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The novelists of the Harlem Renaissance began writing at a point in America's literary history when the romantic tradition was being set aside for the gutsy truth-telling of realist literature. Modern criticism seems to take the flowery, nineteenth century prose found in the works of Chesnutt, Dunbar, Du Bois and others as an indication that they were writing in the romantic style. This is understandable but flawed. Almost all of the stories written during the Renaissance contained references to slavery or to Post Reconstructionist violence. For that reason few stories stemming from this period and written by African-Americans can be said to beromantic. ... Read more

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Discusses the rise of the Harlem Renaissance in the early twentieth century and the artists responsible for the art, music, theater, prose, and poetry created in that era. ... Read more

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Beginning at the end of World War I, the Harlem Renaissance was America's first African-American literary and artistic movement. Based in Harlem and lasting through the early 1930s, the movement gave voice to a small but gifted group of black writers and artists. ... Read more

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African-American literature is the body of literature produced in the United States by writers of African descent. The genre traces its origins to the works of such late 18th century writers as Phillis Wheatley and Olaudah Equiano, reaching early high points with slave narratives and the Harlem Renaissance, and continuing today with authors such as Toni Morrison, Maya Angelou and Walter Mosley being ranked among the top writers in the United States. Among the themes and issues explored in African American literature are the role of African Americans within the larger American society, African-American culture, racism, slavery, and equality. African American writing has also tended to incorporate within itself oral forms such as spirituals, sermons, gospel music, blues and rap. As African Americans' place in American society has changed over the centuries, so, too, have the foci of African American literature. ... Read more

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Good for referance
it was really good for referance, a good read for harlem projects ... Read more

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Quotes from source literature make for revealing history taken from experiences of the times
Richard Worth's THE HARLEM RENAISSANCE: AN EXPLOSION OF AFRICAN-AMERICAN CULTURE provides a little over a hundred pages of Afro-American cultural exploration, from art and music to how Afro-Americans used these venues to explore their cultural roots. Quotes from source literature make for revealing history taken from experiences of the times.
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From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period.

For a full list of entries, contributors, and more, visit the Encyclopedi a of Harlem Renaissance website. ... Read more

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The Harlem Renaissance is rightly considered to be a moment of creative exuberance and unprecedented explosion. Today, there is a renewed interest in this movement, calling for a re-evaluation and a closer scrutiny of the era and of documents that have only recently become available. Temples for Tomorrow reconsiders the period -- between two world wars -- which confirmed the intuitions of W. E. B. DuBois on the "color line" and gave birth to the "American dilemma," later evoked by Gunnar Myrdal. Issuing from a generation bearing new hopes and aspirations, a new vision takes form and develops around the concept of the New Negro, with a goal: to recreate an African American identity and claim its legitimate place in the heart of the nation. In reality, this movement organized into a remarkable institutional network, which was to remain the vision of an elite, but which gave birth to tensions and differences.

This collection attempts to assess Harlem's role as a "Black Mecca", as "site of intimate performance" of African American life, and as focal point in the creation of a diasporic identity in dialogue with the Caribbean and French-speaking areas.

Essays treat the complex interweaving of Primitivism and Modernism, of folk culture and elitist aspirations in different artistic media, with a view to defining the interaction between music, visual arts, and literature.

Also included are known Renaissance intellectuals and writers. Even though they had different conceptions of the role of the African American artist in a racially segregated society, most participants in the New Negro movement shared a desire to express a new assertiveness in terms of literary creation and indentity-building.

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"African-American Concert Dance" significantly advances the study of pioneering black dancers by providing valuable biographical and historical information on a group of artists who worked during the 1920s, 1930s, and 1940s to legitimize dance of the African diaspora as a serious art form. John O. Perpener sets these seminal artists and their innovations in the contexts of African-American culture and American modern dance and explores their creative synthesis of material from European-American, African-American, Caribbean, and African sources. John O. Perpener III is an associate professor in the department of dance at Florida State University, Tallahassee. ... Read more

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Fast and Easy
I bought this book for school and it came to me quickly. It was in great condition, i had no problems! ... Read more

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This book focuses on the collaborative illustrated volumes published during the Harlem Renaissance, in which African Americans used written and visual texts to shape ideas about themselves and to redefine African American identity. Anne Elizabeth Carroll argues that these volumes show how participants in the movement engaged in the processes of representation and identity formation in sophisticated and largely successful ways. Though they have received little scholarly attention, these volumes constitute an important aspect of the cultural production of the Harlem Renaissance. Word, Image, and the New Negro marks the beginning of a long-overdue recovery of this legacy and points the way to a greater understanding of the potential of texts to influence social change. ... Read more

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An important mainstay for either high school or college-level literary holdings
The Harlem Renaissance was a broad movement of the 1920s and 30s in America which involved all genres of the arts in a vivid spurt of creative growth, and charting the literary movement's works and major players is Encyclopedia Of The Harlem Literary Renaissance: The Essential Guide To The Lives And Works Of The Harlem Renaissance Writers. Over six hundred A-Z entries detail the history of the movement and explain how the writer and their works helped influence and change the face of American literary achievement. From historical studies to literary criticism, primary source materials and quotes throughout make the Encyclopedia Of The Harlem Literary Renaissance an important mainstay for either high school or college-level literary holdings.
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Chronicles the early twentieth-century artistic and intellectual revolution in black America. ... Read more