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         Wolpe Stephan:     more detail

81. 1. Abend Des ASG-Frühjahrskonzerts Im Rathaussaal Der Stadt Passau
Translate this page Dave wolpe, Proud Mary, arr. Leitung StRin Irmgard Bauer StRefin Elke Gruber StRzA stephan Beutlhauser (Schulband) Sebastian Frankenberger, K12 (Percussion).
http://www.asg-passau.de/2000/fruehjahrskonzert/
zwei Abende mit leicht unterschiedlichen Programmen
am und April 2000
jeweils um 19:30 Uhr P r o g r a m m f o l g e (1. Abend)
Anonym
(um 1500) Augsburger Geschlechtertanz:
I. Passamezzo
II. Pavana - Gagliarda
III. Balletto
Sicilienne op. 78 Vc: Johannes Saam (10a)
Kl: Elke Gruber G. Enesco
Cantabile et Presto Querfl: Monika Reichart (K13) Kl.: Carolin Heidtmann (K13) F. Poulenc aus „Sonata“: Kl: Barbara Fuchs Martin Fuchs Trad. Spiritual Rock my soul Joshua fit the battle of Jericho Unterstufenchor Dream a little dream of me Ges: Julia Rotter (K12) Git: Michael Sitzberger (K13) L. Aresto Anzaghi russ. Volkslied „ Schwarze Augen Akk: Linda Nolte (11c) Fr. Chopin Etude op. 25, Nr. 1 Mazurka op. 67, Nr. 4 Kl: Alexej Gorlatch (6b) E. Grieg I. Peasant’s Song II. Spring Dance Orchester Kl: Stefan Geier (11c) G. Bizet aus L’Arlesienne - Suite Nr. 1: Carillon - P A U S E - D. Ellington/I. Mills arr. Roger Holmes It don’t mean a thing Jazz-Combo Soli: Alexander Popp (K12) Eva Scheinost (K12) Christoph Tampe (als Gast) J.C. Fogerty

82. EMF Institute InfoHub
premiered important works by John Cage, Earle Brown, Sylvano Bussotti, Morton Feldman,Karlheinz Stockhausen, Christian Wolff, stephan wolpe, La Monte Young
http://emfinstitute.emf.org/cgi-bin/itimeline_search.pl?keywords=cage

83. DAVID TUDOR: About This Site
contemporary composers Pierre Boulez, Earle Brown, Sylvano Bussotti, John Cage,Morton Feldman, Karlheinz Stockhausen, Christian Wolff, stephan wolpe, and La
http://www.emf.org/tudor/About/about.html
About the David Tudor Pages David Tudor is without question one of the premier figures in the performance of new music since the middle of this century. As a pianist, Tudor gave highly acclaimed first performances of works by contemporary composers Pierre Boulez, Earle Brown, Sylvano Bussotti, John Cage, Morton Feldman, Karlheinz Stockhausen, Christian Wolff, Stephan Wolpe, and La Monte Young, among others. As a composer, Tudor chose specific electronic components and their interconnections to define both composition and performance drawing upon resources that were both flexible and complex. This web site is dedicated to the life and work of David Tudor: composer, musician, and chef. In creating this comprehensive database, we hope to help open David Tudor's music to a wider audience and provide a platform for learning as well as for input from those who have been touched by his influence. This site is designed and maintained by John D.S. Adams and D'Arcy Philip Gray Hats off to those who have assisted and contributed to the building of this site: Joel Chadabe
Lowell Cross
Electronic Music Foundation
Erin Donovan
John Driscoll
Mimi Johnson
Billy Kluver and Julie Martin
Sofia Ogielska
Andy Ogielski
Matt Rogalsky
Katherine Simons Richard Teitlebaum Forrest Warthman H OME A BOUT ... OUND CLIPS This page was last updated on November 29, 2001. For more information contact: John D.S. Adams @

