Product Description
In the late 1950s to 1970s, an Afro-Peruvian revival brought the forgotten music and dances of Peru's African musical heritage to Lima's theatrical stages. The revival conjured newly imagined links to the past in order to celebrate--and to some extent recreate--Black culture in Peru. In this groundbreaking study of the Afro-Peruvian revival and its aftermath, Heidi Carolyn Feldman reveals how Afro-Peruvian artists remapped blackness from the perspective of the "Black Pacific," a marginalized group of African diasporic communities along Latin America's Pacific coast. Feldman's "ethnography of remembering" traces the memory projects of charismatic Afro-Peruvian revival artists and companies, including Jose Durand, Nicomedes and Victoria Santa Cruz, and Peru Negro, culminating with Susana Baca's entry onto the global world music stage in the 1990s. Readers will learn how Afro-Peruvian music and dance genres, although recreated in the revival to symbolize the ancient and forgotten past, express competing modern beliefs regarding what constitutes "Black Rhythms of Peru." ... Read more

Customer Reviews (2)

Great study
This is a great study in the dichotomy of authentic versus world Peruvian music.The author has a very good handle on the truth about Afro-Peruvian music in both past and present.

Excellent Book
I read this book because of my interest in Peru (after a trip to Peru several years ago) and, as a conga player, my interest in the African Musical Diaspora (Afro-Cuban, Afro-Brazilian, etc.) I wanted to learn more about the music created in Peru by people descendant from Africans, and how it was influenced by the other peoples of Peru.I was surprised how much I liked this book and how much I learned. Heidi Feldman brings a level of intelligence and understanding that clearly avoids mistakes of oversimplification.She is sensitive and perceptive. She can clearly express the complexities of culture, music and the creative process. I recommend this book highly. ... Read more

Product Description
Discover the ancient Inca culture with these fun games and activities!

Make an Inca tunic. Prepare a quinoa snack. Create a royal headdress. You’ll have a great time exploring the cultural traditions of these fascinating people as you learn to write an Inca poem, sculpt your own clay portrait in the shape of an Inca jug, and test your bluffing skills as you play Perudo.

This book is filled with activities and projects that will show you how the ancient Inca people lived and played, as well as how they managed to create an empire that extended nearly 3,000 miles! You’ll learn about the bravery of Inca warriors as you construct a war shield. You’ll discover how the Inca created beautiful music with panpipes and dance bells–and you’ll make them yourself!You’ll get to prepare a tasty Inca dish called Andean stew. Plus, you’ll find lots of amazing Inca facts on topics ranging from history and religion to language, metalworking, and art. So get ready for lots of fun as you discover the ancient secrets of The Inca. ... Read more

Customer Reviews (1)

CLASS LOVED the CRAFTS & INCAhistory made easier
Crafts are great, easy to do!Easy to read book, easy directions.Drawing are vivid and helpful.

During Open School night my son's teacher stated that some cultures are hard to teach to a 2nd grade class.I offered my services when ever she needed help or a helpful idea. Matthew came home and said Ms. Rayes needed help with INCAS.Book arrived fast.A day later my son came home with a note.TEACHER LOVES THE BOOK, she raved about it!She has since passed her book onto other 2nd grade teachers who have since ordered their own copies. ... Read more

Product Description
For almost eight hundred years (100 BC–AD 650) Nasca artists modeled and painted the plants, animals, birds, and fish of their homeland on Peru’s south coast as well as numerous abstract anthropomorphic creatures whose form and meaning are sometimes incomprehensible today. In this first book-length treatment of Nasca ceramic iconography to appear in English, drawing upon an archive of more than eight thousand Nasca vessels from over 150 public and private collections, Donald Proulx systematically describes the major artistic motifs of this stunning polychrome pottery, interprets the major themes displayed on this pottery, and then uses these descriptions and his stimulating interpretations to analyze Nasca society. After beginning with an overview of Nasca culture and an explanation of the style and chronology of Nasca pottery, Proulx moves to the heart of his book: a detailed classification and description of the entire range of supernatural and secular themes in Nasca iconography along with a fresh and distinctive interpretation of these themes. Linking the pots and their iconography to the archaeologically known Nasca society, he ends with a thorough and accessible examination of this ancient culture viewed through the lens of ceramic iconography. Although these static images can never be fully understood, by animating their themes and meanings Proulx reconstructs the lifeways of this complex society. ... Read more

Customer Reviews (2)

A source book of incredible art
Donald A. Proulx's book begins with a brief overview of the people who produced Nasca pottery. It then describes the rules or canons used by Nasca potters to form and decorate their pottery. It summarizes the discovery of the first Nasca pottery. It describes how 800 years of Nasca art are divided into various periods and the basis for the chronology. It also describes the methodology of both Proulx and other experts in organizing Nasca art.

