Byrd, William Songs of sundrie natures some of gravitie, and others of myrth, fit for all companies and voyces : lately made and composed into musicke of 3. 4. 5. and 6 parts . New York: Performers' Facsimiles, 2000? Caryll, Ivan The girl from Kay's a new and original musical play in three acts . London: Chappell, 1903.

66. November Media New To Mills Music Library oliveros, pauline. Primordial lift. oliveros, pauline, oliveros, pauline, oliveros,pauline, oliveros, pauline, and oliveros, pauline. The roots of the moment. http://www.library.wisc.edu/libraries/Music/rescoll/nov00med.htm

New Media for November 2000 Christmas in Dallas . Pullman, WA: Hester Park, p1996. COMP DISC 6920 Dance band days Signature tunes of the leading British dance bands . Cheltenham, Gloucestershire: This England, 199. COMP DISC 6916 Song without words . Hartford, Conn: Chamber Music Plus, p1999. COMP DISC 6924 Teaching music through performance in band resource recordings, volume 1, grades 2 and 3 . Chicago: GIA Publications, p1998. COMP DISC 6925 v.1 Beglarian, Eve Overstepping . Black Rock, CT: OO Discs, p1998. COMP DISC 6905 Bill Evans Trio The Bill Evans Trio at the Village Vanguard . Berkeley, CA: Riverside Records, p1986. COMP DISC 6907 Bon, Anna Flute sonatas, op. 1 COMP DISC 6930 Klavierwerke Oeuvres pour piano = [Works for piano] COMP DISC 6932 Brown, Richard The greatest songsters (1927-1929) . Vienna, Austria: Document Records, 1990. COMP DISC 6945 Byrd, William Consort songs . France: Ricercar, p1999. COMP DISC 6955 Coleman, Ornette The complete science fiction sessions . New York, N.Y: Columbia/Legacy. Sony Music Entertainment, 2000.

67. Online-Texte Zu Pauline Oliveros (English) onlineTexte zu pauline oliveros. page 480, 481, 483 (oliveros) =. oliveros, pauline,b. Houston, Tex., May 30, 1932. In 1952 she came to San Francisco. http://members.aol.com/LFelbick/po5.html

online-Texte zu Pauline Oliveros zur homepage Lutz Felbick Interview with Pauline Oliveros at the Deep-Listening Retreat in the Alps at Murren, Switzerland July 4 - 11, 1999 (English Version) Interview Deep Listening - Neugierig werden auf Musik von Pauline Oliveros ( Referat Nr. 10 American Composers A Biographical Dictionary David Ewen G.P. Putnam's Sons New York (c) 1982 by David Ewen 999w = page 480, 481, 483 (Oliveros) = Oliveros, Pauline, b. Houston, Tex., May 30, 1932. ...In 1952 she came to San Francisco. There she attended San Francisco State College (1954-57), earning a bachelor of arts degree in 1957 with composition as major. She took a year of post-graduate work before deciding to quit the university because it interfered with composition. For the first time she came into contact with "new" music and the young adventurous musicians who were creating it. A six-year period of the study of composition privately with Robert Erickson followed. Erickson reinforced her interest in sound quality, encouraged her to improvise her way through composition rather than rationalize, and introduced her to the concept of organic rhythm, that is, rhythm that shifts, expands, contracts, and is not periodic in the metrical sense. In 1957, she joined several San Francisco avant-garde composers in creating group improvisations "We simply sat down and played together without prior discussion, recorded and listened to the results," she says. "At first we were amazed at the spontaneous organization in the music... We all felt our hearing expanded by the simple process of throwing oneself into spontaneous music making, getting immediate feedback in the form of the recording, and discussion of the process and results."

68. Neugierig Werden Auf Musik Von Pauline Oliveros Translate this page Neugierig werden auf Musik von pauline oliveros. Vortrag mit Musikbeispielenam 19.12.1999 in der Klangbrücke Aachen. links zu pauline oliveros. http://members.aol.com/LFelbick/vortragpo.html

Neugierig werden auf Musik von Pauline Oliveros zur homepage Lutz Felbick (www.felbick.de) Pauline und Ione Inhalt Zitat Biographie Werkverzeichnis Deep-Listening Retreats ... Literatur links zu Pauline Oliveros Interview with Pauline Oliveros at the Deep-Listening Retreat in the Alps at Murren, Switzerland July 4 - 11, 1999 ( English Version online-Texte zu Pauline Oliveros (englisch) online-Texte zu Pauline Oliveros (deutsch) Pauline Oliveros Foundation ... deep listening recourses (Pauline Oliveros) I pray for deep listening in the new century listening alone listening together listening to others listening to oneself listening to the earth listening to the universe listening to the abundance that is awakening to and feeling sound and silence as all there is helping to create an atmosphere of opening for all to be heard, with the understanding that listening is healing. Deep listening in all its variations is infinite. Deep listening is love. Pauline Oliveros in Prayers for a Thousand Years HarperSanFrancisco, April 1999 Biographie John Cage: "Through Pauline Oliveros and Deep Listening I finally know what harmony is... It's about the pleasure of making music."