84. Playlist For Airborn Event With Dan Bodah - June 27, 2001
eddie prevost trio, contingent upon, the virtue in if, Matchless, CD, delicateimprovisation celebrating uncertainty, 2001. stephan wolpe, an anna blume, op.
http://www.wfmu.org/playlists/shows/269
Playlist for Airborn Event with Dan Bodah - June 27, 2001
Sundays 3am - 6am on WFMU 91.1 fm 90.1 fm wfmu.org Musical delirium induced by sounds from electronic noise to free jazz, drone rock to a capella African song. Listen live to WFMU:
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June 27, 2001: Sinatra gets all creepy on us
You can Listen to this show (RealAudio)
Artist Track Album Label Format Comments Year Chris Abrahams river of hammers glow Vegetable CD beautiful solo piano minimalism eddie prevost trio contingent upon the virtue in if Matchless CD delicate improvisation celebrating uncertainty stephan wolpe an anna blume, op. 5/III fur klavier und musikal clown berlin 1929-31 Sub Rosa CD bawdy yet atonal "unclassical" music from german commie modernist (untitled) lammergeier vhf CD another somewhat noisy record of minimal pieces from the boys elf power grand intrusion call vainly clutching at phantom limbs Arena Rock CD indie rock tries to go 60s psychedelic elyse deed i do s/t orange twin CD 1968 album of psych folk reissued on label run by elf power folks einsturzende neubauten stella maris ende neu Nothing CD downright sweetness luka bloom no surprises keeper of the flame Bar None CD adult contemporary cover of radiohead tune, appropriately earnest

85. Goethe-Institut Inter Nationes Paris - Leitseite
Translate this page Kahn-wolpe 18.03.03 Ensemble Recherche Stefan wolpe et Erich Itor Kahn 19.03.03Stephan wolpe et Erich Itor Kahn deux compositeurs de l'exil 20.03.03
http://www.goethe.de/fr/par/deindex.htm
75116 Paris Tel. : 01 44 43 92 30 Fax : 01 44 43 92 40 Die Goethe-Institute in Frankreich E-Mail Suchen
P
a
r
i
s
Kalender

Wortveranstaltungen

Ausstellungen

Film und Medien
...
Bibliothekskooperation
Unsere Schwerpunkte : Kunst Philosophie Kulturprogramme Deutsch lernen Wegweiser Kultur und Gesellschaft Filmarchiv Lille Das Informationsnetz des Goethe Instituts in Frankreich Entdecken Sie : Leipziger Buchmesse : Quiz FplusD : Gewinnen Sie Aufenthalte und Sprachkurse in Frankreich ! Actuel: New books in german : nouvelles parutions en allemand Actuel: faq: Werden Sie "Ami du Goethe-Institut" Termine Debatte Film Wort Film Musik Ausstellung Ausstellung Ins Blaue hinein et La tendre ennemie Nomadengut de Louise Straus-Ernst ... Leitseite des Goethe-Instituts Inter Nationes

86. List

http://www.wolpe.org/list/list06.html
3. LOST COMPOSITIONS
* Items listed in Sucoff's catalogue and hence existing before the fire in 1970 but not found
afterwards. ** Items damaged beyond recovery.
*Bekenntnis. voice, pno. Text: Franz Werfel. 1920. Sucoff 1969, 35.
in the program of "Konzert mit Kompositionen von Stefan Wolpe," 27 April 1925, are missing from 8.0 above. Filmmusik zu Rhythmus (Hans Richter). 1925. Stuckenschmidt 1926, 813. Diary I , 68 (26 June 1925). "Konzert mit Kompositionen von Stefan Wolpe," 27 April 1925. program of "Konzert mit Kompositionen von Stefan Wolpe," 27 April 1925. "discarded." **Neun Vertonungen aus Gitanjali von Rabindranath Tagore. 1926. Fire damage renders four items unrecoverable: [10] In dieser Zeit meinen Abschieds. Mar. [11] Ich wusste den Augenblick nicht. [Mar]. 8. [12] Wenn ich von hier geh. Mar. contents of Irma Wolpe Rademacher's manuscript collection of piano music. "discarded." Blues aus Zeus und Elida . [1929?]. sax, pno. Cf. Herbers 1992, 30. "Music for Der Kaufmann von Venedig [The Merchant of Venice]. Text: Wolpe List of Works 22 January 2000 Shakespeare. [Aug-Sept] 1929. Sucoff, 35. Poster: Lustspielhaus. Spielleiter:

