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Performers and audiences alike will love these four original works for medium-advanced high school or college-level percussion ensemble. Fun to play and exciting to listen to, each piece can be performed individually, or all four played together as a suite.Written for 9 players but playable with as few as 7 (or augment the ensemble to include several more players). Full-performance CD is included! ... Read more

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An exciting, musically-challenging work that is both entertaining and educational. Playing on two different instruments helps each performer develop multiple-percussion technique. Grade 3, performance time: 3:25 ... Read more

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Describes instruments from around the world that are sometimes used for sound effects including the anvil, bullroarer, odaiko, and others. ... Read more

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Written specifically for young students with basic percussion training, Rondo uses standard percussion instruments found in most schools. Composed by one of today's leading percussion educators and award-winning percussionists, it is sure to become standard percussion ensemble repertoire. ... Read more

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For five players. The 1968 San Francisco Symphony tour of Japan provided the inspiration for this work which includes the old Japanese melody ""Moon Over the Ruined Castle."" It contains a conductor's score and parts for the five players. Instrumentation includes: orchestra bells, temple blocks, bamboo sticks (Player 1); xylophone, woodblocks, bamboo sticks (Player 2); tom-toms, bongos (Player 3); suspended cymbal, finger cymbals, bass drum, bamboo wind chimes (Player 4); timpani (Player 5). ... Read more

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On the demand side, exporters and strategic planners focusing on percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in Hong Kong face a number of questions. Which countries are supplying percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas to Hong Kong? How important is Hong Kong compared to others in terms of the entire global and regional market? How much do the imports of percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas vary from one country of origin to another in Hong Kong? On the supply side, Hong Kong also exports percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. Which countries receive the most exports from Hong Kong? How are these exports concentrated across buyers? What is the value of these exports and which countries are the largest buyers?

This report was created for strategic planners, international marketing executives and import/export managers who are concerned with the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in Hong Kong. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics which appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas for those countries serving Hong Kong via exports, or supplying from Hong Kong via imports. It does so for the current year based on a variety of key historical indicators and econometric models.

In what follows, Chapter 2 begins by summarizing where Hong Kong fits into the world market for imported and exported percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. The total level of imports and exports on a ... Read more

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This econometric study covers the latent demand outlook for non-electronic cymbals, drums, timpani, vibraphones, and other percussion musical instruments across the prefectures and cities of Japan. Latent demand (in millions of U.S. dollars), or potential industry earnings (P.I.E.) estimates are given across some 1,000 cities in Japan. For each city in question, the percent share the city is of it's prefecture and of Japan is reported. These comparative benchmarks allow the reader to quickly gauge a city vis-a-vis others. This statistical approach can prove very useful to distribution and/or sales force strategies. Using econometric models which project fundamental economic dynamics within each prefecture and city, latent demand estimates are created for non-electronic cymbals, drums, timpani, vibraphones, and other percussion musical instruments. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.

This study does not report actual sales data (which are simply unavailable, in a comparable or consistent manner in virtually all of the cities in Japan). This study gives, however, my estimates for the latent demand, or the P.I.E., for non-electronic cymbals, drums, timpani, vibraphones, and other percussion musical instruments in Japan. It also shows how the P.I.E. is divided and concentrated across the cities and regional markets of Japan. For each prefecture, I also show my estimates of how the P.I.E. grows over time. In order to make these estimates, a multi-stage methodology was employed that is often taught in courses on strategic planning at graduate schools of business. ... Read more

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This econometric study covers the world outlook for non-electronic cymbals, drums, timpani, vibraphones, and other percussion musical instruments across more than 200 countries. For each year reported, estimates are given for the latent demand, or potential industry earnings (P.I.E.), for the country in question (in millions of U.S. dollars), the percent share the country is of the region and of the globe. These comparative benchmarks allow the reader to quickly gauge a country vis-à-vis others. Using econometric models which project fundamental economic dynamics within each country and across countries, latent demand estimates are created. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved. This study does not report actual sales data (which are simply unavailable, in a comparable or consistent manner in virtually all of the 230 countries of the world). This study gives, however, my estimates for the worldwide latent demand, or the P.I.E., for non-electronic cymbals, drums, timpani, vibraphones, and other percussion musical instruments. It also shows how the P.I.E. is divided across the world's regional and national markets. For each country, I also show my estimates of how the P.I.E. grows over time (positive or negative growth). In order to make these estimates, a multi-stage methodology was employed that is often taught in courses on international strategic planning at graduate schools of business. ... Read more