69. Pauline Oliveros Artist Profile pauline oliveros. Contact information email. website.To discography, pauline oliveros Kingston, NY, USA OVERVIEW. http://www.earthear.com/catalog/profiles/oliveros.html

Artist Profile: Pauline Oliveros Contact information: email website To discography Pauline Oliveros Kingston, NY, USA OVERVIEW Pauline Oliveros is a leading electronic and experimental composer, whose works have included CDs, books, and a profound approach to teaching the art of "Deep Listening." For a full overview of her work, please do visit the website of the Pauline Oliveros Foundation Discography Available from EarthEar Troglodyte's Delight (available soon)

70. Free Email Top 100 Music Links Top Site! Deep Listening 13 hits Added 14th May 2002 A philosophy/bandput together by composer pauline oliveros. pauline oliveros Foundation Inc. http://www.basicmusic.net/sslinks/links.php?cat=1154

71. Pauline Oliveros And American Voices pauline oliveros American Voices pauline oliveros, accordion voice American VoicesNeely Bruce, director pauline oliveros is internationally acclaimed as a http://www.mode.com/catalog/040oliveros.html

catalog new profiles news ... email mode 40 Pauline Oliveros, American Voices Neely Bruce, director Pauline Oliveros is internationally acclaimed as a composer, accordionist, teacher and innovator of the technique called Deep Listening. "Deep Listening" unfolds through the interaction of the performers as they are influenced by special tunings and the space around them. In 1991, Oliveros was invited by Neely Bruce, director of American Voices, to conduct Deep Listening training sessions with them in the chapel of the Pomfret School in Connec-ticut. This chapel was specially chosen for the sessions because of its rich and reverberant acoustics. After two weekends of workshops, Oliveros and American Voices recorded several Deep Listening/Sonic Meditations in the Chapel. A special solo performance by Pauline Oliveros on her "just-intonation" accordion was titled St. George and the Dragon, an interaction with the the chapel's acoustics, which included a noisy squirrel who joined in! Oliveros is again featured on the accordion with American Voices for In Memoriam, Mr. Whitney, a moving meditation for those departed. A second disc from these sessions is in preparation for release on Mode Records.

72. Ars Acustica: Pauline Oliveros - Biographie Translate this page pauline oliveros (*1932) gilt als eine der einflußreichsten Komponistinnender USA. Ihre Performances und Kompositionen basieren http://www.wdr.de/radio/wdr3/sendungen/stukun/arsacustica/oliveros/

Ars Acustica Werke Pauline Oliveros Humayun's Tomb Pauline Oliveros. Traum-Mandala DreamHorseSpiel, For John (Cage) Poem of Change und Ear Piece Humayun's Tomb DreamHorseSpiel Deep Listening

73. Ars Acustica: Pauline Oliveros - DreamHorseSpiel 1989; Ich höre immer noch auf Pferde. Ich höre auf sie. pauline oliveros. http://www.wdr.de/radio/wdr3/sendungen/stukun/arsacustica/oliveros/werke02.html

Ars Acustica Pauline Oliveros DreamHorseSpiel Realisation: Pauline Oliveros Komposition: Pauline Oliveros und Panaiotis 50 min mehrsprachig DreamHorseSpiel Das DreamHorseSpiel Dream Horse Poems von Pauline Oliveros. Das Sprachmaterial wurde von den beiden Komponisten Pauline Oliveros und Panaiotis elektronisch durch digitales processing verarbeitet. Das 'Dream Horse Poem' wurde in englisch von Panaiotis, Honora Ferguson und Julie Lyon und in deutsch von Adrian Schriel und Ingrid Sertso gesprochen. Humayun's Tomb Deep Listening

74. The History Of Rock Music. Pauline Oliveros: Biography, Discography, Reviews, Li Translate this page pauline oliveros (Copyright © 1999 Piero Scaruffi Legal restrictions - Termini d'uso ) http://www.scaruffi.com/oldavant/oliveros.html