87. CDeMUSIC
Bridge = BR169 $16.00. Stefan wolpe Pianist David Holzman performs music by Stephanwolpe, in celebration of the hundreth anniversary of the composer's birth.
http://www.cdemusic.org/store/cde_search.cfm?CurrentPage=4&keywords=br1

88. Chronik
28.12.1988 Live-Hörspiele von stephan Wunderlich (im Stadtgarten);
http://www.mynetcologne.de/~nc-lippekl/chronik.htm
C hronik der KGNM -Veranstaltungen

    Charlemagne Palestine (im Kunstverein) Solo - Performance
    Themes and Variations
    ; Sprecher: J. Cage
    Ausstellung vom 15.05. - 16.06. im Kunstverein
    Giuseppe Chiari Light - Concert (im Kunstverein)
    Schweizer Musikfest (in der Musikhochschule und im Rahmen der Veranstaltungsserie Szene Schweiz). Drei Konzerte und eine Ausstellung
    (im Kunstverein)
    For Christian Wolff. A Portrait
    Kompositionen aus den letzten Jahren
    30 Jahre elektronische Musik
    Klarenz Barlow. Textmusik (im Amerikahaus) Jour Fixe I Mit Michael Denhoff. Raum Zeit Stille I (im Josef Haubrich Hof) La Monte Young: Trio Raum Zeit Stille II (in St. Georg) John Cage: Mushrooms et Variationes Raum Zeit Stille III (in verschiedenen Romanischen Kirchen) (in der Comedia Colonia) mit Aussstellung in Amsterdam (de Ijsbreker) - Forum Junger Komponisten in NRW - Bernd Alois Zimmermann heute Tom Johnson - Carles Santos. Performances (im Kunstverein) Malcolm Goldstein (im Stadtgarten) Logos - Duo (Gent) (im Stadtgarten) Richard Teitelbaum Rene Bastian (im Stadtgarten) Weltmusiktage 1987 ROOM (im Stadtgarten) Mia Zabelka - Duo Geloso (im Stadtgarten) Jerry Hunt (im Stadtgarten) Alvin Lucier (im Stadtgarten) David Tudor (im Stadtgarten) Llorenc Barber - Shelley Hirsch (im Stadtgarten) Aufbruch 1950. Messiaen - Stockhausen - Goeyvaerts

89. Rental Catalog W(3)
W. Previous Page
http://www.presser.com/catalogs/Rental/RentalWebW3.html
W
Previous Page
Wiener, Jean Top of Page Composer Index Main Index
Concerto for 2 Guitars and Orchestra [Editions Musicales Transatlantiques] 2Gtr. soli; 1 2 1 - 2 1 0; Str. Duration: 20' Concerto for Accordion and Orchestra [Editions Musicales Transatlantiques] Solo Accord.; 3Tpt. 2Tbn. Timp. Str. Duration: 20' Concerto for Piano and Orchestra [Editions Françaises de Musique/Billaudot] Solo Pno.; 1 3 1 - 3 2 0; Str. Duration: 20' Suite de Danses [Heugel S.A.] 1 1 2 2 - 3 2 0; Pno. Accordion, Str. Duration: 18' Score published
Wieniawski, Henryk Top of Page Composer Index Main Index
Concerto No. 1 in F' minor, Op. 14 for Violin and Orchestra [Polskie Wydawnictwo Muzyczne] Solo Vln.; 2 2 2 2 - 2 2 3 0; Perc. Str. Duration: 25' Score published Concerto No. 2 in D minor, Op. 22 for Violin and Orchestra [Polskie Wydawnictwo Muzyczne] Solo Vln.; 2 2 2 2 - 2 2 3 0; Perc. Str. Duration: 20' Score published Legend for Violin and Orchestra, Op. 17 [Polskie Wydawnictwo Muzyczne] Solo Vln.; 2 2 2 2 - 2 0; Perc. Str. Duration: 7' Polonaise brillante in A Major for Violin and Orchestra, Op. 21

