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Customer Reviews (20)

Only somewhat helpful
Like many photography books, this book really is only somewhat informative, and somewhat helpful.

After a brief overview of gear, the author goes on to describe, (very briefly) exposure, lighting, color, composition, etc...Never really spending any significant amount of time on any one subject, and only providing a few photographic details for each topic covered.

For example, the author spends a page or two describing lighting (backlighting, sidelighting, etc), but fails to show any pictorial examples that would give the reader a visual example.

While this book has many, many great pictures none of the pictures are accompanied by a description of the camera settings.This is the information that would prove most useful to any aspiring photographer.

In the end, this book really did very little to further my photography skills.

great book to learn nature photography
this is a great book for nature photography, and shows many illustrations of how to compose and shoot nature and landscape photos.

Fantastic for Beginners
The book is fantastic, it doesn't hesitate to cover technical details, but focuses on the important points. Informations is immediately useful. My shooting has improved incrementally with every chapter.

A fine read
This book is nicely laid out and full of great images and examples. A good read, and being somewhat experienced, I still picked up a lot of info and tips to improve my hobby. I think all will enjoy this, regardless of skill level.

The Magic of Digital Nature Photography
For me, I found the tips very useful and practical.It is doable and makes me want to go out there to try these techniques too.Glad to have had a chance to purchase this book too. ... Read more

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Customer Reviews (16)

A moderately useful addition to my library.
When it come to "Good" books on underwater photography, there is little point is any serious review stating this product is better than that product because each work invariably includes different elements of the overall subject. This is largely because different authors have different experiences on which to draw.

There was a time when I was so very comfortable with my Nikon 35mm cameras in their large aluminium housings I really didn't care that the equipment was out-of-date - all I needed was film. Over time, the results of my endeavours had supported four books of my own, many by other people and I don't know how many articles. One picture was even used by National Geographic as the cover shot for one of their videos!

And then came Digital and I had to change almost everything. My personal conversion proved to be a VERY steep leaning curve and even now I am not quite as comfortable as I used to be as few short years ago. I mention all this because I never used to buy books on underwater photography - not because I knew it all, certainly not! It was because I was plodding along quite happily (and moderately successfully!) - and if it ain't broke don't fix it.

Now I take every opportunity to continue the ongoing education demanded by Digital photography. Not all the books I read are on underwater photography but of those that are, this is only of moderate use. It is not as comprehensive as one might expect, does not contain sufficient information on several separate areas and, it must be said, some of the photographs are not as good as one would expected to find in a book which says this is how it should be done! Nevertheless, there are lessons to be learned so it does provide a moderately useful addition to my personal library.

NM

Not what I was looking for...
I have a bit of experience, but not much with underwater photography... I was looking for something to take me to the next level.This book seemed like more of the same, and didn't provide me with much.I would say that it is also a bit outdated...

WOW!!
INTOVA INWD-IC600 6.0 Megapixel Digital Camera with Waterproof Housing -180FTWe purchased this camera for our granddaughter's 13th birthday.She has taken underwater pictures of her brother at an indoor pool which were great.She has taken videos of different things outside of the water and both the picture and audio are terrific.She will be using it on a trip to the Pacific and is eager to use it to film underwater there.Great Buy!!

digital book
This book was quite helpful learning digital underwater photography.It is a starting spot for more advanced learning.

Husband Loves It
I bought this for my scuba diving photographer husband as a present. He said it is an excellent book as he leafed through it. Then he sat down to read it immediately. That's quite a positive reaction for him.

Denise ... Read more

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Customer Reviews (1)

Fabulous book!
Got me excited about photography.Lots of pictures as examples.Very well explained.Loved the library's copy so much I'm going to buy it! ... Read more

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Customer Reviews (13)

Underwater Photography Simplified
I actually took an underwater photo class with Larry in Key Largo, Fl. a few years ago and was thrilled to see that he wrote this book. It brought back memories of the laid back, easy to understand approach that he uses to teach.

The book is laid out so a "regular guy" can read and actually understand what you need to know to take great pictures underwater. Larry also gives great tips on what to do before, what to expect on the dive boat, and what to do after your dives that you won't get from other books.

If you are just starting out with underwater photography or need a book that you can understand without being a professional photographer, this is the book for you!

Underwater Photo made easy
I would have given this a 5 except the cover is already starting to come off. The contents are certainly worth it. Reading and the easy way the writer has made understanding the concepts of digital photography has already helped me improve my shots in this new medium and explains some of the mistakes I was making.

The only other fault I have found so far is A mis-lablling of a couple of illustrative photographs. Excellent introduction for those entering the digital realm of underwater photography

How to master technical photography skills needed to create fine underwater images
L. Gates's Beginner's Guide to Underwater Digital Photography tells how to master technical photography skills needed to create fine underwater images. From selecting the right camera and adding light to designing compositions to suit an image, step-by-step tips for all phases of a photography dive are covered in this outstanding reference.

Loved the Book!
If you are just beginning in underwater photography, or simply looking to refresh, improve, or fine tune your present photo skills, the "Beginner's Guide to Underwater Digital Photography" provides practical underwater photo instruction, equipment tips and lighting techniques that any diver can put to use the next time they dive.

Larry Gates does a great job explaining photo and camera techniques.He follows up with great examples, adds a little humor, and makes the learning process fun!He also gives examples of what not to do, so this helps the underwater photographer avoid many problems that are unique to underwater photography.

Whether or not you are shooting with a digital SLR, or a compact "Point and Shoot" style digital camera, or even with film, this book is the perfect guide to taking better underwater photos.The author takes you right from choosing the right equipment for your needs, to taking photos, editing photos, dive photo etiquette, manual settings, special effects, wide angle, macro, and much more.There is also a great chapter on equipment care and maintenance.

I would definitely recommend this book if you are new to underwater photography, are looking to improve your underwater photo skills, or just need to refresh your memory because you haven't been diving in a while.

Fabulous book!
Very informative book -- Larry is a fabulous photographer -- and makes taking underwater photographs understandable for all levels of photographers and divers. ... Read more

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Customer Reviews (13)

Digital Portrait Photography-Art, Business and Style
I am constantly looking for information to aid my photography skills. This book does a a tremendous job in reaching my goal. I am a Semi-Professional photographer who believes in the values of the experienced and seasoned photographers opening up to share their information. This is one such icon whom I value his knowledge and work to the point that his tips are priceless. Steve Sint is that person so much so that I am ordering another book as a giftDigital Portrait Photography: Art, Business & Style (A Lark Photography Book).

Very good!!
I am a avid hobbyist and wanted to learn more about portrait photography.After looking through numerous book at local bookstores, this one stood out from the rest!Very easy to read and digest.I'm not a pro, but Steve obviously is, so I'd imagine just about any level of photographer could get something from this book.I'd highly recommend it for any skill level.But since no two people are alike, I'd recommend flipping through it a your local bookstore to make sure it's for you.

Love it!
I read nearly every book our library had on digital photography when I first got into taking pictures.This is the first book I loved enough that I had to have my own copy.It covers everything from lighting to posing to equipment, etc.Everything is laid out with simple, easy to understand descriptions and has lots of accompanying pictures.I'm sure it's way to simple for the professional, but any beginner through amateur will find something in here for them.

Good, but not great.
This book is one I purchased with Monte Zucker's book.I like them both.I find this one has a lot more information in it, but some aspects of the book are not done well.For value, this book beats Monte's book because it has so much information.For quality of presentation, editing and imagery, Monte's book makes this one turn red.

The cover photo, as someone else said, is rather obviously back focused... he focused on her ear, apparently, and the highlights are blown out.On top of that, it's not a portrait so much as it's a model portfolio pic.What's the difference?A portrait is showing you the person, and giving you some idea pf who they are.The portfolio pic is giving you an idea of how pretty they can be made up, but not showing you WHO they are.The difference is emotion versus looks, and this image is not a portrait by this (my) definition.It doesn't speak well of a book, in my opinion, when the cover image isn't properly focused, exposed or defined.

But it doesn't end there.Oddly enough, I can't find very many images at all in the book that were done by the author except for illustrative purposes... for instance, showing you what a highlight looks like when you're photographing a reflective surface using diffuser A, B or C.Huh?Why are the images from everyone else?

The text of the book is good.Meaty and informative.The book is definitely worth having for that, but several things about the book leave you wondering if it wasn't just rushed out the door without really paying much attention and doing it right.

So I have given this book 4 stars, because the information is good and well worthwhile, but the book as a whole isn't quite up to the level of polish and professionalism I would expect.