Pauline Oliveros Piero Scaruffi Legal restrictions - Termini d'uso Links Pauline Oliveros home page My interview with Pauline Oliveros Links to other sites IN PREPARAZIONE - AGGIORNATO SOLTANTO AL 1991 Pauline Oliveros (classe 1932) e' originaria di Houston, nel Texas, dove da giovane suonava violino, fisarmonica e corno francese. Nel 1954 studio' composizione a San Francisco, con Terry Riley, alla corte di Robert Erickson. Nel 1960 mise a frutto la sua conoscenza di procedimenti tonali "alternativi" (per esempio, la serie dei sovratoni) nel sestetto Variation For Sextet (per flauto, clarinetto, tromba, corno, violoncello, pianoforte) che le valse un immediato riconoscimento dalla critica. L'anno dopo Sound Patterns ripete' l'esploit consegnando alla storia uno dei primi lavori corali senza parole in cui venivano impiegati sistematicamente tutti i suoni "illegali" della lingua e delle labbra. La prima svolta significativa della sua carriera venne nel 1961, allorche' aiuto' Subotnick ed altri a fondare il Tape Music Center, presso il quale sarebbe rimasta fino al 1967. Di questo periodo sono composizioni orchestrate per ensemble bizzarri. I due trii (entrambi del 1961, soprattutto il secondo per tromba, contrabbasso e fisarmonica) e il duo per fisarmonica e bandoneon (1964) misero in luce il gusto per i timbri piu' insoliti, mentre Seven Passages (1963) e Five (1964), delle cui partiture fa parte integrante un ballerino, aprirono la stagione multimediale, culminata con l'

75. ArtsElectric Pauline Oliveros Photo by Joel Chadabe, pauline oliveros Composer, accordionist, pioneering liveelectronic performer, educator, and humanitarian, pauline oliveros has been a http://www.arts-electric.org/artists/oliveros/

THE ARTISTS Photo by Joel Chadabe PAULINE OLIVEROS Composer, accordionist, pioneering live electronic performer, educator, and humanitarian, Pauline Oliveros has been a major innovator in improvisation, meditative music, and live electronic performance, particularly the use of electronics to extend instrumental improvisation. Through improvisation, electronic music, myth and ritual, teaching and meditation, she has created a body of work with an unparalleled breadth of vision ... "My music is interactive music. It is interactive in the sense that participants take a share in creating the work rather than being limited to expressively interpreting pitches and rhythms. I have composed the outside forms, the guidelines for ways of listening and ways of responding. These forms and guidelines with appropriate application give the participants a creative opportunity to compose and perform simultaneously in collaboration with me and to expand their musicianship ... Bio Statement Links to related materials HOME ArtsElectric is a trademark of Intelligent Arts, Inc.

76. ArtsElectric Pauline Oliveros Other Materials LINKS TO OTHER MATERIALS pauline oliveros Website , CDs at CDeMUSIC Linksto sales, various CDs, other materials. pauline oliveros Foundation , http://www.arts-electric.org/artists/oliveros/othermaterials.html

PAULINE OLIVEROS LINKS TO OTHER MATERIALS Pauline Oliveros Website Includes several bios, a discography with linked annotations, information about the university courses Oliveros teaches, selected writings online in pdf format, lists of commissions, awards, performances, and compositions, her own teachers, organizational affiliations, a calendar of upcoming concerts and events, and linked archive documents. CDs at CDeMUSIC Links to sales, various CDs, other materials. Pauline Oliveros Foundation The site lists information about Deep Listening retreats and workshops, special projects by Pauline Oliveros and collaborators, including 'Lunar Opera' and 'Io and Her and the Trouble With Him', and information about booking artists affiliated with the Foundation. Deep Listening Foundation Deep Listening sponsors workshops and retreats at which listening skills, sonic meditation, and sensitivity to the sounds around us are taught. Deep Listening Band Deep Listening Band is a performance group including Pauline Oliveros, David Gamper, and Stuart Dempster. The site includes information about upcoming concerts, the group's performance history, recordings, and documentation of the Expanded Instrument System, an electronic system designed to enhance the sound of acoustical instruments. HOME ArtsElectric is a trademark of Intelligent Arts, Inc.

77. The Classical Free-Reed, Inc. Interview With Pauline Oliveros Instruments and Performers EMail Interview with pauline oliverosDoktorski Hi pauline! oliveros Hi Henry! Doktorski I thought http://trfn.clpgh.org/free-reed/reviews/oliveros.html

The Free-Reed Journal Articles and Essays Featuring Classical Free-Reed Instruments and Performers E-Mail Interview with Pauline Oliveros Doktorski: Hi Pauline! Oliveros: Hi Henry! Doktorski: I thought your CD "Deep Listening" was tremendous; a really fabulous experience, actually. Oliveros: Glad you liked it! Doktorski: In your own words, how would you describe your style of music? Is it "New Age" music or something else? Oliveros: New Age is a marketing term which has lost it's meaning to the market. My music comes from an inner place - the style changes as I change. Sometimes it's raucous, sometimes it's quiet, it does not rely on imposed forms - it forms as I listen. Doktorski: It is extremely rare to hear contemporary composers play the accordion as a principal instrument. Even if a composer began learning music on the accordion, it seems that all of them later switched to the piano as their instrument of choice. You, however, seem to have stayed with the accordion. Why? Oliveros: The accordion is my primary instrument. It's an old friend - comfortable and expressive. Symbolically it is aligned with *the people* - working people. It is also a challenge to play an instrument that grew up after the period of classical music. The piano is centered in that period. The accordion has a life of it's own.