90. MARIANNE POUSSEUR'S Recordings
soprano; Lucy Grauman mezzo-soprano; Vincent Bouchot bariton; Johan Bossers piano
http://www.digimedia-mls.com/theatre/disc.htm
MARIANNE POUSSEUR'S Recordings
you can hear all these songs with Real Audio Player click here to hear the track n.7 (Der Kranke Mond) of this CD (REAL Audio) SCHONBERG Pierrot Lunaire
  • ENSEMBLE MUSIQUE OBLIQUE DIRECTION Philippe Herrewege VOICE Marianne Pousseur
  • Le miel de Marianne Paul Meunier click here to hear the track n.24 (Ich hab dich ausgetragen) of this CD (REAL Audio) Hanns Eisler: SONGS
  • Hanns Eisler music Bertold Brecht text Marianne Pousseur voice Kaat De Windt piano
  • Marianne Pousseur (voix), Kaat De Windt (Piano) Franck Mallet (Le monde de la Musique n.198 April 1996) Giacinto Scelsi: tre canti popolari click here to hear the track n.2 (Tre canti popolari n. 2 for 4 Voices) of this CD (REAL Audio)
  • Giacinto Scelsi music Helix Ensemble voice
  • LA GRANDE FORMATION: GALILEE click here to hear the track n.1 (Fashion from resonance) of this CD (REAL Audio)
  • F.Cassol, A.Prawermann, M.Massot music voice
  • DENIS POUSSEUR : RULES AND REGULATIONS click here to hear the track n.2 (Little crocodile) of this CD (REAL Audio)
  • Denis Pousseur music Simonne Moesen, Marianne Pousseur
  • 91. Morton Feldman E L'Espressionismo Astratto Di Gianmario Borio

    http://www.cnvill.demon.co.uk/mfborio.htm
    [Morton Feldman Page] [List of Texts]
    Morton Feldman e l'Espressionismo astratto:
    La costruzione di tempo e suono nelle miniature pianistiche degli anni Cinquanta e Sessanta
    di Gianmario Borio
    Questo saggio stato pubblicato per la prima volta in Itinerari della musica americana , a cura di Gianmario Borio e Gabrio Taglietti, Lucca, una cosa rara-Lim 1996, pp. 119-134. Subjects of the Artist e al Club [3] - colui che rimase per tutta la vita più vicino e fedele alla poetica dell'espressionismo astratto è senz'altro Feldman. Alcuni titoli di sue opere sono espliciti omaggi a questi artisti ( For Franz Kline, De Kooning per es.); nel 1971 Feldman scrisse Rothko Chapel , composizione destinata allo spazio ottagonale di Houston per il quale Rothko, su commissione di John e Dominique de Menil, aveva dipinto alcuni dei suoi ultimi quadri.[4] Il mio interesse per la superficie è il tema della mia musica. In questo senso le mie composizioni non sono affatto 'composizioni'. Si potrebbe paragonarle a una tela temporale. Dipingo questa tela con colori musicali. Ho imparato che quanto più si compone o costruisce, tanto più si impedisce a una temporalità ancora indisturbata di diventare la metafora per il controllo della musica. Entrambi i concetti, tempo e spazio, sono stati impiegati nella musica e nelle arti figurative come in matematica, letteratura, filosofia e scienza. [...] Al mio lavoro preferisco pensare così: tra le categorie. Tra tempo e spazio. Tra pittura e musica. Tra costruzione della musica e la sua superficie.[7]

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