Some tips, terrible style
The book concentrates on the traditional portrait photography business in all senses and seems ill-suited for contemporary business and photography style.

There are some good tips, but you really have to search hard for them - Steve sometimes forgets that the book is meant to be a reference, not a memoir: he spends many pages in each chapter comparing film to digital and telling stories about his early years. But the worst is his tone and style of writing - there's constant irony about "other photographers" who do everything wrong, while he does it right. For example, the book starts with "As I scan the portrait photography titles at Barnes&Nobles store or online, I often laugh to myself". The book could be 1/5th of its size, if only he would skip all the uncalled-for chatter.

Last but not least - photographs featured in the book are horrible - un-inspiring, dated and way over-processed. Although he seems to be the author only to the posing examples featuring one model and pictures of the lightning equipment, how could you select something of this sort to be published (including a back-focused image on the cover!)?!

I did not enjoy the book and wouldn't recommend it to anyone. ... Read more

Product Description

Customer Reviews (29)

Pocket perfect
Lots of well explained & concise info. I carry it in my camera bag at all times. Great for the novice and amateur/semi-pro.

Very good book for those of us who are relatively new
I recently purchased a Canon EOS Digital Rebel and purchased a couple books to help me take better pictures. This book has a lot of great information and is well worth the money. The tips and tricks explained in a way easy to understand and very informative.
I recommend this book to anyone who wants to take better digital pictures!

This is the one!
I have room for only one reference book in my camera bag.I carry my camera manual and the third edition of Digital Photography Pocket Guide.The information is up to date and constant.Buy it and use it.

This guide is too simple
If you have used point-and-shoot camera for a while and want to learn more tricks like me, I would not recommend this book because two third of the guide gives the basics you should already know, and the last third has few tips you might think useful. In addition, this book is B&W print that makes the example photos not standing out between different settings.

A Good Beginner's Guide
This book is pretty decent for a beginner's guide, but not as in-depth as you might expect. Overall, I'm happy with it, but if you really want a great photography book, get Understand Exposure by Bryan Peterson. ... Read more

Product Description
Digital cameras, advances in color printing, and software tools have changed the landscape of photography forever. The challenge now is to go beyond the basic digital photograph and print, and move toward the next level of expression. For many, this means pushing the technologies available and combining the artistic tools found in both photography and painting.

Geared for intermediate to advanced users, Beyond Digital Photography: Transforming Photos into Fine Art with Photoshop and Painter brings these once separate disciplines together in a beautiful and instructive book that uses time-honored design principles and basic drawing and painting skills, and applies them to digital photographs. The easy-to-follow, step-by-step format allows you to practice a variety of Photoshop and Painter techniques and gives you the confidence to achieve your own expressive goals with great results.

In this unique and inspiring book, you’ll discover how to transform your photos into works of art:

• Shoot and select photos with good composition and lighting for painting
• Emulate the look of pop art, woodcuts, and dry media texture
• Create Old Masters-style oil paintings, watercolors, contemporary paintings, and abstract art
• Add edge treatments and textured borders with brushwork
• Build creative compositions, such as collages, and traditional styles such as landscape, portrait, and still life paintings
• Use a pressure-sensitive tablet for gestural, expressive painting
• Find additional resources available at www.beyonddigitalbook.com

Customer Reviews (11)

An indepth review
In the Introduction, the authors state, "This is not a quick trick book, but a book where the authors take the reader by the hand and demonstrate the creative process in a conversational manner." This is a fair description, with the added caveat: this book is NOT for beginners. The intended audience seems to be artists who are intermediate to advanced Photoshop and Painter users.

This beyond-the-basics focus allows the book to cover ground not explored in other books on either Photoshop or Painter. These two programs really complement each other, so it's wonderful to finally have an in-depth book showing how Painter and Photoshop can be used together. Here's a detailed summary of the book, to help you decide whether or not this book is for you.

Chapter 1 - Getting Started

The chapter provides an introduction to the interfaces of Painter and Photoshop, as well as the Wacom Intuos 4. This seems odd, since this is not a beginner's book. Beginning with this chapter and continuing throughout, however, there is some good information about Photoshop Camera Raw. As the book's title implies, each exercise begins with a digital photograph. Most chapters show how to use Photoshop Camera Raw prior to painting. As you'll see, it's very powerful, and you'll want to include it into your workflow, if you haven't already.
Chapter 2 - Painterly Techniques for Non-Painters

This chapter, the longest in the book, is all about how to achieve good "uncomputerish" results with filters and automation. It's also your first look at a workflow that moves back and forth between Photoshop and Painter. Each section begins with the artist's thoughts on the subject and style at hand, along with details of the initial photography. You'll learn sophisticated use of multiple filters, combining effects via layers, layer masks, and blend modes. Similarly, Painter's Auto-Painting and Woodcut tools use multiple layers to add extra finesse to the process. Sections in this chapter include:

* Creating Pop Art (Photoshop and Painter)
* Using Filters for an Impressionist Watercolor Look (Photoshop)
* Flexible Auto-Painting for an Impressionist Treatment (Photoshop and Painter)
* Simplifying a Photograph to Achieve a Hand-Rendered Result (Photoshop and Painter)
* Using Filters for a Realist-Style Oil Treatment (Photoshop)
* Creating a Bold, Graphic Woodcut Look (Photoshop and Painter)

Chapter 3 - Emphasizing the Subject

One way to help your subject stand out is by blurring or softening the background. You'll see how to do this in Photoshop using a mask to selectively blur parts of the image, and in Painter by using the Restoration palette to bring back details after blending. This is followed by sidebars:

* Nondestructive Dodging and Burning - how to use an Opacity layer darken and lighten portions of an image
* Enhancing the Subject Using Saturation - copy part of an image to a separate layer to selectively apply an adjustment layer
* Sepia-toning a Background - similar to the previous step, but this time using the colorize option of Hue/Saturation

Chapter 4 - Adding Texture to Photographs

Composition and design are discussed throughout the book. Here, though, it gets special attention as you follow the artist through her thought process for cropping and retouching a complex snapshot, making it simpler and compelling. Then you'll dive into Photoshop's powerful Art History brush. Different brushes are used in combination with layer masking to move beyond a mechanical, computerized look.
Next, in Painter you'll learn about Dry Media and texture, as Cher paints one of her signature pastels (the image on the book cover, in fact). The final part gives you an approach to a black and white charcoal look.

Chapter 5 - Emulating the Look of Watercolor

This chapter (my personal favorite) shows two completely different ways to create the unmistakable look of traditional watercolor on paper. In part one, Cher shows how to edit for composition in Photoshop. Then, she moves into Painter to use the Smart Blur and Hue and Saturation tools built into the Underpainting palette. She lowers the detail and raises the image to a higher key, making it more suitable to the watercolor style she is about to use. Cher then gives a very good explanation of how Painter's Digital Watercolors work. The end result is just stunning. The second part has Donal Jolley using Photoshop alone to create a convincing hard-edged watercolor portrait. His main tool here is the Pattern Stamp with, of all things, a modified Dry Media brush. He gets a neat salt-resist effect by clever use of a layer mask, and finishes up with applying an Overlay layer containing a scan of an actual watercolor.

Chapter 6 - Achieving Acrylic and Oil-Painted Looks

Cher begins the chapter with a great demonstration of Painter's Real Bristle Brushes. She paints a beautful late afternoon seascape with fluffy cumulus clouds sailing overhead. She then takes on oil painting using the Old Master chiaroscuro technique, using Painter's Artist's Oils. The third part is another favorite, this time by Donal Jolley. In Photoshop, he uses a separate layer each for large, medium, and detail strokes. The usual approach would be to use different size brushes all on a single layer. But by this point in the book you're beginning to see the special advantages-and the added control-to using multiple layers. What I especially liked was how the three layers start out as blank (transparent). Paint is "pulled up" from a base layer, much the way cloning works in Painter. This works by use of the "Sample All Layers" checkbox. Very cool stuff. Jolley also explains the importance of noise for this technique, and a sidebar shows various ways to (excuse the pun) make noise. In the fourth part, Cher paints a virtuoso oil painting using Artist Oils. The conversational tone makes it seem like you're at a workshop, listening as the artist explains what she's doing-and why.