Then, as Proulx writes on his website: "The centerpiece of the book is a detailed classification and description of the iconography along with an interpretation of their meaning in the context of the Nasca Culture. [Then] I use the iconography (along with archaeological evidence) to reconstruct the religion, political organization and everyday life of the people of this ancient civilization."

For the general reader like myself, the images in the "centerpiece" are incredible, and stay in the mind well after the pages are closed. Images of realistic plants, animals, birds, and fish and numerous abstract anthropomorphic creatures persist in memory, even though even to experts, some of the forms and meanings are incomprehensible today. I was particularly struck by the comparison between the images on the pottery and the shapes of the Nasca Lines, which Proulx has also studied. I poured over the reconstructions with a sense of real excitement.

I was fascinated with how Proulx created this incredible collection of images. 45 years ago as a student he was hired to catalog a collection of Peruvian artifacts. He continued his interest by photographing Nasca collections throughout Peru and the United States as well as key museum collections in Germany and Great Britain. He added all of the images he found in books as well as museum collections available on the Internet. He then digitized the entire archive and now has approximately 24,000 images in an electronic archive representing pieces from over 150 museums and private collections. There is no doubt that this book, and the conclusions Proulx reaches, are based on the largest collection of Nasca images ever assembled.

As a consumer, I asked myself, so why, oh why doesn't this book include an CD containing all of these images? It would be so much fun to search and compare images from several different pages, and perhaps even find a connection that Proulx had missed.

His answer, also perfectly comprehensible appears on his excellent website [Google "Donald A. Proulx"]: "It has always been my desire to share my archive with other scholars until I realized the legal prohibitions of distributing the disks. I would have to obtain permission from over 200 sources to be able to do this. I also discovered that the file names that I generated on my Macintosh computer are not all compatible with PCs, and many of these names would have to be modified to be used on these other operating systems."

I am very disappointed that I can't play with these images on my own computer. Nevertheless, the book is a treasure. As a lover of art and a student of how art is integrated into culture, I was enchanted. I'll return to these images over and over again.

Robert C. Ross 2008

Must Have Source
For those captivated by ancient Andean imagery Don Proulx's A Sourcebook of Nasca Ceramic Iconography provides an indispensable guide to the colourful world of the Nasca. Located on Peru's south coast in the first centuries A.D., Nasca potters left a visual account of their world view in an astounding array of depictive designs. Drawing on forty years of study, Proulx offers the first comprehensive catalogue of Nasca motifs, along with his own identifications and interpretations. In addition to the motif catalogue, Proulx provides the most extensive description of the nine-phase Nasca pottery sequence ever published in one place. This contribution alone makes this book a "must have" reference. The Sourcebook also contains Proulx's own overview of Nasca culture, covering special topics such as religion, subsistence, daily life, material culture, and dwellings. A Sourcebook of Nasca Ceramic Iconography is destined to be a standard reference for generations to come. It represents the crowning achievement of Proulx's long and distinguished career, though not, we hope, the last we hear from Don Proulx. ... Read more

Product Description
"This book is as close as we can ever come to seeing the Moche people--and to having a basis for understanding the society that produced such remarkable works of art."--Craig Morris, Senior Vice President and Dean of Science, American Museum of Natural History"By presenting the Moche artists and the people who have been portrayed by them, Donnan brings us to a level of understanding and proximity, so to speak, that I would have never considered possible just a few years ago. . . . Believe me, this book is going to be a bestseller."--Steve Bourget, Assistant Professor of Art History, University of Texas at AustinOf all the ancient civilizations that flourished in the Americas, only one perfected true portraiture of living people and produced it in quantity--the Moche who inhabited the north coast of Peru between approximately AD 100 and 800. Using the medium of three-dimensional ceramic vessels that could have contained liquid, Moche artisans typically formed the heads of the individuals they wished to portray, though sometimes they presented full figures with realistic portrait faces. Depicting an astonishing range of physical types, these portraits now allow us to meet Moche people who lived more than 1,500 years ago and to sense the nuances of their individual personalities. This pathfinding book presents the first wide-ranging, systematic study of the Moche portraits. Drawing on more than 900 examples from museums and private collections around the world--some 300 of which are illustrated here in full color--Christopher Donnan documents how the portrait tradition evolved, how the portraits were produced and distributed, who they portrayed, why they were made, and how they were used in Moche society. His analysis is supported by extensive archaeological evidence, which provides the context for portraits found in Moche tombs and midden deposits, as well as useful information for identifying the headdresses and ornaments worn by the individuals portrayed. ... Read more

Product Description
Stardog, an inveterate explorer of indigenous cultures, is a rather ignoble, self-serving, and yet endearing dog.In this book she travels to Peru and settles, for a year, with a Quechua family in an Andean village.Through a humorous, engaging mixture of story and information, children will learn, along with Stardog, about the everyday lifestyle, traditions and history of the Quechua people, as well as about the geography and climate of Peru. ... Read more

Product Description
A history of the Peruvian culture. Text in Spanish. ... Read more