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On the demand side, exporters and strategic planners focusing on percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in China face a number of questions. Which countries are supplying percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas to China? How important is China compared to others in terms of the entire global and regional market? How much do the imports of percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas vary from one country of origin to another in China? On the supply side, China also exports percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. Which countries receive the most exports from China? How are these exports concentrated across buyers? What is the value of these exports and which countries are the largest buyers?

This report was created for strategic planners, international marketing executives and import/export managers who are concerned with the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in China. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics which appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas for those countries serving China via exports, or supplying from China via imports. It does so for the current year based on a variety of key historical indicators and econometric models.

In what follows, Chapter 2 begins by summarizing where China fits into the world market for imported and exported percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. The total level of imports and exports on a worldwide basis, and those for China in ... Read more

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This econometric study covers the latent demand outlook for non-electronic cymbals, drums, timpani, vibraphones, and other percussion musical instruments across the states, union territories and cities of India. Latent demand (in millions of U.S. dollars), or potential industry earnings (P.I.E.) estimates are given across over 3,700 cities in India. For each city in question, the percent share the city is of it's state or union territory and of India as a whole is reported. These comparative benchmarks allow the reader to quickly gauge a city vis-a-vis others. This statistical approach can prove very useful to distribution and/or sales force strategies. Using econometric models which project fundamental economic dynamics within each state or union territory and city, latent demand estimates are created for non-electronic cymbals, drums, timpani, vibraphones, and other percussion musical instruments. This report does not discuss the specific players in the market serving the latent demand, nor specific details at the product level. The study also does not consider short-term cyclicalities that might affect realized sales. The study, therefore, is strategic in nature, taking an aggregate and long-run view, irrespective of the players or products involved.

... Read more

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On the demand side, exporters and strategic planners focusing on percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in Taiwan face a number of questions. Which countries are supplying percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas to Taiwan? How important is Taiwan compared to others in terms of the entire global and regional market? How much do the imports of percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas vary from one country of origin to another in Taiwan? On the supply side, Taiwan also exports percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. Which countries receive the most exports from Taiwan? How are these exports concentrated across buyers? What is the value of these exports and which countries are the largest buyers?

This report was created for strategic planners, international marketing executives and import/export managers who are concerned with the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in Taiwan. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics which appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas for those countries serving Taiwan via exports, or supplying from Taiwan via imports. It does so for the current year based on a variety of key historical indicators and econometric models.

In what follows, Chapter 2 begins by summarizing where Taiwan fits into the world market for imported and exported percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. The total level of imports and exports on a worldwide basis, and those ... Read more

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On the demand side, exporters and strategic planners focusing on percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in the United States face a number of questions. Which countries are supplying percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas to the United States? How important is the United States compared to others in terms of the entire global and regional market? How much do the imports of percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas vary from one country of origin to another in the United States? On the supply side, the United States also exports percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. Which countries receive the most exports from the United States? How are these exports concentrated across buyers? What is the value of these exports and which countries are the largest buyers?

This report was created for strategic planners, international marketing executives and import/export managers who are concerned with the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in the United States. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics which appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas for those countries serving the United States via exports, or supplying from the United States via imports. It does so for the current year based on a variety of key historical indicators and econometric models.

In what follows, Chapter 2 begins by summarizing where the United States fits into the world market for imported and exported percussion musical instruments, drums, ... Read more

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This report was created for strategic planners, international marketing executives and export managers whose primary concern is the world market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics that appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas for those firms serving the world via exports and foreign direct investment. It does so for the current year based on a variety of key historical indicators and econometric models. ... Read more

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On the demand side, exporters and strategic planners focusing on percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in Austria face a number of questions. Which countries are supplying percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas to Austria? How important is Austria compared to others in terms of the entire global and regional market? How much do the imports of percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas vary from one country of origin to another in Austria? On the supply side, Austria also exports percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. Which countries receive the most exports from Austria? How are these exports concentrated across buyers? What is the value of these exports and which countries are the largest buyers?