Chapter 7 - Creating Abstract Art from Photographs

As the intro to this chapter says, this chapter is about painting "in a simple, yet powerful way." It's time to loosen up and stop worrying about staying within the lines. The first project is a close-up large scale floral in bright colors, done in Photoshop. You'll use layers to create loose lines and bold shapes of color. This might be a fun project to do as a warming-up exercise. The second project is another sky painting, but with a difference. This time, Cher is more interested in capturing "movement and emotion," using Real Bristle brushes and even a Watercolor brush to evoke sheets of rain.

Chapter 8 - Compositing and Collaging

In this chapter, you'll watch as these two master artists assemble compositions from multiple photographs. Donal Jolley takes the first part, showing how he pieces together a complex of layers and masks to create a "simulation of reality." Eight images are used for this project! In the second part, Cher's project emphasizes strong, simple composition, beginning with a sketch to plan her piece. This project uses scans of paper texture combined with photographs. The collage is painted with chalks and pastels in Painter.
Conclusion

If you work with Painter and Photoshop, and you feel comfortable working with layers and layer masks, then you're probably ready for this book. You'll learn a lot about workflow and process when using these two programs together. The projects in this book are substantial, challenging, and exciting. Even if you're very familiar with these programs, you're still bound to learn a lot (I know I did!). Highly recommended.

Digital Art Academy review of Beyond Digital Photography
I am a geek. As such I love books. My reading habit is non-curable and I peruse books on many subjects, Art and Marketing are my favorite topics and in the world digital painting every book that is published (to my knowledge) I have been fortunate enough to read.
Beyond Digital Photography is another must have book for anyone serious about transforming their photography into painterly works of fine art. This book was written by Cher Threinen-Pendarvis and Donal Jolley and published by PeachPit Press.You most likely have heard of these two well respected artists and authors. Cher is the author of the popular Painter Wow! series and Donal has been featured in many publications including The Photoshop CS/CS2 Wow! Book,the Painter Wow! Book and other publications.
Beyond Digital Photography offers extensive step-by-step information on many topics. One of the coolest things is that time is spend with Corel Painter and Photoshop. Finally we have a book that highlights the use of Painter and Photoshop together!I believe one needs to have an intermediate level of skill with the programs in order to get the most out of this book.
Many different types of paintings and techniques are covered at length. There is a great area in Chapter Two that will show you how to obtain nice flowing painterly techniques for those that are artistically challenged. If you are looking for a few nice water color techniques shoot over to Chapter 5 where Cher gives and awesome explanation on how Painters Digital Watercolors work. Take a peek at the workflow she uses to prepare an image and make it more suitable for a high key watercolor emulation.
Finally my favorite Chapter is Six. Donal shares a unique approach to utilizing layers to achieve an oil painted look that you have to try as soon as you read it. There is also an awesome demonstration from Cher of Painters Real bristle Brushes.
All in all a smoking book.The next time you are about to spend 500 bucks on a workshop...cancel your trip, hole up in your studio or a hotel room for the weekend with your computer, Wacom tablet and this book. You will be glad you did.

not new info
This book was highly recommended for intermediate to advanced users. I am not a beginner, having used Painter and Photoshop type editors for over 10 years. I did not find anything new here. It was unclear to me how using different filters and techniques on different layers was any better than using each filter independently. After trying each example in the book, I concluded that the way I usually work is better for me. Others may find it helpful, particularly if they are beginners.

More next time
I own other books by Cher Threinen-Pendarvis, in my opinion, this one falls short of the standards she set in the past, please, more advanced material in the future publications. Beyond Digital Photography: Transforming Photos into Fine Art with Photoshop and Painter

Covered two complex different painter software programs
I was under the false impression that the book would use the two programs - Photoshop for preparing and printing the "painting" and Painter to actually "paint" the photo.Anyone that has spent time with the programs understand the strengths of these programs and primarily use them as stated above.

However, this book pretty much covered both as "painter" books.Perhaps I should have used my local Barnes and Noble to preview the books but I didn't and just went by what I could find on the internet - my bad!But I was hoping the book was advanced enough to guide me to the strengths of each program in turning my photo's into paintings.

As well I'd like to include I was shocked to even receive the book.The free shipping took almost 2 weeks and when I received the book it had no wrapping on it whatsoever.The only way they could find out where to deliver the book was a small receipt slip with my address inside the front cover. ... Read more

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Customer Reviews (29)

Not for the average photographer
If you buy this book, hoping to learn useful tips from a pro, forget it. This book is more on Stephen Johnson, his work and contribution to the digital imagery era than it is on digital photography. Furthermore, this book is more on scanning back system than on digital photography with the average user tools (digital camera from Canon, Nikon, Sony, etc). What was the aim of the book? Other than putting the author under the lights, I cannot figure it out. There is nothing in this book that you can't read for free on the Internet. And all the explanations on taking photography and photo development/retouching on the computer are limited to basic.

For example, Johnson says that an histogram is the best tool to analyse your image. How do you actually analyse an image with an histogram is barely said. And how do you improve your image using the histogram is almost limited at showing how to use the levels/curves dialog box in Photoshop... Could somebody be more basic than this?

I am giving a 2 for the beautiful photos in the book, but if you wish to improve your photographer skills, this book does not worth the money. Buy something else.

Mixed camera bag
I'm very glad to have found this book. It's inspiring in its discussion of photography on the most basic level -- not the techniques, but the motivating forces in photography's technological development and its potential for the future. I was also fascinated by Johnson's uncommon personal approach to the craft, and deeply impressed by his photos.

Unfortunately, I also found the book needed a good deal of editing. First in content, because there was far too much that was just sketchy retreads of technical tips you can find in other books. It felt like padding. But worse were the scads of typos and other errors throughout the text. I honestly don't think this book was ever read carefully by any editor or proofreader. The photos are gorgeous, but the treatment of the text was amateurish. Certainly not what a book like this should merit.

I hope this publisher will be ashamed enough of this product that it will issue a second edition with corrections. And to other reviewers I say, PLEASE stop accepting garbage editing in photography books! It seems to be almost a fashion!

True professional
Steven Johnson Is someone that knows what he is doing and I am happy that there are still people like him in this world. Not only is he a true professional photographer but he is also aware of ethical and environmental issues regarding photography. I had the luck to be in one of his workshops and I an recommend it to you all. This book guided me there and I will never regret it. So buy the book and learn how to take real pictures. :-)

Thoughfully produced and will make you think about digitial photographic perspectives


Strengths:This practical guide has extensive information integrated with the screenshots, exquisite photographs and visuals. The tutorials and information are well done and provide much assistance for those Mac users who want to become familiar and gain and understanding of their system. Good for those who are starting with Macs or want to become more efficient with the

Weaknesses: Questions relating to troubleshootingin the first chapter could have better been placed in a section at the end or integrated into another chapter.

The authorStephen Johnson is a landscape photographer, designer and teacher. Hea world recognized digital photographer and pioneer. Many of his remarkable photographs are part of many collections in world institutions. Many of this photos and world famous photos from other photographers showcase the techniques and photographic topics.

Chapter 1 focuses with a great a great introduction to several reasons for working with digital imagery. Specific conceptual troubleshootingissues are elaborated upon while focusing upon real problems. However with all the emphasis on perfectionistic photography throughout the later parts of the book it was interesting how troubleshooting techniques were placed here. Possibly this was done to focus on what can go wrong to further demonstrate proper techniques but this section should most likely have been placed elsewhere as in the appendix.

The 21 chapters have sections relating tobasics of digital photography, Film camera techniques vs. digital, Practical approaches of the non film photographer, Techniques of the digital darkroom , A photographer (tm)s digital journey, Photography, art and the future. Among the most interesting parts of the book are a section oncompositing and faking of images (Chapter 19 : Photography and Truth - Imaging Ethics in the Digital Age),highlighted using photographs of space missions, Mt. St. Helens, and war related images. These different perspectives give a fresh perspective on comparing and contrasting historical and other techniques. What I liked is that photographic perspectives related to me personally and could relate to others based on how old you are. The author's perspectives and photographs of him standing on the rim of the crater of Mt. St. Helens compared to my experience as a teacher that was allowed to helicopter into the crater and videotape and photograph the inside of the crater. Other readers will relate to many other photos while others will be amused or uplifted by the clarity and poignant qualities of the photographs.

Conclusion:

This book is thoughtfully produced and comprehensively written. The author has crafted a book which covers many views of digital photography taken from a historical perspective as photography has progressed through time. While it is guide, it is not an easy. The troubleshooting perspectives, which I thought should go elsewhere, were important and would help with beginning essentials. It is the additional views and perspectives that this guide has in the rest of the book that a photographer can use over time,for producing better digital photographs. The bottom line it is not an easy read. You will have to pause and reflect on the importance of digital photography through the "eyes " of the author. That is what makes a great read.