78. The Classical Free-Reed, Inc. CD Review Of Pauline Oliveros And Deep Listening pauline oliveros accordion, voice, conch shell, metal pieces Stuart Dempstertrombone, didjeridu, garden hose, conch shell, mouthpiece whistling, voice http://trfn.clpgh.org/free-reed/reviews/deep.html

The Free-Reed Review Critiques of Compact Discs, Books and Music Scores CD Review: Deep Listening Pauline Oliveros: accordion, voice, conch shell, metal pieces Stuart Dempster: trombone, didjeridu, garden hose, conch shell, mouthpiece whistling, voice Paniaotis: voice, whistling, metal pieces, pipes Program: Lear Suiren Ione Nike Total Time: 63:15 Released in 1989 Label: New Albion Records 584 Castro St. #515 San Francisco, CA 94114 USA http://www.deeplistening.org paulineo@deeplistening.org Review by Henry Doktorski When I first put "Deep Listening" on my stereo, I was totally unprepared for the amazing sonic experience which literally shocked me by its transparent beauty. My mind was mesmerized and my attention focused only on one thing: the undulating aural vibrati ons which radiated peace, joy and a cosmic timelessness. Within a few minutes, I put on my Sony headphones in order to mask outside distractions, lay down on the sofa, closed my eyes and entered another universe. After an hour or so, when the album was finished and my journey completed, I lay there for some time tasting the silence, until finally an unexpected and unwanted phone call jarred me from my meditative reverie and brought me cruelly back to the material world.

79. Pauline Oliveros & David Gamper - Live At The Ijsbreker, Jan. 1999 INFORMATION HOMEPAGE. pauline oliveros David Gamper. Live at theIjsbreker, Jan. 1999. JDK003. CONCERTTEXT pauline oliveros. http://www.radiantslab.com/jdk/jdk003_info.html

HOMEPAGE Live at the Ijsbreker, Jan. 1999 CONCERT-TEXT Pauline Oliveros In 1952, Ms. Oliveros encountered composer Robert Erickson (1917-1997) in San Francisco and she studied with him for six years. Mr. Erickson, a composer whose beautiful music makes a lasting 'Deep Listening' impression, never has made any stride in Europe other than as the vital stimulus for such outspoken West Coast mavericks as Terry Riley, Morton Subotnick and, of course, Ms. Oliveros. The enormous potential of her solo-instrument, the accordion, inspires Ms. Oliveros to focus continuously on 'in depth listening.' Linked to electronic tools, the instrument becomes in her hands an abundant source of refined sounds for her own music. Her instrument, build in 1983 by her former teacher, Willard Palmer, has a row of pedal tones, ranging from E to c#. Since 1986 it is tuned in just intonation. The accordion and the way Ms. Oliveros plays it, make the instrument ideal for turning her ideas on breathing, listening and meditating into sound. And those ideas are most effective when the sensuality of her music needs to be heightened. In 1983, the 'bith year' of her own instrument, she also added a piece of electronics to her equipment which gives the music an intensifying harmony by way of highly refined echo effects. These effects are not superficial. They don't make the sound spacious but are an integral part of the music's structure. They affect the tiniest pitch changes, help produce sound layers, and create harmonic modulations.

80. Pauline Oliveros & David Gamper - Live At The Ijsbreker, Jan. 1999 pauline oliveros David Gamper. Live at the Ijsbreker, Jan. 1999. JDK003. paulineoliveros David Gamper At The IJsbreker Jan 24 1999 JDK PRODUCTIONS JDK03 CD http://www.radiantslab.com/jdk/jdk003_reviews1.html

HOMEPAGE Live at the Ijsbreker, Jan. 1999 At The IJsbreker Jan 24 1999 JDK PRODUCTIONS JDK03 CD Forestter Cobalt music monkey ©2000 JdK Productions email jdkprod@xs4all.nl

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z

Page 4     61-80 of 101    Back | 1  | 2  | 3  | 4  | 5  | 6  | Next 20