This report was created for strategic planners, international marketing executives and import/export managers who are concerned with the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in Austria. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics which appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas for those countries serving Austria via exports, or supplying from Austria via imports. It does so for the current year based on a variety of key historical indicators and econometric models.

In what follows, Chapter 2 begins by summarizing where Austria fits into the world market for imported and exported percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. The total level of imports and exports on a worldwide basis, ... Read more

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This report was created for strategic planners, international executives and import/export managers who are concerned with the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics that appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas for those countries serving the world market via exports or supplying from various countries via imports. I do so for the current year based on a variety of key historical indicators and econometric models.

On the demand side, exporters and strategic planners approaching the world market face a number of questions. Which countries are supplying percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas? What is the dollar value of these imports? How much do the imports of percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas vary from one country to another? Do exporters serving the world market have similar market shares across the importing countries? Which countries supply the most exports of percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas? Which countries are buying their exports? What is the value of these exports and which countries are the largest buyers? ... Read more

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On the demand side, exporters and strategic planners focusing on percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in the United States face a number of questions. Which countries are supplying percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas to the United States? How important is the United States compared to others in terms of the entire global and regional market? How much do the imports of percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas vary from one country of origin to another in the United States? On the supply side, the United States also exports percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. Which countries receive the most exports from the United States? How are these exports concentrated across buyers? What is the value of these exports and which countries are the largest buyers?

This report was created for strategic planners, international marketing executives and import/export managers who are concerned with the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in the United States. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics which appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas for those countries serving the United States via exports, or supplying from the United States via imports. It does so for the current year based on a variety of key historical indicators and econometric models.

In what follows, Chapter 2 begins by summarizing where the United States fits into the world market for imported and exported percussion musical instruments, drums, ... Read more

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On the demand side, exporters and strategic planners focusing on percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in Japan face a number of questions. Which countries are supplying percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas to Japan? How important is Japan compared to others in terms of the entire global and regional market? How much do the imports of percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas vary from one country of origin to another in Japan? On the supply side, Japan also exports percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. Which countries receive the most exports from Japan? How are these exports concentrated across buyers? What is the value of these exports and which countries are the largest buyers?

This report was created for strategic planners, international marketing executives and import/export managers who are concerned with the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in Japan. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics which appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas for those countries serving Japan via exports, or supplying from Japan via imports. It does so for the current year based on a variety of key historical indicators and econometric models.

In what follows, Chapter 2 begins by summarizing where Japan fits into the world market for imported and exported percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. The total level of imports and exports on a worldwide basis, and those for Japan in ... Read more

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On the demand side, exporters and strategic planners focusing on percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in Spain face a number of questions. Which countries are supplying percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas to Spain? How important is Spain compared to others in terms of the entire global and regional market? How much do the imports of percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas vary from one country of origin to another in Spain? On the supply side, Spain also exports percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. Which countries receive the most exports from Spain? How are these exports concentrated across buyers? What is the value of these exports and which countries are the largest buyers?

This report was created for strategic planners, international marketing executives and import/export managers who are concerned with the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas in Spain. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics which appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas for those countries serving Spain via exports, or supplying from Spain via imports. It does so for the current year based on a variety of key historical indicators and econometric models.

In what follows, Chapter 2 begins by summarizing where Spain fits into the world market for imported and exported percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. The total level of imports and exports on a worldwide basis, and those for Spain in ... Read more

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This report was created for strategic planners, international executives and import/export managers who are concerned with the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics that appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas for those countries serving the world market via exports or supplying from various countries via imports. I do so for the current year based on a variety of key historical indicators and econometric models. On the demand side, exporters and strategic planners approaching the world market face a number of questions. Which countries are supplying percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas? What is the dollar value of these imports? How much do the imports of percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas vary from one country to another? Do exporters serving the world market have similar market shares across the importing countries? Which countries supply the most exports of percussion musical instruments, drums, xylophones, cymbals, castanets, and maracas? Which countries are buying their exports? What is the value of these exports and which countries are the largest buyers? ... Read more