A concise, practical, and immensely engaging book on digital imaging
'Stephen Johnson on Digital Photography' is an excellent book on the tools, techniques, science, history, and art of digital photography that will appeal to digital photographers of any skill level.Johnson is a genuine pioneer and evangelist in the field of digital photography.Drawing on over three decades of experience as an accomplished photographer, educator, and product consultant to the "Who's Whos" of the digital imaging industry, Johnson succinctly and eloquently imparts to the reader/student practical and interesting information on a variety of subjects.I found the coverage of digital camera techniques, color correction and editing, color management, and fine-art printing particularly useful.This information has truly helped me to make better photographs.

'On Digital Photography' is a timeless and inspiring book that is thoughtfully organized, richly furnished with numerous beautiful and educational 5-color photographs, and superbly bound with quality paper and a resilient binding.It's manufactured to last, which is great, as I refer to it often. ... Read more

Product Description

Managing your digital photos can be one of the most unavoidable headaches. With so many existing workflow practices based on specific software rather than a universal view of the entire image file processing ecology, you need something that can make the process less overwhelming. Patricia Russotti and Richard Anderson provide you with the best workflow practices for planning and capturing to archiving you digital photography and everything in between. This easy-to-follow design paired with detailed charts and beautiful photos will give you the tools you need to perfect your workflow.  This handbook is software version independent and focuses more on the key fundamentals that are a constant from software to software.

Customer Reviews (2)

Business Photography 101
This book could have been legitimately titled "Everything you need to know to start a digital photography business"; from equipment to data storage to software, Russotti and Andersen cover it all. As an amateur digital photographer (even the word "amateur" is a bit generous), I found myself running to catch up with many of the terms used, but gradually the unfamiliar words began to form complete concepts as well as informative tips, even for "average" camera use. A few of our more serious photographer acquaintances seized the book with eyes aglitter, issuing forth copious nods as pages turned.

Chapter Six, titled "Image Capture,"most appealed to me; said interest held strong amid explanations of shoot parameters, intended image-processing, the pros and cons of various capture formats, the advantages of "tethering" with options for dual capture to both card and computer. The writers placed great emphasis on the premise that ALL the image data be captured for the highest clarity in a digital image, and also of the many ways said data can be lost. Just down from data capture on the importance scale, the authors chose organization and provided many insightful ways this can be accomplished to fit a number of offices and/or mobile studios.

Reviewed by Meredith Greene

Best book on Digital Workflow
This is the best book I have seen to help optimize your digital workflow. Plus there is a great section in the back on ergonomics. These guys really know their stuff! ... Read more

Amazon.com Review
In Rick Sammon's Top Digital Photography Secrets, readers will learn the tips and tricks used by a top photographer in the digital photography industry, Rick Sammon. Filled with beautiful photographs and the techniques Rick Sammon used to capture them, this book will offer readers motivation to capture stunning photographs and provide them with the tools and tricks they need to capture them. With more than 100 techniques for use behind the camera, this book will improve the camera skills of both amateur and experienced photographers. This book also includes a chapter on post-production secrets, and a Rick Sammon DVD guide to lighting, camera, and digital photography basics. The DVD includes twelve QuickTime movies, providing ninety minutes worth of live-action video lessons.  The video lessons with Rick provide one-on-one instruction on topics such as lenses, focus points, low-lighting photography, and reflectors and diffusers.

Amazon Exclusive: Photography Secrets from Rick Sammon (Click to Discover)

Author Rick Sammon's Tips on Seeing Creatively

Secret #1: Internal Filter Flare [PDF]

Secret #2: Blurring Night Lights [PDF]

Secret #3: Catch Light to the Subject's Eyes [PDF]

Customer Reviews (26)

Very nice book for people new in photography, excelent tips and ideas on how to take better pictures
A must have book for everyone new in pohotography, excelent tips on how to take better pictures. I do recommend it

Well Worth It
Well written and easy to understand.Each page stands on it's own, so you can read a few pages or a hundred at a time.Lots of gorgeous images. No technospeak.

Quick reference digital photo secrets
I was looking for a guide that would tell me quickly how to set up shots without having to read through tons of technical information. I found this book very helpful and filled with page after page of tips on how to get the type of shot you are looking for. Color examples and short descriptions hold my attention. Useful manual for beginners and pros alike.

Photography Basics
I have read many books on photography basics.This one is about the same, just a new name for a book about the basics of photography.Basics of focus, backgrounds, lighting, etc are covered in this book.Good book for beginning photographers.I disagree about the statement made on page 165 about not backing up on DVDs or CDs.Although photos are backed up on external hard drives and portable drives, those drives can fail and they often do.I use an external backup drive and always back up new photos on CDs or DVDS. Yes, it's extra work to make copies, but in the long run, it's worth it.

Outstanding work
A previous review stated the objection of just being a Canon tome.While the author does state his preference for this company, overall the book is objective in the sense that the tips (secrets) would hold true with all makes of camera.I enjoyed his concise, bullet presentation and would recommend this to all levels of photgraphers, as there is something for everyone in this book.Also, the author gets to point, without a great deal of rambling.I would (and probably will) buy more from this author. ... Read more

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Customer Reviews (10)

Get Started with this Book and Make It a Long-Term Reference
Since our books are directed to an audience of paraprofessionals and professionals we're often asked about a great book for beginners. We don't like to suggest books which are short lived. It's better to get a terrific book which becomes a long term reference. This book fulfills both of those requirements.

Brian Stoppee, President/Executive Producer
M2 Media Studios, Inc.

[...]

perfect sale
this is what makes Amazon such a perfect shopping place.
Great transaction, quick delivery, book is as described.

Great photo book for beginners
I'm not a photographer, so i found the info in this book helpful. I also really liked the presentation and the photo's.

Total Digital Photography
Good for beginner digital photography. Won't teach you how to use your specific camera so read your manual. Our college instructor chose this book to teach the class by so it's a pretty good overall lesson manual to get you started.

Great for beginners
Previous reviewer wrote:

"if you have no clue what a stop is, or that larger aperture number means smaller opening and less light, and if you cannot visualize a difference between what a 24mm and 240mmm lenses would show, this book is a very good starting point."

I agree and that's absolutely why I love this book.I really needed something basic.

Pictures are beautiful and content is informative. ... Read more

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Customer Reviews (22)

an impressive book (for the rich?)
This is an impressive book despite some editorial flaws.While many other digital photography books focus on the "colorfulness", this book shows to how to create black and white photos.It shows you how to use tools (i.e. software) to post-process the photos so they look professional.Sure some pros such as Ken Rockwell hate post-processing and even go as far as shooting JPEG only, and I respect that.But as a beginner, I think post-processing is a necessary learning step.Another good thing about the book is that it not only shows you the final publishable photo, but also the original and intermediate versions as well, so you know how to go from an "okay" picture to a "wow" picture.

But the book is not without flaws, of course.Aside from the minor editorial errors, the book is tightly coupled to Adobe Photoshop, which is an expensive software package not everyone could afford.Not only that, it is also coupled to Adobe Photoshop on a Mac, which again, is an expensive piece of hardware.Many times, the author shows you how to do certain things in photoshop by showing you only the shortcut keys - now that, is a bit annoying, because unless you are a photoshop guru, most people would prefer going through the menu instead, and if you need to read this book, chances are, you are probably not a photoshop guru yet.And for windows users like me, I will have to look for the same features and functions from the shortcut key for Mac.

A useful addition to your digital photography library
I have enjoyed Black & White Photography since film days. I used to enjoy shooting with Black & White Transparency film with colored filters.

This book teaches me the best way to achieve a similar effect in Photoshop.

I guess the only criticism is that the book now needs updating for CS4.

Excellent photoshop guide to B&W techniques
Excellent book - all you must to know for creating good B&W photos! The instructions for creating different techniques within photoshop is well illustrated in step by step fashion.

Satisfied
I will be an upcoming student at GTC in Ga. and I am looking foward to use these techniques in class.

Down to Basics
This book is awesome for it really gets down to the basics as to how to start. Actually it starts with capture, then refining the color before turning it in to a black and white creation.
I bought several books on this subject to get differing opinions. Instead it tuned me in to different avenues. I would highly recommend it.
Will use the information in my Travel Photography books, whiich I hope to have listed on Amazon in the future.
Photogrqphic Reflections by Joleene ... Read more

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Customer Reviews (13)

Great for someone with questions on how to start
This review pertains to the KindlePC version.I find this book to be excellent for my purposes.It contains 25 shooting projects with 1,2,3, steps which I need in order to become more organized.You need this book if you are trying to figure out what to shoot, how to get models, how to work with organizations to gain permission to use locations and so much else.This book will be one of my most used.I am selling some stock but I really want to become successful.If you like books that basically hold your hand you will like this one.It is not a book on how to take beautiful pictures.It gets you started in stock photography.The book does exactly what the title says.I appreciate that.

Maybe it's a total beginner book, maybe it's something else...
This book was for me a total waste of time. It's a string of nice metaphores and a lot of generalities. Something along the lines "to be successfull you have to be good", yet this book never states clearly what it takes to be "good" from the author's point of view. At least nothing more clear than "to be good you have to work hard". The above are my creation to illustrate the quality of this book. An actual quote would be "Style is how you shoot rather than what you shoot. As true in stock as it is in assignment work, developing your own style is central to success and joy in photography. It is important to understand, define, and refine your style, and know where it fits in the market. In the same way, it's important to be aware of changing trends in the style of photography buyers want, as we'll cover later." And it never becomes any more clear. I really can't say what pushed the others to give more than two stars.

Easy to read - step by step information
What a great little book. It is very informative and a awesome starting point to give an overview of stock photography from it's start to the current digital age.

It is well written, easy to read and is also very easy to understand if you are new to professional photography. It doesn't matter in what country you live, this book covers topics that are the same the world over. Basically, it covers everything you need to know about setting up your own stock photography business. I particularly loved the assignments given as a starting point on which to build a stock portfolio.

This book is great value for money and I would recommend it to everyone who wants to embark on a career in stock photography.

PS. The stock photography agency that I hope to work for in the future recommended the previous version of this book however I chose this version as all my work is now digital.

My Take
I have found this book very facinating.It has all the info I could ever hope for in one book.It seems to cover literally everything, including needed forms for releases, etc.This is exactly what I was wanting to get started in digital stock photography and didn't know where to begin--Michal Heron to the rescue.I looked on Amazon.com and found this with the access to read some pages and knew I had to have this one.I looked at some others and they were no comparison.I would highly recommend this to anyone who doesn't know where to begin, but wants an education in this area at a very reasonable price without having to take a college course to get it.

You want answers!
This book has everything.Answers questions I didn't even have.I enjoyed Michal's writing also, easy to follow and very informative.Thanks for a great book.

Walt ... Read more

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Customer Reviews (5)

A sandwich with not quite enough meat
This is a good, broad introduction to the field of architectural photography which will suit photographers with basic to intermediate skill levels. That said, the level of detail varies, and it will leave some readers wanting more.

After a good general introduction, the second chapter is on photographic technology. This starts with a discussion on analog vs digital photography which rather annoyed me, with its gross over-simplification of digital processing and generalisations on digital camera characteristics, with some confusion between dynamic range and aperture settings. In fairness many of the omissions (such as RAW workflows) are dealt with at length later in the book, but this section sets a simplistic tone which is not representative of the rest. The section proceeds with a reasonably fair comparison of different camera formats, albeit slightly hung up on pixel size, and a good, even-handed discussion and recommendations on lenses and additional equipment, but contains nothing of great value to the reasonably experienced photographer.

The chapter on shooting techniques is the core of the book. This starts with a discussion on the various objectives of architectural photography, and moves on to consider how to extract very different images from the same basic subject. After that the book leads the reader through perspective and its relationship to camera position, and the various ways to correct perspective distortions such as converging verticals. All this is done with clear examples, showing the effects by comparison of two or more shots of the same subject.

The various sections on composition are excellent, with good advice on how to emphasise different aspects, or make an image more inclusive, but I found the section on panoramas a bit basic, with no real advice on how to avoid common stitching distortions. A similar complaint might be levelled at the sections on exposure and shooting interiors, which are very dry and concise, although I can't find fault with anything which is said. The author does make the positive recommendation of using naturalistic HDR to address extreme dynamic range, and provides good exterior and interior examples, plus a comparitive example of the technique overdone.

A following section on lighting considerations, including shadows, reflections, weather and seasons is short, but has some good recommendations, including how to exploit different conditions for different moods. The chapter then finishes with a short section on photographing buildings creatively, which contains a number of simple yet powerful suggestions.

The third chapter is a slight oddity - a "commentary" by experienced architectural photographer Marcus Bredt. This summarises a lot of the main chapter's themes, but with a different photographer's words and examples. In another book this would be the guest forward, but I rather like this "tell them what you have told them" positioning.

The final chapter is on image processing. It starts with quite a detailed discussion on RAW vs JPEG, and a rather mechanical account of setting up a RAW conversion in Adobe Camera Raw. There's nothing wrong with these, but they feel slightly out of place. A useful but short section on perspective correction is followed by a long worked example of general image adjustment in PhotoShop, which has nothing to do with the book's main topic. Worked examples on panoramas and HDR are more relevant, but still have too much image-specific blow by blow detail and insufficient discussion of the general issues which arise when applying these techniques to architectural photography.

The book finishes with a short and very basic section on creative adjustments, but there's no overall conclusion. I was hoping for more detail on things like perspective correction techniques, but that's missing.

This book is rather like a sandwich with too much boring bread, and a tasty filling which isn't quite thick enough. The processing section feels like filler, and detracts from the excellent core on composing and shooting architectural photographs. The latter is good enough for me to recommend the book, but I must warn you that some topics will leave you wanting more. This is a good book, but could have been better.

Excellent...
I am a beginning to be a hobbyist, and I think this book is a must. It does not only discuss the technical terms of how to do things and how to take photographs for buildings, but it also indulges the reader in some philosophy and into some artistic concepts and aesthetic point of views to what the reader might see.
It also provides a good introduction to the type of cameras that you might need to such field and what type of accessories that are often involved. It is not only confined to the external photography but it also discusses interior photography. I think it is one of the books that might be called "bibles of modern photography".

This is how photography books should be written
The work the author put into making this book is impressive. The book is very detailed, organized logically, and to the point. In short it's nearly a complete reference to architectural photography basics. That's something very hard to find in most photography books.

I bought this book because I am expanding into architectural photography and wanted to learn the basics. Doing photography professionally leaves no room for gaps in one's knowledge. This book answered all of my questions such as how to avoid converging lines, how far to stand back, the effect of different lenses, and much more.

One section that I particularly enjoyed was the equipment chapter. The author examined all types of camera systems and made the case for using Digital SLRs with tilt shift lenses over other more expensive options such as medium format and view cameras. I found that section of great value especially so because many photography books include equipment chapters as paper filler.

That being said at times I found the book a bit too basic or perhaps too short. I wish some topics were covered just a bit more.Also, interior photography was covered in less than 10 pages, which made that section practically useless. I wish those ten pages were dedicated for more discussion of the effects of light and time of the day in architectural photography for example.

Some people tell me I have an eye for putting together architectural elements into a picture. And that was the problem as I relied on my eye to get a sense of what looked right, but I didn't know exactly what I was doing. Now with the help of this book instead of moving the camera around searching for the best view I know what to expect when I move the camera. That makes the process much more predictable, quicker, and professional. I just wish there were landscape photography books like this book back when I was starting to learn four years ago. Certainly one of the best books I bought this year.

Building Building Images
Architectural photography is an area full of competing factors that affect the picture.Architects want their work reproduced accurately.Photographers want it presented in a photographically artistic manner.Wide angle lenses and telephoto lenses offer different results.Photographing from close to the building emphasizes different elements than photographing from a distance.Author Adrian Schulz recognizes all these countervailing forces and discusses each of them so that the reader can make the choices that will be in keeping with his of her vision.

After a brief introduction, the book first explores the applicable photographic technology, including capture media, cameras, lenses and accessories.In doing so the author seems to have a preference for large format cameras but recognizes that, with the exception of compact cameras, all cameras have a place in architectural photography.

Next the author reviews shooting techniques, where a major problem is perspective distortion, and explains how to deal with problems.He finishes the book with a review of post-processing techniques that will help the photographer overcome problems that could not be dealt with in the field.

The author's writing is straight-forward and clear, easily understandable and lacking in humor.The book reads like a textbook.One thing that it scants is discussion of how to achieve artistic images that go beyond the architect's goal for such photographs.(This certainly is difficult, given the nature of the subject, but my own experience is that, at least to a limited degree, it can be done.)

I had a mixed response to the chapter on post processing, which emphasizes the use of Photoshop.The discussion of Adobe Camera Raw was a nice summary of the plug-in's use, but seemed applicable to almost any type of photography, although it lacked the depth of comprehensive instruction.On the other hand, when the author turned to the tools of the main Photoshop program, he did not try to be comprehensive, but rather focused on those tools with specific application to architectural photography that one might not use for other genres.I was struck, however, by his disregard of such a simple tool as the use of perspective cropping.

The author recognizes that architectural photographers will probably want to use tools like high dynamic range imaging and panoramic stitching, and while he provides an introduction to these techniques, one will need to explore other materials to fully utilize them.

The book provides an excellent introduction to architectural photography.I only wish there had been a little more emphasis on the possible artistic elements of such images.

A Nice Book for a Common Photography Subject
When we take photographs outdoors, we invariably take pictures of architectural structures, even if they're not the main point of our photographs.It's a common subject especially when we travel.We all do it: taking pictures of the Eiffel Tower in Paris, Big Ben in London, and capitol buildings and churches everywhere--lots of churches.Photographing a house, a building, a church, or other structures such as a bridge may seem like a simple task--after all, they don't move or hide from the camera.However, to do it in such a way so that the results are artistic and not just a boring shot of some structure, that takes artistic skills and know-how.In a clean writing style and a meticulous, no-fluff manner one would expect from an architect, Schulz presents this interesting field of photography.He also includes many marvelous photos of structures that he himself has taken.

Chapter Highlights
The book has four extensive chapters. In the first chapter, Schulz presents the history of architectural photography, starting with its roots in other art forms. He gives interesting connections like the works of Bernardo Bellotto from the mid-18th Century who painted precise city scenes in Italy using a device called a 'camera obscura'.

In the second chapter, Schulz discusses photography equipment.While it may be an overdone topic, there are some special aspects to consider when photographing architecture.He assumes the reader has a basic understanding of photography, and focuses on the particulars of equipment as they relate to his field. He talks about wide-angle lenses and shift lenses, and reviews accessories like lens filters. For much higher quality images, he presents arguments for using medium-format and large-format film cameras.

Chapter Three is on shooting techniques and is the heart of the book; its about half of the book. Schulz explains what makes a photograph of a structure art and not just a documentary photo (e.g., factors such as the subject, perspective, camera positioning). He provides suggestions for developing one's skills as an architectural photographer and he discusses related artistic methods. He points out problems with the vertical lines of tall buildings converging, a bending of the image. He gives good suggestions and illustrations of how to solve these problems. He discusses the positioning of the camera for different artistic effects; and the effects of focal length on the results.He also points out how one should consider other objects in a shot: people, vehicles, and landscape.

Within the same chapter, Schulz has a section on shooting interiors.This can be tricky when constrained by small spaces. He has another section on factors related to shooting buildings outside, factors such as weather, time of day, and season.He ends with a section providing creativity tips in this field of photography.

Like all new photography books, this one has a chapter on post processing of digital images with computer software.However, Schulz covers aspects related to his architectural photography. Sure he has text on the basics of digital formats and RAW images, and he discusses cropping as one might expect.But he also extensively explains techniques for the straightening of photos--another method for dealing with converging lines or image distortions due to photographing architecture with ultra-wide angle lenses.

Summary
This is an interesting book and an easy read.It's not for the novice, though.Even if you have no interest in specializing in architectural photography, you may want to get a copy of this book and at least give it a quick read through.You'll be surprised by some of the things you'll learn and when someone asks you to photograph their home or office, you'll have a ready reference to prepare yourself for the shoot. Besides that, it's a pleasure to flip through even for non-photographers. It can make a great book to leave in your waiting-room or on a coffee table at home. Your visitors will enjoy it and it can inspire conversations on photography. ... Read more

Product Description

Customer Reviews (6)

In depth overview for amateurs and professionals -- excellent!
This Kodak publication measures up to the professional standards which are characteristic of most Kodak publications devoted to photography.This is a concise in-depth technical overview of digital photography concepts pertaining not only to the equipment but also to the application of the nuances of photography in general to the new digital technology.Plenty of useful and immediately applicable information for both the new amateur photographer as well as the seasoned professional.A book that deserves a prominent place in every photographer's library.

good but basic
It was my first photography book, It talks about all digital issues but I missed some more deep information on critical things.
Good enough for starters.

Excellent digital photography book
This is a superb book for digital photographers.The book has an almost encyclopedic scope, and the level of detail in the individual entries is just right, with very little redundancy.Highly recommended!

Insight to D-SLR Photography
This is an excellent resource for those just venturing into SLR digital photography all the way to the enthusiast.

A concise trove of reliable information
Written with digital in mind throughout, this is a wealth of *accurate* information about what matters (and what doesn't) regarding different types of cameras, lenses, megapixels, ISO, noise, internal camera processing, composition, white balance, and much more.It has the best and most complete explanation of digital sensors that I have seen.(Most of the camera comparison spreadsheets I've seen in magazines seem to list every feature BUT the sensor and "crop factor."Those are important when selecting a D-SLR, as far as I'm concerned, because I want to know what lenses I will need, another thing explained in this book.) There is a crash course in Adobe Photoshop and Photoshop Elements.It also covers basics such as how to hold a camera and release the shutter so that your slow shots don't blur.

This gave me a satifying feeling of having learned a lot, and that's what I liked about it so much.It's upbeat and encouraging: he has a tendency to explain the bright side of things that may seem daunting to a beginner, such as Photoshop.He encourages individuality and discusses how to make a photograph, as opposed to just making a copy of a scene.I started reading this in a bookstore, and two hours went by before I knew it. ... Read more

Product Description

Today's digital cameras are wonderful creative tools for nature photographers, but they can be a challenge to master—a problem that is thoroughly solved by the lessons provided in this guide by 10 of the most respected nature photographers in America. Representing the knowledge of professionals who have produced photography books and calendars, worked for nature magazines, and taught hundreds of photography workshop students, the book offers a step-by-step approach to improve both artistic vision and technical skills. Topics covered include equipment selection, use of digital functions, tips for capturing natural light, rules of composition, and special effects. Practical advice about launching a full-time nature photography career is also included.

Customer Reviews (31)

Great pictures, good information, but see my review...
This is the email I just sent to Ian about his book.Though the pictures and other included information were good, the fact is that if you don't really know how to setup your DSLR in most situations without using the Auto mode, then this book really doesn't tell you how...even though the author states they are going to teach you in baby steps.There is absolutely no information in this book on how to properly setup your camera in a given situation, and those who took the images in the book don't tell you anything about the settings of their cameras when they took the shots.This is why I only give this book 3 stars.Here's the email I sent to Ian....

Hi Again Ian,

Luckily I had three other books other than yours, and using those three along with my Nikon, in less than 48 hours, I now know enough about my camera and how it all works, that I can successfully take superior images in Aperture Priority, Shutter Priority, Program Mode, and even Manual Mode!

I no longer have to rely on the Full Auto setting!!

I hope you can take the criticism about your book when I say that it really didn't help me at all.The information you give about Exposure, F-Stops, and the rest, was all contained in the other books I bought, which frankly, were just as easy to understand (if not easier.)But these other books at least tell you how to put all the settings together, and why....plus showed the results!With that, I was FINALLY able to figure out how to be dangerous with my Nikon.

It's funny.In your book, on Page 22, you state how "you'll be turning those who read further, from good photographers into great photographers, and that you will walk us through using baby steps," but after that, all you do is go through all kinds of meanings about all the camera options, like Exposure, and other generalized information that most other books already contain; doing that all the way up until Page 90.

From there you jump to taking an actual shot....being there at that moment, and then you list some steps; "Slow Down Take A Deep Breath," "Visualize," etc, then it comes to "Set Up the Camera," which is only ONE menial paragraph, then closes with "Make Final Adjustments."

But that's it!From there you jump to Chapter Four: Light.

You don't tell anyone HOW to setup their camera, what settings or features to choose, or why."Baby steps??"All you did was open with some nice photos and big paragraphs, explain the definition of standard camera features and what they do, but with all the information missing about WHY you choose such and such aperture, exposure, other settings, etc, for particular scenes or portraits, all it really does is leave the reader with a bunch of information about the purpose of the features and what they physically do, with no real understanding of why they should be used.

I checked and checked....you simply have no explanation of why settings or features should or should not be used, how they work in tandem with each other, and in essence, no explanation of the combination, implementation, or execution of these settings so that the user can learn to properly setup and be creative with the camera.This all in combination with the fact that there are no results that demonstrate anything, all of which I think is a serious oversight on your part.

You don't even tell the reader how the photographers took any of the included images in the book.No details whatsoever, which in my mind, makes this simply a picture book, and clearly, you guys were more interested in showing off your shots than you were at explaining any camera settings that were used for those shots, or disclosing any other useful information on how to truly learn your camera and be creative.It seems to me that you deliberately avoided disclosing any settings or step by step procedures, or any tips and tricks, probably because those of you who wrote this book didn't want to share any of your secrets??That's my guess.

Sure, you started off telling people you were going to "hold their hands," but then halfway down the beach you let go and wandered off talking to yourself, then later came back and said, "Oh there you are.Now you understand how setup your camera in most given situations.Hey, let's move on to Chapter 4, Light!"

Anyway, that's my opinion of your book.Great photography, good information on the purpose of camera features and what they do, but no real training on the `when and why' to use them with your digital camera, and therefore no real training of how it all works, leaving the reader with little actual WORKING understanding.THAT is the biggest issue I've found with this book.

maybe not ultimate
An excellent beginning book, not the ultimate guide for someone with moderate experience. I did pick up a few valuable pointers.

Excellent Primer and Reference
While I have an extensive background in 35mm and medium format photography; I am a newcomer to the Digital Image world and was looking for a book that would add to my knowledge of the subject and hopefully make me a better photographer in the process. "The Ultimate Guide to Digital Nature Photography" has provided exactly what I was looking for in an easy-going, non-threatening style. If you are new to Landscape/Nature Digital Photography; the section on camera choice and equipment suggestions alone is worth the cost. The book covers areas that are the exclusive realm of digital format imaging such as HDR (High Dynamic Range)imaging and the ability of newer DSLR cameras to create photos in extremely low light conditions. This book covers a wide gamut of knowledge and the reader will benefit from what is presented. It has encouraged me to pursue a more in-depth analysis of some sections of the book by additional research. I have rated this book a five-star! I found it to be well written and informative.

John Vaughan
John Vaughan Photography

Great images but you won't learn much
Great images but for beginners only, not for experienced shooters. I own about 40 photography books, this definitely not stand out from others. The authors remind you that your camera does not take photos but you do, they only tell you how to control your cameras but not teach you how to visualize the scenes that is the core of great images.DON'T WASTE YOUR MONEY ON THIS BOOK.

outstanding
very informative and would recommend it to anybody interested in learning the elements of photography. ... Read more

Product Description
"Digital Infrared Photography," an all new guide that illustrates and explores the enchantingly beautiful world of infrared images.

By simply adding a filter to the camera lens, or using a converted camera, digital photographers can capture infrared (IR) images featuring expressive skies, dramatic clouds, and intriguing white foliage. Illustrated with hundreds of striking IR images taken from around the world, this unique guide shows photographers how to get started and get creative with IR. Each chapter covers IR basics as well as imaginative techniques that produce eye-catching images. Subjects such as long exposures, multiple exposures, and image enhancement with hand coloring, mirroring, toning, and layering as well as HDR, Photomerge, and other creative Photoshop techniques are illustrated and explained in easily understood detail. The book also includes an inspirational gallery showcasing IR work from top photographers such as Kathleen Carr, Joe Farace, and Lewis Kemper, and engages the reader with interactive online end-of-chapter assignments.

Deborah Sandidge is a professional award winning photographer, highly skilled in her ability to artistically capture unique images of birds, wildlife, landscapes, and scenic areas of the world. Her photos continue to be featured in many gallery exhibits and events such as PhotoExpo Plus, MacWorld, and PMA. Her work has also appeared in several instructional books, magazines, and calendars. Deborah is co-founder and Creative Director of the League of Creative Infrared Photographers, an online group of photographers who do innovative and creative infrared work. Deborah is a guest instructor at the Harmon School of Photography in Orlando. She frequently teaches workshops and does specialized presentations on creative photography. ... Read more

Customer Reviews (19)

Digital Infrared
This is the best book I have purchased on digital infrared. Well written, easy to follow, and contains very useful information. I highly recommend this book.

This is a whole new approach for me.
I only knew about infrared "effects" in Photoshop, before. Deb's book is clear and helps illuminate this exciting way of shooting, as well as general shooting tips. I can't wait to try it!

Developing Infrared Images not very helpful
This book is more about how to take photographs than Infrared Photography. Very little information on how to "develop" your images. I was expecting more detailed PS developing techniques with examples of layers used, etc. The time of day when the example photos were shot would have been helpful.
Also, too much third party software discussion.

Definetely worth the money!
Recently I started getting into digital IR photography. I got most of the basic information about IR photo shooting and simple RAW image conversion from the internet first. But I realized pretty soon that I wanted to gain more detailed knowledge of IR photography and the conversion of photos in software programs like PS. I screened several available books about IR photography published in the past few years and finally decided to get the one from D. Sandidge. It turned out to be an excellent choice: I was afraid that this book will focus endlessly on very basic principles but this is definetely not the case. The book is written for more professional users of DSLR cameras, which are either fully converted for IR or just by adding filters onto lenses to achive the same or similar effects. The book is full of very good examples of IR photographies supporting the context in the chapters. I gained a lot from the more advanced workshop chapters including HDR with IR photographies and merging color/IR photos. The book is a wonderful summary of creative IR possibilities which can be achieved with digital SLR cameras and the right software processing afterwards. The book is extremely well written, and the workshop steps are clearly defined (bold print to find the specific menus in the programs). Screenshots support those step-by-step tutorials.
The only negative remark I can make is the focus on mostly commercially available software filters in the last few book chapters. It is not stated clearly in the book that those software filters are no freeware and need to be purchased seperately. Here I wish the author would have mostly stayed with the available PS program filters or referring to freeware filter plugins. But this is a minor issue. Overall I can highly recommend this book since it will open up a complete new way to do creative photography.

IR/Photoshop for beginners
This book was easy to read, cover-to-cover, in less than 90 minutes. In the balance, its total content seemed represent more of a beginner's (i.e first timer's) Photoshop how-to book than an in-depth resource on infra red (IR)photography. I was put off by its very simplistic presentational style, and would not recommend it to an intermediate level photographer. While I gained a few useful tips from reading it, I found more useful material by spending 90 minutes on the internet. ... Read more

Product Description

Customer Reviews (1)

This is the best book for tips.
I first laid this book aside , but when I did pick it up, I could not put it down. It is full of facinating ideas. It is well worth the money! ... Read more

Amazon.com Review
Product Description
Go beyond the basic rules of photography to capture stunning portraits.Portrait photography is a vital topic for photographers of every level of experience, from amateur to professional. Written by renowned photographer Harold Davis, this inspirational book encourages you to define our own photographic style and capture stunning, creative, and unique portraits.

You'll discover tips and techniques for "breaking the rules" of basic digital photography so that you can go beyond the fundamentals such as composition, lighting, and exposure in order to create memorable and incomparable portraits.

• Explores the most common subject of most photographers-people-and explains when, why, and how to forgo the fundamentals to capture memorable portraits
• Encourages you to define your own unique photographic style and offers information and inspiration to help you do so
• Delves into a variety of creative techniques that you can use when exploring ways to take lively and stunning portraits

Illustrated with Harold Davis's striking portrait photography, Creative Portraits will both inform and inspire you.

The Psychology of Portraiture
Amazon-exclusive letter from author Harold Davis

Dear Amazon Reader:

As I began writing Creative Portraits: Digital Photography Tips & Techniques, I realized that the art of portraiture is radically different from other kinds of photography.

Photographic technique describes the tools available to accomplish the photographer’s goals, in other words, how the photo is made. Technique matters in portraiture—as it does with every kind of photography. But in portraiture, the why becomes the driving force behind the photograph. How the photo is made is still important, but without clarity about goals, the results will not satisfy.

When I am photographing a flower, I don’t need to consider the feelings of the flower. But making a portrait involves two people: the photographer and the subject. The attitude, psychology, and intentions of both parties are crucial to a successful photo.

Creative portraiture is driven by goals, and understanding those goals is a complex issue. For any given portrait session, a complete understanding of the psychology needs to take into account the goals of the photographer and why the portrait is being made. These may not be the same goals as those of the portrait subject who may want anything ranging from a glamour rendition to a headshot, or may not even have initiated the portrait session at all. Furthermore, these potentially competing goals have to be resolved within the framework of the personal interaction between photographer and subject.

Truly creative portrait photography is a partnership between subject and photographer in which neither can be quite sure what will happen, but both must trust the other to obtain good results. The psychology of this partnership walks a thin line between daring to tell the truth and remaking the subject as more attractive than they really are.

Because psychology is so important, I start Creative Portraits with an analysis of why people sit for portraits, and why photographers choose to shoot them. Along these lines, I take a look at capturing character—and discuss how appearance can, and cannot, reveal who someone really is. The bottom line: you can’t really photograph people well unless you understand them and their emotions.

Understanding your subjects and their attitudes towards being photographed is the first hurdle. But without an arsenal of techniques it would be hard to achieve truly effective portraits. In Creative Portraits I show you the techniques you need to photograph people in every environment, and how to light them at home and in the studio.

Ultimately, Creative Portraits like the other books in the Creative series is an idea book. I hope you take the ideas I present back to your own work and use them to create striking and interesting portraits of your friends, family, professional models, and perfect strangers—in short, everyone!

Best wishes in photography,

Harold Davis

Portrait Examples from the Author

Hurrell Lighting

George Hurrell was a glamour photographer working in Hollywood from the 1930s on. Many of Hurrell’s most famous photos were created using uncoated lenses that would be considered flawed by modern standards. Hurell used lighting equipment thatcreated harsh light—and required his models to hold still for long periods of time—these were hot lights, not strobes.

In this shot, I used studio strobes to simulate the Hurrell effect—updated with more softness than you would see in the early Hurrell portraits. The main ingredient was to use a key light positioned above and pointed down at the model’s face. This generated a “butterfly” shadow—so named because the shadow is shaped like a butterfly—beneath the model’s nose.

Hurrell made contact prints directly from 8 x 10 film shot in a view camera, typically at long shutter speeds (so the models had to be posed to keep still during the exposure process).Uncoated lenses produced halo effects, and the film stock added halation—increased glow on the highlights. The film was underexposed and overdeveloped, leading to dramatic high contrasts between lights and darks. To partially recreate this effect, I underexposed by about 2 f-stops when I made this portrait.

Since Hurrell’s work was monochromatic—and made using equipment and chemistry from a specific historical era that led to the anomalies I’ve described—I wanted to convert this photo to black and white and give it a look closer to something thatHurrell might have done.

In Photoshop, I simulated Hurrell’s black and white tones and contrast by combining a High Contrast Red preset Black & White adjustment layer with the Nik Silver Efex Antique Plate 1 filter.

100mm, 1/160 of a second at f/16 and ISO 100, hand held

Katie Rose

If you’ve ever photographed a toddler, you’ll know that they are constantly in motion—except when they are asleep. My daughter Katie Rose is no exception to this rule. If you don’t want to end up with photos that appear out of focus because of motion blur when shooting small kids, you have to chart a strategy that deals with their propensity for staying in motion.

One idea is to boost the ISO so you can use a fast shutter speed. This is the best approach for location and environmental photography of toddles. Another tactic is to use strobe equipment in the studio. If you are using a studio setup, you need to be prepared to track your pint-sized subjects and snap the photo on their time—not yours.

In this photo, Katie wandered around the studio, off and on the seamless paper background. I lit the white, seamless background with an 800 watt strobe modified using a soft box, and a friend followed Katie’s motion with a smaller strobe unit, hand held on the side opposite the soft box.

Getting down to Katie’s level, I tracked her motion with my camera, and waited for an ideal moment to capture her in this high-key portrait. I intentionally post-processed the resulting capture to make the background seem slightly overexposed and even whiter than it would look normally.

52mm, 1/160 of a second at f/13 and ISO 100, hand held

Model Bride

I photographed this bride in a dark underpass, positioned so that a shaft oflight illuminated her in contrast to the surrounding shadows.

I wasn’t worried about getting a great deal of depth-of-field. All I wanted was to get the bride’s face in focus. At the same time, I wanted to make sure that the background shadows seemed rich and black, and cloaked the details of the tunnel. The point was to contrast the dark background with the radiant white dress, the expression on the bride’s face, and the bridal bouquet. So I chose as fast a shutter speed as possible with the lens I was using (1/250 of a second) and focused precisely on the bride’s face. As she smiled, I snapped the photo.

50mm, 1/250 of a second at f/4.8 and ISO 200, hand held

... Read more

Customer Reviews (11)

Not very creative, old insights, some really bad examples
I found this book quite disappointing. The text was mostly regurgitated old knowledge. But the worst were the large number of images that were of a quality that uncle Joe could do with his point and click. Don't get me wrong, there were some very fine images in the book, but for the price I expect high quality all through - and not images published that I would be ashamed to give to a client.
Also what is with all the photos of the author's family? I don't want to buy a familiy album.

Definitely do NOT recommend to spend money on this.

For the beginner only
I would consider myself nothing more than a keen amateur photographer, yet I learned nothing new from this book. These really are the absolute basics when it comes to portrait photography, and if you know anything at all about this subject then you don't need to buy this book. I also found the images in the book to be of very low quality, both in terms of printing and photography. The majority of the studio model shots look like cheesy glamour shots from the 80's, and many of the other photos are of his children and look like nothing more than your average family snap. I was extremely disappointed with this book. The only silver lining is that after reading the book, I felt that I was a much better photographer than I did before I read it.......... but probably not in the way the author intended.

Portraits in bad taste awfully printed
This book was an unpleasant surprise. It lacks any truly artistic insight to portrait making, thrives in banality and printing quality of illustrations are third rate. Money trown away.

New Ideas
Harold's ideas are fresh and inspiring.He has given me new creative insights into portraiture.

A creative masterpiece for people photographers
Mr. Davis has done it again...I began my photography career as a studio, portrait photographer...my outlook has so changed...candids tell a personal story. The use of lighting and the natural poses that the book offers, with the added how to's in this book is a must read for anyone interested in portrait photography...
Kudos to Mr. Davis this book is awesome!!!!! ... Read more

Product Description

Take the mystery out of digital photography and join the fun!

You don't need to be a professional photographer or a technology expert to take great digital photos! This down-to-basics guide makes it easy to choose the right camera, understand all its dials and controls, take good pictures, make them look even better with your computer, and print them or share them online for friends and family to enjoy.

• Do your homework — compare camera features to choose those you need at the price you can afford

• Practice, practice, practice — learn to use camera settings, how to compose good shots, and how light affects a picture

• The darkroom is now digital — use free software to organize and edit your photos

• Learn to share — print your pictures at home or through a service, e-mail them to friends, set up an online photo album, or show them off in a digital picture frame

Open the book and find:

• How to pick the camera that best fits your budget and needs

• Tips for taking great travel photos

• Accessories you might want for your camera

• How to get really good pictures of kids and pets

• Easy ways to get photos from your camera to your computer

• Tips and tricks for editing pictures on a computer

• Good reasons for putting your pictures online

Customer Reviews (3)

Best Book Yet
Hinton has done a fantastic job of answering all those questions I had abaout digital photography, cameras,and editing info. He completely reviews the downloadable software program WINDOWS LIVE PHOTO GALLERY. So many programs are expensive and complicated, but this has given me new hope. I feel, that with this book, I am able to tackle anything related to my digital camera or my software program. Very helpful information and photos to show exactly what he is talking about. You can't go wrong with this book. Great for beginners or any of us who were afraid to tackle some of these issues. I get excited now about trying new things with my camera. You can't go wrong with this book and it is generic enough that it doesn't matter what camera you have. I just purchased and new "bridge" camera and find this book very helpful. Buy it!!!

Great Book for Seniors (and Everybody Else, Too)
From assistance in choosing the right digital camera to posting edited photographs online to share with family and friends, this book has it all. The first few chapters methodically explain the different buttons and menus. By using Windows Live Photo Gallery to take users through the various tools for editing and organizing photos, the author avoided what might otherwise have been simply a cursory review of several different programs rather than a useful "how-to."Similarly, the author uses Flickr to give a practicum how to post photos online. The section dealing with digital picture frames was especially helpful. I was particularly impressed with the sections that offer guidelines and suggestions for taking better photographs.

Senior Photography Book Delivers
I was skeptical about the concept of Dummies books specifically for seniors. But Wiley delivers with this book. It's fun and good-looking with many full-color photos and illustrations. The book is very clearly written and contains lots of practical tips, as well as step-by-step instructions. The book does not patronize its audience either; it just provides lots of useful information. Plus the book sports a 14-point font, nice and large for those of us in the reading glasses phase of our lives. Kudos to Hinton and his publisher! ... Read more